Directed by: Marc Forster
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Directed by: Guy Ritchie
Cinematography by: Philippe Rousselot
Edited by: James Herbert
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Directed by: Guy Ritchie
Cinematography by: Philippe Rousselot
Edited by: James Herbert
Directed by: David Dobkin
Cinematography by: Remi Adefarasin
Edited by: Mark Livolsi
Lenses: Zeiss Ultra Prime Lenses
Directed by: Shekhar Kapur
Cinematography by: Remi Adefarasin
Edited by: Jill Bilcock
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Directed by: James McTeigue
Cinematography by: Adrian Biddle
Edited by: Martin Walsh
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
Editing System: Avid Editing System
Directed by: Brian Grant
Cinematography by: Witold Stok
Edited by: Fiona Colbeck
Directed by: Jan de Bont
Cinematography by: Karl Walter Lindenlaub
Edited by: Michael Kahn
Cameras: Panavision Cameras, VistaVision Cameras
Lenses: Panavision Lenses