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The Matrix Resurrections | ShotOnWhat?

Production Supervisor: San Francisco The Matrix Resurrections (2021)

Directed by: Lana Wachowski

Cinematography by: Daniele Massaccesi, John Toll

Edited by: Joseph Jett Sally

Cameras: Red Komodo Camera

Lenses: Panavision Compact Zoom Lenses, Panavision LWZ 27-68 mm T2.8 Lens, Panavision Panaspeed Series Lenses, Panavision Primo 70 Lenses, Sigma Lenses, Zeiss Cinema Zoom Series Lenses

Jurassic World | ShotOnWhat?

Production Coordinator: New Orleans Jurassic World (2015)

Directed by: Colin Trevorrow

Cinematography by: John Schwartzman

Edited by: Kevin Stitt

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Platinum Camera, Red Epic Dragon Camera

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Panavision 65mm Prime Lenses, Panavision Primo Primes Spherical Lenses

22 Jump Street | ShotOnWhat?

Production Coordinator 22 Jump Street (2014)

Directed by: Phil Lord, Christopher Miller

Cinematography by: Barry Peterson

Edited by: Keith Brachmann, David Rennie

Cameras: ARRI ALEXA XT Camera

The Butler | ShotOnWhat?

Production Coordinator The Butler (2013)

Directed by: Lee Daniels

Cinematography by: Andrew Dunn

Edited by: Brian A. Kates, Joe Klotz

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

This Is the End | ShotOnWhat?

Assistant Production Coordinator This Is the End (2013)

Directed by: Evan Goldberg, Seth Rogen

Cinematography by: Brandon Trost

Edited by: Zene Baker

Cameras: Panavision Cameras, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

21 Jump Street | ShotOnWhat?

Assistant Production Coordinator 21 Jump Street (2012)

Directed by: Phil Lord, Christopher Miller

Cinematography by: Barry Peterson

Edited by: Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera

The Lucky One | ShotOnWhat?

Assistant Production Coordinator The Lucky One (2012)

Directed by: Scott Hicks

Cinematography by: Alar Kivilo

Edited by: Scott Gray

The Campaign | ShotOnWhat?

Assistant Production Coordinator The Campaign (2012)

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Craig Alpert, Jon Poll

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

The Mechanic | ShotOnWhat?

Assistant Production Office Coordinator The Mechanic (2011)

Directed by: Simon West

Cinematography by: Eric Schmidt

Edited by: T.G. Herrington, Todd E. Miller

Jeff, Who Lives at Home | ShotOnWhat?

Assistant Production Office Coordinator Jeff, Who Lives at Home (2011)

Directed by: Jay Duplass, Mark Duplass

Cinematography by: Jas Shelton

Edited by: Jay Deuby

Cameras: Red One MX Camera

Colombiana | ShotOnWhat?

Travel Coordinator Colombiana (2011)

Directed by: Olivier Megaton

Cinematography by: Romain Lacourbas

Edited by: Camille Delamarre

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

RED | ShotOnWhat?

Assistant Production Office Coordinator RED (2010)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Thom Noble

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses

Alabama Moon | ShotOnWhat?

Assistant Production Coordinator Alabama Moon (2009)

Directed by: Tim McCanlies

Cinematography by: Jimmy Lindsey

Edited by: Mark Coffey

Cirque du Freak: The Vampire's Assistant | ShotOnWhat?

Production Secretary Cirque du Freak: The Vampire's Assistant (2009)

Directed by: Paul Weitz

Cinematography by: James M. Muro

Edited by: Leslie Jones

Bad Lieutenant: Port of Call New Orleans | ShotOnWhat?

Transportation Secretary Bad Lieutenant: Port of Call New Orleans (2009)

Directed by: Werner Herzog

Cinematography by: Peter Zeitlinger

Edited by: Joe Bini

Cameras: Moviecam Compact MK2 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Lenses

Kill Theory | ShotOnWhat?

Production Assistant Kill Theory (2009)

Directed by: Chris Moore

Cinematography by: David A. Armstrong

Edited by: Maureen Meulen

"True Blood" Beyond Here Lies Nothin' | ShotOnWhat?

Production Secretary 'True Blood' Beyond Here Lies Nothin' (2009)

Television Episode

Directed by: Michael Cuesta

Cinematography by: Joseph E. Gallagher

Edited by: Louise Innes

"True Blood" Hard-Hearted Hannah | ShotOnWhat?

Production Secretary 'True Blood' Hard-Hearted Hannah (2009)

Television Episode

Directed by: Michael Lehmann

Cinematography by: Romeo Tirone

Edited by: Louise Innes

True Blood | ShotOnWhat?

Production Secretary - 2 Episodes, 2009 True Blood (2008)

Television Series

Cinematography by: Romeo Tirone, David Klein, Matthew Jensen, Evans Brown, John B. Aronson, Checco Varese, Joseph E. Gallagher, Stephen St. John, Cort Fey, Amy Vincent, Uta Briesewitz

Edited by: Michael Ruscio, Louise Innes, Lynne Willingham, Mark Hartzell, Andy Keir, Carol Stutz, Peter B. Ellis, Debra F. Simone

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Moviecam Compact Camera, Red Epic Dragon Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

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