Directed by: Denis Villeneuve
Cinematography by: Greig Fraser
Edited by: Joe Walker
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Avid Editing System
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Directed by: Gary Shore
Cinematography by: John Schwartzman
Edited by: Richard Pearson
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Barney Pilling
Cameras: ARRICAM Studio (ST) Camera
Lenses: Angenieux Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Technovision Techno-Cooke Anamorphic Zoom 40-200mm T4.5 Lens
Editing System: Avid Editing System
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Directed by: George Clooney
Cinematography by: Phedon Papamichael
Edited by: Stephen Mirrione
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens
Editing System: Avid Editing System
Directed by: Tommy Wirkola
Cinematography by: Michael Bonvillain
Edited by: Jim Page
Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera
Directed by: Brian Percival
Cinematography by: Florian Ballhaus
Edited by: John Wilson
Cameras: ARRI ALEXA Camera, ARRI ALEXA XT Plus Camera
Editing System: Avid Editing System
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera
Editing System: Avid Editing System
Directed by: Til Schweiger
Cinematography by: Adrian Cranage
Edited by: Constantin von Seld
Lenses: Zeiss Master Prime Lenses
Directed by: Jaume Collet-Serra
Cinematography by: Flavio Martínez Labiano
Edited by: Timothy Alverson
Directed by: Farhan Akhtar
Cinematography by: Jason West
Directed by: Jean-Jacques Annaud
Cinematography by: Jean-Marie Dreujou
Edited by: Hervé Schneid
Directed by: Jérôme Salle
Cinematography by: Denis Rouden
Edited by: Stan Collet
Directed by: Christopher Smith
Cinematography by: Sebastian Edschmid
Edited by: Stuart Gazzard
Directed by: James McTeigue
Cinematography by: Karl Walter Lindenlaub
Lenses: Zeiss Master Prime Lenses
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Directed by: Michael Haneke
Cinematography by: Christian Berger
Edited by: Monika Willi
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Directed by: Stephen Daldry
Edited by: Claire Simpson
Lenses: Zeiss Master Prime Lenses
Directed by: Uli Edel
Cinematography by: Rainer Klausmann
Edited by: Alexander Berner
Cinematography by: David Tattersall
Lenses: Zeiss DigiPrime Lenses
Directed by: Stefen Fangmeier
Cinematography by: Hugh Johnson
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Directed by: Roland Suso Richter
Cinematography by: Holly Fink
Edited by: Bernd Schlegel
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Cameras: ARRI Cameras
Directed by: Frank Coraci
Cinematography by: Phil Meheux
Edited by: Tom Lewis
Cameras: Panavision Panaflex Gold II Camera
Directed by: Oliver Hirschbiegel
Cinematography by: Rainer Klausmann
Edited by: Hans Funck
Lenses: Zeiss Ultra Prime Lenses
Directed by: Jean-Jacques Annaud
Cinematography by: Jean-Marie Dreujou
Edited by: Noëlle Boisson
Directed by: Gregor Jordan
Cinematography by: Oliver Stapleton
Edited by: Lee Smith
Cameras: Panavision Cameras
Directed by: Jean-Jacques Annaud
Cinematography by: Robert Fraisse