Directed by: Jeff Nichols
Cinematography by: Adam Stone
Edited by: Julie Monroe
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Cameras: ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens
Editing System: Avid Editing System
Directed by: Ryan Gosling
Cinematography by: Benoît Debie
Lenses: Cooke 5/i Lenses, Zeiss Ultra Prime Lenses
Directed by: Spike Jonze
Cinematography by: Hoyte Van Hoytema
Directed by: Andrew Niccol
Cinematography by: Roberto Schaefer
Edited by: Thomas J. Nordberg
Cameras: ARRI ALEXA Camera
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Nicolas De Toth
Directed by: Tim Burton
Cinematography by: Bruno Delbonnel
Edited by: Chris Lebenzon
Directed by: Bruce Robinson
Cinematography by: Dariusz Wolski
Edited by: Carol Littleton
Lenses: Zeiss Ultra Prime Lenses
Directed by: Nathan Morlando
Cinematography by: Steve Cosens
Edited by: Richard Comeau
Directed by: Rob Minkoff
Cinematography by: Steven Poster
Edited by: Tom Finan
Cameras: Canon EOS-7D Camera, Red One Camera
Directed by: Michael Dowse
Cinematography by: Terry Stacey
Edited by: Lee Haxall
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Directed by: Tom Ford
Cinematography by: Eduard Grau
Edited by: Joan Sobel
Directed by: Ira Sachs
Cinematography by: Peter Deming
Edited by: Affonso Gonçalves
Directed by: Quentin Tarantino
Cinematography by: Quentin Tarantino
Edited by: Sally Menke
Directed by: Oliver Stone
Cinematography by: Seamus McGarvey
Directed by: Allen Coulter
Cinematography by: Jonathan Freeman
Edited by: Michael Berenbaum
Directed by: Tim Fywell
Cinematography by: David Hennings
Edited by: Janice Hampton
Directed by: Dean Parisot
Cinematography by: Jerzy Zielinski
Edited by: Don Zimmerman
Directed by: Tony Scott
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Mike Newell
Cinematography by: Anastas N. Michos
Edited by: Mick Audsley
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Edited by: Craig Wood
Editing System: Final Cut Pro Editing System
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Edited by: Craig Wood
Cameras: Panavision Cameras
Directed by: Tony Scott
Cinematography by: Dan Mindel
Edited by: Christian Wagner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Ted Demme
Cinematography by: Geoffrey Simpson
Edited by: Jeffrey Wolf
Directed by: Jim Abrahams
Cinematography by: Pierre Letarte
Edited by: Terry Stokes
Directed by: John Woo
Cinematography by: Oliver Wood
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Directed by: Pat O'Connor
Cinematography by: Kenneth MacMillan
Edited by: Ray Lovejoy
Directed by: David S. Ward
Cinematography by: Victor Hammer
Directed by: Mark L. Lester
Cinematography by: Mark Irwin
Edited by: Scott Conrad