Directed by: Jay Roach
Cinematography by: Jim Denault
Edited by: Alan Baumgarten
Directed by: David Zucker
Cinematography by: Brian Baugh
Edited by: Vashi Nedomansky
Directed by: George Clooney
Cinematography by: Newton Thomas Sigel
Edited by: Stephen Mirrione
Directed by: Peter Berg
Cinematography by: Mauro Fiore
Directed by: Brian De Palma
Cinematography by: Vilmos Zsigmond
Edited by: Bill Pankow
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Directed by: Oliver Stone
Cinematography by: Seamus McGarvey
Directed by: Michael Mayer
Cinematography by: James M. Muro
Edited by: Andrew Marcus
Directed by: Arie Posin
Cinematography by: Lawrence Sher
Directed by: Wes Craven
Cinematography by: Robert McLachlan
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Walter Murch
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Directed by: Joe Roth
Cinematography by: Don Burgess
Edited by: Nick Moore
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Directed by: Bruno Barreto
Cinematography by: Affonso Beato
Directed by: Joe Dante
Cinematography by: Dean Cundey
Directed by: Rob Minkoff
Cinematography by: Steven Poster
Edited by: Priscilla Nedd-Friendly
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Cameras
Lenses: ARRI / Zeiss Lenses
Directed by: Jon Turteltaub
Cinematography by: Peter Menzies Jr.
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Cameras: Panavision Cameras, Pathé Cameras
Lenses: Panavision Lenses