Ren Messer

Ren Messer 55 Titles

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G.I. Joe: The Rise of Cobra | ShotOnWhat?

Production Manager G.I. Joe: The Rise of Cobra (2009)

Motion Picture

Directed by: Stephen Sommers

Cinematography by: Mitchell Amundsen

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

First Assistant Camera: Second Unit Bad Boys II (2003)

Motion Picture

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, Mark Goldblatt, Tom Muldoon

Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Editing System: Avid Editing System

Second Production Manager 'CSI: Miami' Dispo Day (2003)

Television Episode

Directed by: David Grossman

Cinematography by: Walt Lloyd

Edited by: John Refoua

Second Production Manager 'CSI: Miami' Double Cap (2003)

Television Episode

Directed by: Joe Chappelle

Cinematography by: Dermott Downs

Edited by: Mark C. Baldwin

Assistant Camera Seabiscuit (2003)

Motion Picture

Directed by: Gary Ross

Cinematography by: John Schwartzman

Edited by: William Goldenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

"CSI: Miami" Grave Young Men | ShotOnWhat?

Second Production Manager 'CSI: Miami' Grave Young Men (2003)

Television Episode

Directed by: Peter Markle

Cinematography by: Walt Lloyd

Edited by: J. Benjamin Chulay

Assistant Camera The Cat in the Hat (2003)

Motion Picture

Directed by: Bo Welch

Cinematography by: Emmanuel Lubezki

Edited by: Don Zimmerman

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Second Production Manager 'CSI: Miami' Spring Break (2003)

Television Episode

Directed by: Deran Sarafian

Cinematography by: Robert M. Stevens

Edited by: John Refoua

Second Production Manager 'CSI: Miami' Tinder Box (2003)

Television Episode

Directed by: Charles Correll

Cinematography by: Dermott Downs

Edited by: Mark C. Baldwin

The League of Extraordinary Gentlemen | ShotOnWhat?

Camera Operator / First Assistant Camera The League of Extraordinary Gentlemen (2003)

Motion Picture

Directed by: Stephen Norrington

Cinematography by: Dan Laustsen

Edited by: Paul Rubell

Cameras: Panavision Cameras

Lenses: Panavision Lenses

"CSI: Miami" Freaks and Tweaks | ShotOnWhat?

Second Production Manager 'CSI: Miami' Freaks and Tweaks (2003)

Television Episode

Directed by: Deran Sarafian

Cinematography by: Robert M. Stevens

Edited by: J. Benjamin Chulay

Second Production Manager 'CSI: Miami' Body Count (2003)

Television Episode

Directed by: Joe Chappelle

Cinematography by: Dermott Downs

Edited by: John Refoua

Second Production Manager - 17 Episodes, 2002-2003 CSI: Miami (2002)

Television Series

Cinematography by: Charles Mills, Ken Glassing, Eagle Egilsson, Darren Genet, Thomas Yatsko, Dermott Downs, Walt Lloyd, Michael D. O'Shea, Michael Barrett, Garett Griffin, Curtis Wehr, Robert M. Stevens, Joe Meade, Cynthia Pusheck, Donald E. Thorin Jr.

Edited by: Mark C. Baldwin, James Wilcox, John Refoua, Joshua Charson, Tom Costantino, Brian Ray, Edward R. Abroms, Jean Crupper, J. Benjamin Chulay, John M. Vitale, Juan Carlos Garza, Scott Lerner, Lawrence Jordan, Kevin Ward, Jim Page, Dana Devorzon, Christopher Cooke, Sara Mineo, Richmond Riedel

Cameras: ARRI ALEXA Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Sony CineAlta F35 Camera

Lenses: Panavision Lenses

"CSI: Miami" Wet Foot/Dry Foot | ShotOnWhat?

Second Production Manager 'CSI: Miami' Wet Foot/Dry Foot (2002)

Television Episode

Directed by: Tucker Gates

Cinematography by: Walt Lloyd

Edited by: J. Benjamin Chulay

Second Production Manager 'CSI: Miami' Losing Face (2002)

Television Episode

Directed by: Joe Chappelle

Cinematography by: Walt Lloyd

Edited by: Mark C. Baldwin

"CSI: Miami" Just One Kiss | ShotOnWhat?

Second Production Manager 'CSI: Miami' Just One Kiss (2002)

Television Episode

Directed by: Scott Brazil

Cinematography by: Michael D. O'Shea

Edited by: John Refoua

"CSI: Miami" Ashes to Ashes | ShotOnWhat?

Second Production Manager 'CSI: Miami' Ashes to Ashes (2002)

Television Episode

Directed by: Bryan Spicer

Cinematography by: Michael D. O'Shea

Edited by: J. Benjamin Chulay

Second Production Manager 'CSI: Miami' Broken (2002)

Television Episode

Directed by: Deran Sarafian

Cinematography by: Walt Lloyd

Edited by: John Refoua

Second Production Manager 'CSI: Miami' Breathless (2002)

Television Episode

Directed by: Charles Correll

Cinematography by: Michael D. O'Shea

Edited by: Mark C. Baldwin

"CSI: Miami" Slaughterhouse | ShotOnWhat?

