Glen Carroll

Glen Carroll 65 Titles

Is this you? Add a Profile

Additional Third Assistant Director: Second Unit The Batman (2022)

Motion Picture

Directed by: Matt Reeves

Cinematography by: Greig Fraser

Edited by: William Hoy, Tyler Nelson

Lenses: ARRI Rental ALFA Lenses, ARRI Rental Prime DNA Lenses, Atlas Orion Anamorphic Series Lenses, Cooke Xtal Express Lenses

Crowd Third Assistant Director 'The Crown' Gold Stick (2020)

Television Episode

Directed by: Benjamin Caron

Cinematography by: Adriano Goldman

Edited by: Frances Parker

"The Crown" The Balmoral Test | ShotOnWhat?

Crowd Third Assistant Director 'The Crown' The Balmoral Test (2020)

Television Episode

Directed by: Paul Whittington

Cinematography by: Adriano Goldman

Edited by: Simon Brasse

Crowd Third Assistant Director 'The Crown' War (2020)

Television Episode

Directed by: Jessica Hobbs

Cinematography by: Ben Wilson

Edited by: Celia Haining

Crowd Third Assistant Director 'The Crown' Avalanche (2020)

Television Episode

Directed by: Jessica Hobbs

Cinematography by: Ben Wilson

Edited by: Paulo Pandolpho

Crowd Third Assistant Director 'The Crown' 48:1 (2020)

Television Episode

Directed by: Julian Jarrold

Cinematography by: Stuart Howell

Edited by: Mark Davis

"The Crown" The Hereditary Principle | ShotOnWhat?

Crowd Third Assistant Director 'The Crown' The Hereditary Principle (2020)

Television Episode

Directed by: Jessica Hobbs

Cinematography by: Ben Wilson

Edited by: Morten Højbjerg

Crowd Third Assistant Director 'The Crown' Terra Nullius (2020)

Television Episode

Directed by: Julian Jarrold

Cinematography by: Stuart Howell

Edited by: Lucia Zucchetti

Crowd Third Assistant Director 'The Crown' Fagan (2020)

Television Episode

Directed by: Paul Whittington

Cinematography by: Adriano Goldman

Edited by: Ben Yeates

Crowd Third Assistant Director 'The Crown' Favourites (2020)

Television Episode

Directed by: Paul Whittington

Cinematography by: Adriano Goldman

Edited by: Richard Graham

Crowd Third Assistant Director 'The Crown' Fairytale (2020)

Television Episode

Directed by: Benjamin Caron

Cinematography by: Adriano Goldman

Edited by: Yan Miles

Crowd Third Assistant Director 'The Crown' Moondust (2019)

Television Episode

Directed by: Jessica Hobbs

Cinematography by: Adriano Goldman

Edited by: Paulo Pandolpho

Crowd Third Assistant Director 'The Crown' Dangling Man (2019)

Television Episode

Directed by: Samuel Donovan

Cinematography by: Fabian Wagner

Edited by: Peggy Koretzky

Crowd Third Assistant Director 'The Crown' Cri de Coeur (2019)

Television Episode

Directed by: Jessica Hobbs

Cinematography by: Adriano Goldman

Edited by: Celia Haining

Crowd Third Assistant Director The Aeronauts (2019)

Motion Picture

Directed by: Tom Harper

Cinematography by: George Steel

Edited by: Mark Eckersley

Cameras: Red Monstro 8K Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses

Crowd Third Assistant Director 'The Crown' Aberfan (2019)

Television Episode

Directed by: Benjamin Caron

Cinematography by: Adriano Goldman

Edited by: Yan Miles

Star Wars: Episode IX - The Rise of Skywalker | ShotOnWhat?

