Directed by: Damien Chazelle
Cinematography by: Linus Sandgren
Edited by: Tom Cross
Cinematography by: Bruno Delbonnel
Directed by: Damien Chazelle
Cinematography by: Linus Sandgren
Edited by: Tom Cross
Cinematography by: Linus Sandgren
Edited by: Pamela Martin
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Editing System: Adobe Premiere Editing System
Directed by: Damien Chazelle
Cinematography by: Linus Sandgren
Edited by: Tom Cross
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Cinematography by: Bruno Delbonnel
Cameras: ARRICAM Lite (LT) Camera
Editing System: Adobe Premiere Editing System, Final Cut Pro Editing System
Directed by: Ruben Fleischer
Cinematography by: Dion Beebe
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Editing System: Avid Editing System
Directed by: Alex Kurtzman
Cinematography by: Salvatore Totino
Edited by: Robert Leighton
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera
Editing System: Final Cut Pro Editing System
Cinematography by: Roger Deakins
Lenses: Cooke S4 Lenses, Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Directed by: Robert Redford
Cinematography by: Philippe Rousselot
Edited by: Joe Hutshing
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Edited by: Robert Frazen
Directed by: Nora Ephron
Cinematography by: John Lindley
Edited by: Tia Nolan
Cinematography by: Roger Deakins
Editing System: Final Cut Pro Editing System
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 Camera
Editing System: Final Cut Pro Editing System
Directed by: Bruno Barreto
Cinematography by: Affonso Beato
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Directed by: Brad Silberling
Cinematography by: Phedon Papamichael
Edited by: Lisa Zeno Churgin
Cameras: Panavision Panaflex Camera
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Directed by: Terry Zwigoff
Cinematography by: Affonso Beato
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Directed by: Oliver Stone
Cinematography by: Salvatore Totino
Cinematography by: Mark Irwin
Edited by: Christopher Greenbury
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 535 B Camera
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 35 BL4 Camera
Cinematography by: Mark Irwin
Edited by: Christopher Greenbury
Cinematography by: Roger Deakins
Edited by: Thom Noble
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Cinematography by: Mark Irwin
Edited by: Christopher Greenbury
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Hart Bochner
Cinematography by: Reynaldo Villalobos
Edited by: Nicholas C. Smith
Directed by: Michael Caton-Jones
Cinematography by: David Watkin
Edited by: Jim Clark
Directed by: Bob Rafelson
Cinematography by: Stephen H. Burum
Edited by: William Steinkamp
Directed by: Bruce Robinson
Cinematography by: Conrad L. Hall
Edited by: Conrad Buff IV
Cameras: Panavision Panaflex Platinum Camera
Directed by: Ron Underwood
Cinematography by: Dean Semler
Edited by: O. Nicholas Brown
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Cameras: Panavision Cameras, Panavision Panaflex Camera
Lenses: Panavision Lenses
Editing System: Moviola Editing System