Second Production Manager 'CSI: Miami' Slaughterhouse (2002)

Television Episode

Directed by: Richard Pearce

Cinematography by: Walt Lloyd

Edited by: J. Benjamin Chulay

Second Production Manager 'CSI: Miami' Kill Zone (2002)

Television Episode

Directed by: Daniel Attias

Cinematography by: Michael D. O'Shea

Edited by: John Refoua

"CSI: Miami" A Horrible Mind | ShotOnWhat?

Second Production Manager 'CSI: Miami' A Horrible Mind (2002)

Television Episode

Directed by: Greg Yaitanes

Cinematography by: Walt Lloyd

Edited by: Mark C. Baldwin

"CSI: Miami" Golden Parachute | ShotOnWhat?

Second Production Manager 'CSI: Miami' Golden Parachute (2002)

Television Episode

Directed by: Joe Chappelle

Cinematography by: Walt Lloyd

Edited by: Mark C. Baldwin

Visual Effects Coordinator Kung Pow: Enter the Fist (2002)

Motion Picture

Directed by: Steve Oedekerk

Cinematography by: John J. Connor

Edited by: Paul Marshal

"CSI: Crime Scene Investigation" Boom | ShotOnWhat?

First Assistant Camera: Second Unit, Second Production Manager 'CSI: Crime Scene Investigation' Boom (2001)

Television Episode

Directed by: Kenneth Fink

Cinematography by: Jonathan West

Edited by: Alec Smight

Camera Operator , First Assistant Camera: Hunter/Gratzner Industries, Inc. Don't Say a Word (2001)

Motion Picture

Directed by: Gary Fleder

Cinematography by: Amir Mokri

Edited by: Armen Minasian, William Steinkamp

Visual Effects Production Coordinator: The Chandler Group Ghosts of Mars (2001)

Motion Picture

Directed by: John Carpenter

Cinematography by: Gary B. Kibbe

Edited by: Paul C. Warschilka

"CSI: Crime Scene Investigation" The Strip Strangler | ShotOnWhat?

First Assistant Camera: Second Unit, Second Production Manager 'CSI: Crime Scene Investigation' The Strip Strangler (2001)

Television Episode

Directed by: Danny Cannon

Cinematography by: Michael Barrett

Edited by: Alec Smight

"CSI: Crime Scene Investigation" Evaluation Day | ShotOnWhat?

First Assistant Camera: Second Unit, Second Production Manager 'CSI: Crime Scene Investigation' Evaluation Day (2001)

Television Episode

Directed by: Kenneth Fink

Cinematography by: Jonathan West

Edited by: Lou Angelo

"CSI: Crime Scene Investigation" Justice Is Served | ShotOnWhat?

First Assistant Camera: Second Unit 'CSI: Crime Scene Investigation' Justice Is Served (2001)

Television Episode

Directed by: Thomas J. Wright

Cinematography by: Michael Barrett

Edited by: Alec Smight

"CSI: Crime Scene Investigation" Sounds of Silence | ShotOnWhat?

First Assistant Camera: Second Unit 'CSI: Crime Scene Investigation' Sounds of Silence (2001)

Television Episode

Directed by: Peter Markle

Cinematography by: Jonathan West

Edited by: Lou Angelo

"CSI: Crime Scene Investigation" Gentle, Gentle | ShotOnWhat?

First Assistant Camera: Second Unit, Second Production Manager 'CSI: Crime Scene Investigation' Gentle, Gentle (2001)

Television Episode

Directed by: Danny Cannon

Cinematography by: Michael Barrett

Edited by: Alec Smight

"CSI: Crime Scene Investigation" $35K O.B.O. | ShotOnWhat?

First Assistant Camera: Second Unit, Second Production Manager 'CSI: Crime Scene Investigation' $35K O.B.O. (2001)

Television Episode

Directed by: Roy H. Wagner

Cinematography by: Jonathan West

Edited by: Augie Hess

"CSI: Crime Scene Investigation" Face Lift | ShotOnWhat?

First Assistant Camera: Second Unit, Second Production Manager 'CSI: Crime Scene Investigation' Face Lift (2001)

Television Episode

Directed by: Lou Antonio

Cinematography by: Jonathan West

Edited by: Lou Angelo

"CSI: Crime Scene Investigation" Too Tough to Die | ShotOnWhat?

First Assistant Camera: Second Unit, Second Production Manager 'CSI: Crime Scene Investigation' Too Tough to Die (2001)

Television Episode

Directed by: Richard J. Lewis

Cinematography by: Roy H. Wagner

Edited by: Alec Smight

"CSI: Crime Scene Investigation" Table Stakes | ShotOnWhat?