Third Assistant Director: Visual Effects Unit Star Wars: Episode IX - The Rise of Skywalker (2019)

Motion Picture

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Stefan Grube

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Digital Lenses, Panavision Retro C Series Lenses, Panavision T Series Anamorphic Lenses

Crowd Third Assistant Director 'The Crown' Olding (2019)

Television Episode

Directed by: Benjamin Caron

Cinematography by: Adriano Goldman

Edited by: Yan Miles

Third Assistant Director: Second Unit Mary Poppins Returns (2018)

Motion Picture

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Wyatt Smith

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens

Third Assistant Director: Second Unit Solo: A Star Wars Story (2018)

Motion Picture

Directed by: Ron Howard

Cinematography by: Bradford Young

Edited by: Pietro Scalia

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: ARRI Rental Prime DNA Lenses, CamTec Falcon Full Frame Lenses, Zeiss Super Speed Lenses

Transformers: The Last Knight | ShotOnWhat?

Crowd Third Assistant Director: United Kingdom Transformers: The Last Knight (2017)

Motion Picture

Directed by: Michael Bay

Cinematography by: Jonathan Sela

Edited by: Roger Barton, Adam Gerstel, Debra Neil-Fisher, John Refoua, Mark Sanger, Calvin Wimmer

Cameras: ALEXA IMAX Camera, ARRIFLEX 416 Camera, Red Epic Dragon Camera, Red Epic Helium Camera

Lenses: ARRI Rental Prime 65 Lenses, Hawk Hawk65 Series Lenses, Hawk V-Lite 16 Lens, Hawk Vantage One Lenses, Leitz Summilux-C Series Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Third Assistant Director 'The Crown' Misadventure (2017)

Television Episode

Directed by: Philip Martin

Cinematography by: Stuart Howell

Edited by: Ben Lester

"The Crown" A Company of Men | ShotOnWhat?

Third Assistant Director 'The Crown' A Company of Men (2017)

Television Episode

Directed by: Philip Martin

Cinematography by: Stuart Howell

Edited by: Celia Haining

Second Second Assistant Director: Additional Photography Alien: Covenant (2017)

Motion Picture

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses: Angenieux Optimo DP Zoom Lenses, Panavision Compact Zoom Lenses, Panavision PVintage Prime Lenses

Star Wars: Episode VIII - The Last Jedi | ShotOnWhat?

Crowd Third Assistant Director, Reemar Kayvonix / Stormtrooper Star Wars: Episode VIII - The Last Jedi (2017)

Motion Picture

Directed by: Rian Johnson

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 435 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: ARRI Rental Prime 65 Lenses, Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

Crowd Third Assistant Director / Third Assistant Director - 17 Episodes, 2017-2020 The Crown (2016)

Television Series

Directed by: Benjamin Caron, Philip Martin, Julian Jarrold, Stephen Daldry, Philippa Lowthorpe, Samuel Donovan, Jessica Hobbs, Christian Schwochow

Cinematography by: Adriano Goldman, Stuart Howell, Ole Bratt Birkeland, Frank Lamm, Fabian Wagner

Cameras: Sony CineAlta VENICE Camera, Sony PMW-F55 Camera

Lenses: Cooke Panchro/i Classic 135mm T2.8 Lens, Cooke Panchro/i Classic 21mm T2.2 Lens, Cooke Panchro/i Classic 27mm T2.2 Lens, Cooke Panchro/i Classic 65mm T2.4 Lens, Zeiss Super Speed Lenses

Fantastic Beasts and Where to Find Them | ShotOnWhat?

Third Assistant Director Fantastic Beasts and Where to Find Them (2016)

Motion Picture

Directed by: David Yates

Cinematography by: Philippe Rousselot

Edited by: Mark Day

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

First Assistant Director: Vfx Unit / Third Assistant Director Anthropoid (2016)

Motion Picture

Directed by: Sean Ellis

Cinematography by: Sean Ellis

Edited by: Richard Mettler

Cameras: ARRIFLEX 416 Camera

Lenses: Hawk V-Lite 16 Lens

Additional Third Assistant Director The Legend of Tarzan (2016)

Motion Picture

Directed by: David Yates

Cinematography by: Henry Braham

Edited by: Mark Day

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Leitz Summicron-C Series Lenses

