Directed by: Peter Webber
Cinematography by: Stuart Dryburgh
Edited by: Chris Plummer
Lenses: Hawk V-Lite Lenses
Directed by: Ben Stiller
Cinematography by: John Toll
Edited by: Greg Hayden
Directed by: Stefen Fangmeier
Cinematography by: Hugh Johnson
Directed by: John Dahl
Cinematography by: Peter Menzies Jr.
Directed by: Oliver Stone
Cinematography by: Rodrigo Prieto
Directed by: Gregory Hoblit
Cinematography by: Alar Kivilo
Edited by: David Rosenbloom
Directed by: William Friedkin
Edited by: Augie Hess
Directed by: Joel Schumacher
Cinematography by: Matthew Libatique
Edited by: Mark Stevens
Directed by: Dean Parisot
Cinematography by: Jerzy Zielinski
Edited by: Don Zimmerman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Scott Hicks
Cinematography by: Robert Richardson
Edited by: Hank Corwin
Cameras: Panavision Panaflex Platinum Camera
Directed by: Terrence Malick
Cinematography by: John Toll
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens
Editing System: Avid Editing System
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Lenses: Zeiss Lenses
Directed by: Nancy Savoca
Cinematography by: Bobby Bukowski
Edited by: John Tintori
Cameras: ARRIFLEX 35 BL4s Camera
Lenses: Cooke Lenses
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Cameras: Panavision Cameras, Panavision Panaflex Camera
Lenses: Panavision Lenses
Editing System: Moviola Editing System
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Bill Pankow