Directed by: Mimi Leder, Tucker Gates, David Frankel, Stacie Passon, Kevin Bray, Roxann Dawson, Michelle MacLaren, Lynn Shelton, Miguel Arteta, Lesli Linka Glatter, Victoria Mahoney, Rachel Morrison, Jessica Yu, Thomas Carter, Jennifer Getzinger, Millicent Shelton
Cinematography by: David Lanzenberg, Michael Grady, John Grillo, Tami Reiker, John Brawley, Jeffrey Waldron
Cinematography by: Trent Opaloch
Cameras: ALEXA IMAX Camera
Editing System: Avid Editing System
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Edited by: Roger Barton
Cameras: ARRI ALEXA XT Plus Camera
Directed by: Iain B. MacDonald
Cinematography by: Rob Kitzmann
Edited by: Nigel Williams
Directed by: Iain B. MacDonald
Cinematography by: Rob Kitzmann
Edited by: Nigel Williams
Directed by: Iain B. MacDonald
Cinematography by: Rob Kitzmann
Edited by: Nigel Williams
Directed by: Iain B. MacDonald
Cinematography by: Rob Kitzmann
Edited by: Nigel Williams
Directed by: Iain B. MacDonald
Cinematography by: Rob Kitzmann
Edited by: Nigel Williams
Directed by: Iain B. MacDonald
Cinematography by: Rob Kitzmann
Edited by: Nigel Williams
Directed by: Iain B. MacDonald
Cinematography by: Rob Kitzmann
Edited by: Nigel Williams
Directed by: Iain B. MacDonald
Cinematography by: Rob Kitzmann
Edited by: Nigel Williams
Directed by: Iain B. MacDonald
Cinematography by: Rob Kitzmann
Edited by: Nigel Williams
Directed by: Michael Uppendahl
Cinematography by: Don Devine
Edited by: Tom Wilson
Directed by: Chris Manley
Cinematography by: M. David Mullen
Edited by: Chris Figler
Directed by: Scott Hornbacher
Cinematography by: Don Devine
Edited by: Christopher Gay
Directed by: Chris Manley
Cinematography by: Don Devine
Edited by: Tom Wilson
Directed by: Phil Abraham
Cinematography by: Chris Manley
Edited by: Chris Figler
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Leslie Jones
Editing System: Avid Editing System
Directed by: Brad Furman
Cinematography by: Mauro Fiore
Edited by: Jeff McEvoy
Directed by: Roman Coppola
Cinematography by: Nick Beal
Edited by: Robert Schafer
Cameras: ARRI ALEXA Camera, ARRI Cameras
Directed by: Timur Bekmambetov
Cinematography by: Caleb Deschanel
Edited by: William Hoy
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Cinematography by: Rob Kitzmann
Cameras: ARRI ALEXA Camera
Directed by: Randall Wallace
Cinematography by: Dean Semler
Edited by: John Wright
Directed by: John Hamburg
Cinematography by: Lawrence Sher
Edited by: William Kerr
Directed by: Nancy Meyers
Cinematography by: John Toll
Directed by: Nicholas Stoller
Cinematography by: Russ T. Alsobrook
Edited by: William Kerr
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Peyton Reed
Cinematography by: Robert D. Yeoman
Edited by: Craig Alpert
Cameras: Panavision Cameras
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Conrad Buff IV
Cameras: Panavision Cameras
Directed by: Brett Ratner
Cinematography by: James M. Muro
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Directed by: Phil Abraham, Michael Uppendahl, Jennifer Getzinger, Matthew Weiner, Scott Hornbacher, Lesli Linka Glatter, Tim Hunter, John Slattery, Andrew Bernstein, Alan Taylor, Chris Manley, Jon Hamm, Ed Bianchi, Paul Feig, Barbet Schroeder, Daisy von Scherler Mayer, Lynn Shelton, Matt Shakman, Jared Harris
Cinematography by: Chris Manley, Don Devine, Phil Abraham, Steve Mason, Frank G. DeMarco, Bill Roe, Jeffrey Jur, M. David Mullen
Edited by: Tom Wilson, Malcolm Jamieson, Christopher Gay, Leo Trombetta, Christopher Nelson, Chris Figler, David Siegel, Cindy Mollo, Pattye Rogers, Conrad Smart, Patricia Rafferty
Editing System: Avid Editing System
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Peter Honess
Directed by: Tony Scott
Cinematography by: Dan Mindel
Directed by: Wes Craven
Cinematography by: Robert McLachlan
Directed by: Paul Schrader
Edited by: Kristina Boden
Directed by: Kevin Donovan
Cinematography by: Stephen F. Windon
Edited by: Craig Herring
Cinematography by: Giles Nuttgens
Edited by: Lauren Zuckerman
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Richard Francis-Bruce