Crowd Third Assistant Director Avengers: Age of Ultron (2015)

Motion Picture

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

Additional Third Assistant Director Pan (2015)

Motion Picture

Directed by: Joe Wright

Cinematography by: John Mathieson, Seamus McGarvey

Edited by: William Hoy, Paul Tothill

Cameras: ARRI ALEXA XT Camera, Phantom Flex Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision PVintage Prime Lenses

Additional Third Assistant Director Spectre (2015)

Motion Picture

Directed by: Sam Mendes

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Third Assistant Director: Main Unit Exodus: Gods and Kings (2014)

Motion Picture

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Ali Degismis, Billy Rich

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Additional Third Assistant Director Testament of Youth (2014)

Motion Picture

Directed by: James Kent

Cinematography by: Rob Hardy

Edited by: Lucia Zucchetti

Cameras: Sony CineAlta F65 Camera

Crowd Second Assistant Director: Additional Photography / Third Assistant Director: Second Unit Edge of Tomorrow (2014)

Motion Picture

Directed by: Doug Liman

Cinematography by: Dion Beebe

Edited by: James Herbert, Laura Jennings

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Third Assistant Director: Daily Crew Rush (2013)

Motion Picture

Directed by: Ron Howard

Cinematography by: Anthony Dod Mantle

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C300 Camera, GoPro HD Hero3 Camera, indieGS2K Camera, indiePOV Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Angenieux Lenses, ARRI / Zeiss Lenses, Bausch & Lomb Lenses, Canon Lenses, Cooke Lenses, Cooke Speed Panchro Lenses, Kowa Lenses, Schneider Lenses, Zeiss Master Prime Lenses

Additional Crowd Assistant Director Jack the Giant Slayer (2013)

Motion Picture

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Bob Ducsay, John Ottman

Cameras: ARRI ALEXA Camera, Panavision Genesis Camera, Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Crowd Second Assistant Director I Give It a Year (2013)

Motion Picture

Directed by: Dan Mazer

Cinematography by: Ben Davis

Edited by: Tony Cranstoun

Cameras: ARRI ALEXA Plus Camera

Crowd Third Assistant Director Thor: The Dark World (2013)

Motion Picture

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Dan Lebental, Wyatt Smith

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Panavision G Series Anamorphic Lenses

Crowd Third Assistant Director 47 Ronin (2013)

Motion Picture

Directed by: Carl Rinsch

Cinematography by: John Mathieson

Edited by: Stuart Baird

Cameras: ARRI ALEXA Camera

Editing System: Avid Editing System

Third Assistant Director: Second Unit World War Z (2013)

Motion Picture

Directed by: Marc Forster

Cinematography by: Ben Seresin, Robert Richardson

Edited by: Roger Barton, Matt Chesse

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, ARRIFLEX 435 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Additional Crowd Assistant Director The Dark Knight Rises (2012)

Motion Picture

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera

Lenses: Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Third Assistant Director: Second Unit The Veteran (2011)

Motion Picture

Directed by: Matthew Hope

Cinematography by: Philipp Blaubach

Edited by: Emma Gaffney

Third Assistant Director Swinging with the Finkels (2011)

Motion Picture

Directed by: Jonathan Newman

Cinematography by: Dirk Nel

Edited by: Eddie Hamilton

Cameras: Sony CineAlta F35 Camera

Lenses: Angenieux Optimo Zoom Lenses

Harry Potter and the Deathly Hallows: Part 2 | ShotOnWhat?

