Directed by: Ryan Coogler
Cinematography by: Autumn Durald Arkapaw
Cameras: Sony CineAlta VENICE Camera
Directed by: Jon Watts
Cinematography by: Salvatore Totino
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Directed by: Jaume Collet-Serra
Cinematography by: Flavio Martínez Labiano
Edited by: Jim May
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: ARRI ALEXA M Camera
Lenses: Fujinon Premier Lenses
Editing System: Avid Editing System
Directed by: Scott Cooper
Cinematography by: Masanobu Takayanagi
Edited by: David Rosenbloom
Editing System: Avid Editing System
Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
Edited by: Niven Howie
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Directed by: Chris Columbus
Cinematography by: Stephen Goldblatt
Edited by: Peter Honess
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: James Haygood
Cameras: Phantom HD Camera, Sony CineAlta F35 Camera
Editing System: Avid Editing System
Directed by: Mark Waters
Cinematography by: Daryn Okada
Edited by: Bruce Green
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Directed by: Grant Heslov
Cinematography by: Robert Elswit
Edited by: Tatiana S. Riegel
Cameras: Panavision Panaflex Platinum Camera
Cinematography by: David Tattersall
Lenses: Zeiss DigiPrime Lenses
Directed by: Catherine Hardwicke
Cinematography by: Elliot Davis
Edited by: Nancy Richardson
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Directed by: Gary Fleder
Cinematography by: Kramer Morgenthau
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Directed by: Ben Stiller
Cinematography by: John Toll
Edited by: Greg Hayden
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Kevin Lima
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Directed by: Brett Ratner
Cinematography by: James M. Muro
Directed by: Tom Shadyac
Cinematography by: Ian Baker
Edited by: Scott Hill
Cameras: Panavision Cameras
Editing System: Lightworks Editing System
Directed by: Mark Helfrich
Cinematography by: Anthony B. Richmond
Edited by: Julia Wong
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Directed by: Mark Steven Johnson
Cinematography by: Russell Boyd
Edited by: Richard Francis-Bruce
Cameras: Panavision Cameras
Directed by: Stefen Fangmeier
Cinematography by: Hugh Johnson
Directed by: Frank Marshall
Cinematography by: Don Burgess
Edited by: Christopher Rouse
Directed by: Kurt Wimmer
Cinematography by: Arthur Wong
Edited by: William Yeh
Directed by: McG
Cinematography by: Shane Hurlbut
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Peter Honess
Directed by: Brian Robbins
Cinematography by: Gabriel Beristain
Edited by: Ned Bastille
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Directed by: Tim Fywell
Cinematography by: David Hennings
Edited by: Janice Hampton
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Directed by: Francis Lawrence
Cinematography by: Philippe Rousselot
Edited by: Wayne Wahrman
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Cameras: ARRI Cameras
Directed by: Mark Waters
Cinematography by: Daryn Okada
Edited by: Wendy Greene Bricmont
Cameras: Panavision Cameras
Directed by: David Twohy
Cinematography by: Hugh Johnson
Directed by: Stephen Sommers
Cinematography by: Allen Daviau
Editing System: Avid Editing System
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Directed by: Trey Parker
Cinematography by: Bill Pope
Edited by: Thomas M. Vogt
Cameras: ARRIFLEX 435 Camera, Pan-Arri 435 Camera
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Directed by: Bruno Barreto
Cinematography by: Affonso Beato
Directed by: David Zucker
Cinematography by: Martin McGrath
Directed by: Ron Maxwell
Cinematography by: Kees Van Oostrum
Edited by: Corky Ehlers
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Directed by: Joe Dante
Cinematography by: Dean Cundey
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Directed by: David Twohy
Cinematography by: Ian Wilson
Edited by: Martin Hunter
Directed by: Ted Demme
Cinematography by: Ellen Kuras
Edited by: Kevin Tent
Directed by: Renny Harlin
Cinematography by: Mauro Fiore
Directed by: Peter Howitt
Cinematography by: John Bailey
Edited by: Zach Staenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Kevin Smith
Cinematography by: Jamie Anderson
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Directed by: Brian Levant
Cinematography by: Jamie Anderson
Edited by: Kent Beyda
Directed by: Antony Hoffman
Cinematography by: Peter Suschitzky