Directed by: Michael Bay
Cinematography by: Bojan Bazelli
Directed by: Orson Welles
Cinematography by: Gary Graver
Cameras: Éclair NPR Camera
Directed by: Michael Bay
Cinematography by: Jonathan Sela
Directed by: William Brent Bell
Cinematography by: Daniel Pearl
Edited by: Brian Berdan
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Hawk Vantage One Lenses
Directed by: Leigh Whannell
Cinematography by: Brian Pearson
Edited by: Timothy Alverson
Cameras: Sony PMW-F55 Camera
Directed by: Seth MacFarlane
Cinematography by: Michael Barrett
Edited by: Jeff Freeman
Cameras: Sony PMW-F55 Camera
Editing System: Avid Editing System
Directed by: Damien Chazelle
Cinematography by: Sharone Meir
Edited by: Tom Cross
Cameras: ARRI ALEXA Camera, Canon EOS-7D Camera
Directed by: James Wan
Cinematography by: John R. Leonetti
Edited by: Kirk M. Morri
Cameras: ARRI ALEXA Camera
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Stuart Baird
Editing System: Avid Editing System
Directed by: Seth MacFarlane
Cinematography by: Michael Barrett
Edited by: Jeff Freeman
Cameras: Panavision Genesis Camera, Sony PMW-EX3 Camera
Editing System: Avid Editing System
Directed by: Jonas Pate
Edited by: Luis Carballar
Cameras: Panavision Cameras
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Directed by: Zach Helm
Cinematography by: Roman Osin
Directed by: Emilio Estevez
Cinematography by: Michael Barrett
Edited by: Richard Chew
Directed by: Todd Phillips
Cinematography by: Jonathan Brown
Directed by: Joey Lauren Adams
Cinematography by: Tim Orr
Edited by: Meg Reticker
Directed by: Nick Guthe
Cinematography by: Dan Stoloff
Edited by: Tim Mertens
Directed by: Danny DeVito
Cinematography by: Stephen H. Burum