Additional Assistant Director: Dailies Harry Potter and the Deathly Hallows: Part 2 (2011)

Motion Picture

Directed by: David Yates

Cinematography by: Eduardo Serra

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Third Assistant Director Big Fat Gypsy Gangster (2011)

Motion Picture

Directed by: Ricky Grover

Cinematography by: Gary Shaw

Edited by: Jason de Vyea

Set Runner: Additional Shoot Unit Blitz (2011)

Motion Picture

Directed by: Elliott Lester

Cinematography by: Rob Hardy

Edited by: John Gilbert

German Soldier, Third Assistant Director Age of Heroes (2011)

Motion Picture

Directed by: Adrian Vitoria

Cinematography by: Mark Hamilton

Edited by: Chris Gill, Joe Parsons

Cameras: ARRICAM Lite (LT) Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Additional Third Assistant Director 360 (2011)

Motion Picture

Directed by: Fernando Meirelles

Cinematography by: Adriano Goldman

Edited by: Daniel Rezende

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses, Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

Captain America: The First Avenger | ShotOnWhat?

Additional Crowd Assistant Director Captain America: The First Avenger (2011)

Motion Picture

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva, Jeffrey Ford

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Harry Potter and the Deathly Hallows: Part 1 | ShotOnWhat?

Additional Assistant Director: Dailies Harry Potter and the Deathly Hallows: Part 1 (2010)

Motion Picture

Directed by: David Yates

Cinematography by: Eduardo Serra

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Panavision Lenses

Prince of Persia: The Sands of Time | ShotOnWhat?

Additional Runner Prince of Persia: The Sands of Time (2010)

Motion Picture

Directed by: Mike Newell

Cinematography by: John Seale

Edited by: Mick Audsley, Michael Kahn, Martin Walsh

Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Final Cut Pro Editing System

Additional Assistant Director Shanghai (2010)

Motion Picture

Directed by: Mikael Håfström

Cinematography by: Benoît Delhomme

Edited by: Peter Boyle, Kevin Tent

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Additional Crowd Assistant Director Hereafter (2010)

Motion Picture

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red One Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Dailies Runner Book of Blood (2009)

Motion Picture

Directed by: John Harrison

Cinematography by: Philip Robertson

Edited by: Harry B. Miller III

Harry Potter and the Half-Blood Prince | ShotOnWhat?

Additional Assistant Director: Dailies Harry Potter and the Half-Blood Prince (2009)

Motion Picture

Directed by: David Yates

Cinematography by: Bruno Delbonnel

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Additional Assistant Director: Dailies Bright Star (2009)

Motion Picture

Directed by: Jane Campion

Cinematography by: Greig Fraser

Edited by: Alexandre de Franceschi

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Cooke S4 Lenses, Optica Elite Lenses

Additional Assistant Director Quantum of Solace (2008)

Motion Picture

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse, Richard Pearson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Assistant Director: Additional Photography Inkheart (2008)

Motion Picture

Directed by: Iain Softley

Cinematography by: Roger Pratt

Edited by: Martin Walsh

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Additional Crowd Third Assistant Director Franklyn (2008)

Motion Picture

Directed by: Gerald McMorrow

Cinematography by: Ben Davis

Edited by: Peter Christelis

National Treasure: Book of Secrets | ShotOnWhat?

Set Production Assistant: Dailies National Treasure: Book of Secrets (2007)

Motion Picture

Directed by: Jon Turteltaub

Cinematography by: Amir Mokri, John Schwartzman

Edited by: William Goldenberg, David Rennie

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Driver The Four Feathers (2002)

Motion Picture

Directed by: Shekhar Kapur

Cinematography by: Robert Richardson

Edited by: Steven Rosenblum

Cameras: Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision E Series Anamorphic Lenses

Harry Potter and the Sorcerer's Stone | ShotOnWhat?

Driver Harry Potter and the Sorcerer's Stone (2001)

Motion Picture

Directed by: Chris Columbus

Cinematography by: John Seale

Edited by: Richard Francis-Bruce

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Driver The Mummy Returns (2001)

Motion Picture

Directed by: Stephen Sommers

Cinematography by: Adrian Biddle

Edited by: Bob Ducsay, Kelly Matsumoto

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses

Driver High Heels and Low Lifes (2001)

Motion Picture

Directed by: Mel Smith

Cinematography by: Steven Chivers

Edited by: Chris Blunden

20254.20

You need to login or create an account to link to credits

Login

Don't have an account yet?

Last viewed posts

Recently Updated