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Tuck Everlasting | ShotOnWhat?

Special Effects Assistant Tuck Everlasting (2002)

Directed by: Jay Russell

Cinematography by: James L. Carter

Edited by: Jay Cassidy

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Blair Witch Project | ShotOnWhat?

Stunt Rigging The Blair Witch Project (1999)

Directed by: Daniel Myrick, Eduardo Sánchez

Cinematography by: Neal Fredericks

Edited by: Daniel Myrick, Eduardo Sánchez

Cameras: Cinema Products CP-16 Camera, Sony DCR-TRV120 Camera

Deep Impact | ShotOnWhat?

Special Effects Assistant Deep Impact (1998)

Directed by: Mimi Leder

Cinematography by: Dietrich Lohmann

Edited by: Paul Cichocki, David Rosenbloom

Cameras: ARRIFLEX 535 Camera

Enemy of the State | ShotOnWhat?

Special Effects Assistant Enemy of the State (1998)

Directed by: Tony Scott

Cinematography by: Dan Mindel

Edited by: Chris Lebenzon

The American President | ShotOnWhat?

Special Effects Assistant The American President (1995)

Directed by: Rob Reiner

Cinematography by: John Seale

Edited by: Robert Leighton

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Silent Fall | ShotOnWhat?

Special Effects Coordinator Silent Fall (1994)

Directed by: Bruce Beresford

Cinematography by: Peter James

Edited by: Ian Crafford

Guarding Tess | ShotOnWhat?

Special Effects Guarding Tess (1994)

Directed by: Hugh Wilson

Cinematography by: Brian J. Reynolds

Edited by: Sidney Levin

Live Wire | ShotOnWhat?

Special Effects Live Wire (1992)

Directed by: Christian Duguay

Cinematography by: Jeffrey Jur

Edited by: Christopher Greenbury

That Night | ShotOnWhat?

Special Effects That Night (1992)

Directed by: Craig Bolotin

Cinematography by: Bruce Surtees

Edited by: Gregg London, Priscilla Nedd-Friendly

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