Directed by: Rob Letterman
Cinematography by: John Mathieson
Directed by: Dean Devlin
Cinematography by: Roberto Schaefer
Cameras: Red Epic Dragon Camera
Directed by: Ben Affleck
Cinematography by: Robert Richardson
Edited by: William Goldenberg
Cameras: ARRI ALEXA 65 Camera
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Stuart Levy
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera
Directed by: Colin Trevorrow
Cinematography by: John Schwartzman
Edited by: Kevin Stitt
Directed by: Neil Burger
Cinematography by: Alwin H. Küchler
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Directed by: Phillip Noyce
Cinematography by: Ross Emery
Edited by: Barry Alexander Brown
Cameras: ARRI ALEXA XT Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera
Editing System: Avid Editing System
Directed by: Rob Bowman
Edited by: Marta Evry
Directed by: Ron Underwood
Cinematography by: Bill Roe
Edited by: Warren Bowman
Directed by: Rob Hardy
Cinematography by: Bill Roe
Edited by: David Latham
Directed by: Larry Shaw
Cinematography by: Bill Roe
Edited by: Marta Evry
Directed by: Jon M. Chu
Cinematography by: Stephen F. Windon
Directed by: Dean Parisot
Cinematography by: Enrique Chediak
Edited by: Don Zimmerman
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Hawk V-Lite Lenses
Directed by: Marc Webb
Cinematography by: John Schwartzman
Cameras: Red Epic Camera
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Directed by: Jon M. Chu
Cinematography by: Ken Seng
Edited by: Andrew Marcus
Cameras: Sony CineAlta F23 Camera
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: James Haygood
Cameras: Phantom HD Camera, Sony CineAlta F35 Camera
Editing System: Avid Editing System
Directed by: Dean White
Cinematography by: Bill Roe
Edited by: Warren Bowman
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Kevin Stitt
Directed by: Rob Bowman
Cinematography by: Michael Slovis
Edited by: Mark Manos
Directed by: John Terlesky
Cinematography by: Bill Roe
Edited by: Warren Bowman
Directed by: Rob Bowman
Cinematography by: Bill Roe
Edited by: Mark Manos
Directed by: Bryan Spicer
Cinematography by: Bill Roe
Edited by: Marta Evry
Directed by: Rob Bowman
Cinematography by: Bill Roe
Edited by: Marta Evry
Directed by: Jamie Babbit
Cinematography by: Bill Roe
Edited by: Mark Manos
Directed by: Michael Bay
Cinematography by: Ben Seresin
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Directed by: Rob Bowman, John Terlesky, Bill Roe, Bryan Spicer, Paul Holahan, Thomas J. Wright, Jeff Bleckner, David Barrett, Kate Woods, Larry Shaw, Holly Dale, Jeannot Szwarc, Jonathan Frakes, Kevin Hooks, Hanelle M. Culpepper, Ron Underwood, Alrick Riley, Jessica Yu, Jamie Babbit, Karen Gaviola, Dwight H. Little, Helen Shaver, Dean White, Félix Enríquez Alcalá, Rosemary Rodriguez, Bethany Rooney, Steve Boyum, Emile B. Levisetti, Millicent Shelton, Chuck Bowman, Rob Hardy, Milan Cheylov, Steve Robin, Jann Turner
Cinematography by: Bill Roe, Daryn Okada, James L. Carter, Stephen Collins, Dave Perkal, Steve Mason, Roger Simonsz, Michael Slovis
Directed by: James Cameron
Cinematography by: Mauro Fiore
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Editing System: Avid Editing System
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Directed by: Jon Turteltaub
Directed by: Nick Cassavetes
Cinematography by: Robert Fraisse
Edited by: Alan Heim
Directed by: Oliver Stone
Cinematography by: Rodrigo Prieto