First Assistant Camera: Second Unit 'CSI: Crime Scene Investigation' Table Stakes (2001)

Television Episode

Directed by: Danny Cannon

Cinematography by: Jonathan West

Edited by: Augie Hess

"CSI: Crime Scene Investigation" I-15 Murders | ShotOnWhat?

First Assistant Camera: Second Unit, Second Production Manager 'CSI: Crime Scene Investigation' I-15 Murders (2001)

Television Episode

Directed by: Oz Scott

Cinematography by: Roy H. Wagner

Edited by: Augie Hess

"CSI: Crime Scene Investigation" Fahrenheit 932 | ShotOnWhat?

First Assistant Camera: Second Unit, Second Production Manager 'CSI: Crime Scene Investigation' Fahrenheit 932 (2001)

Television Episode

Directed by: Danny Cannon

Cinematography by: Jonathan West

Edited by: Augie Hess

"CSI: Crime Scene Investigation" To Halve and to Hold | ShotOnWhat?

First Assistant Camera: Second Unit, Second Production Manager 'CSI: Crime Scene Investigation' To Halve and to Hold (2001)

Television Episode

Directed by: Lou Antonio

Cinematography by: Roy H. Wagner

Edited by: Lou Angelo

"CSI: Crime Scene Investigation" Unfriendly Skies | ShotOnWhat?

First Assistant Camera: Second Unit 'CSI: Crime Scene Investigation' Unfriendly Skies (2000)

Television Episode

Directed by: Michael Shapiro

Cinematography by: Jonathan West

Edited by: Alec Smight

"CSI: Crime Scene Investigation" Pilot | ShotOnWhat?

First Assistant Camera: Second Unit 'CSI: Crime Scene Investigation' Pilot (2000)

Television Episode

Directed by: Danny Cannon

Cinematography by: Gale Tattersall

Edited by: Alex Mackie, Alec Smight

"CSI: Crime Scene Investigation" Cool Change | ShotOnWhat?

First Assistant Camera: Second Unit 'CSI: Crime Scene Investigation' Cool Change (2000)

Television Episode

Directed by: Michael W. Watkins

Cinematography by: Roy H. Wagner

Edited by: Alec Smight

"CSI: Crime Scene Investigation" Crate 'n' Burial | ShotOnWhat?

First Assistant Camera: Second Unit 'CSI: Crime Scene Investigation' Crate 'n' Burial (2000)

Television Episode

Directed by: Danny Cannon

Cinematography by: Roy H. Wagner

Edited by: Alec Smight

"CSI: Crime Scene Investigation" Anonymous | ShotOnWhat?

First Assistant Camera: Second Unit 'CSI: Crime Scene Investigation' Anonymous (2000)

Television Episode

Directed by: Danny Cannon

Cinematography by: Roy H. Wagner

Edited by: Augie Hess

"CSI: Crime Scene Investigation" Blood Drops | ShotOnWhat?

First Assistant Camera: Second Unit 'CSI: Crime Scene Investigation' Blood Drops (2000)

Television Episode

Directed by: Kenneth Fink

Cinematography by: Jonathan West

Edited by: Lou Angelo

"CSI: Crime Scene Investigation" Who Are You? | ShotOnWhat?

First Assistant Camera: Second Unit 'CSI: Crime Scene Investigation' Who Are You? (2000)

Television Episode

Directed by: Danny Cannon

Cinematography by: Roy H. Wagner

Edited by: Alec Smight

"CSI: Crime Scene Investigation" Friends & Lovers | ShotOnWhat?

First Assistant Camera: Second Unit 'CSI: Crime Scene Investigation' Friends & Lovers (2000)

Television Episode

Directed by: Lou Antonio

Cinematography by: Jonathan West

Edited by: Augie Hess

"CSI: Crime Scene Investigation" Pledging Mr. Johnson | ShotOnWhat?

First Assistant Camera: Second Unit 'CSI: Crime Scene Investigation' Pledging Mr. Johnson (2000)

Television Episode

Directed by: Richard J. Lewis

Cinematography by: Roy H. Wagner

Edited by: Lou Angelo, Claudia Finkle

"CSI: Crime Scene Investigation" Sex, Lies and Larvae | ShotOnWhat?

First Assistant Camera: Second Unit 'CSI: Crime Scene Investigation' Sex, Lies and Larvae (2000)

Television Episode

Directed by: Thomas J. Wright

Cinematography by: Roy H. Wagner

Edited by: Lou Angelo

CSI: Crime Scene Investigation | ShotOnWhat?

First Assistant Camera: Second Unit - 23 Episodes, 2000-2001, Second Production Manager - 10 Episodes, 2001 CSI: Crime Scene Investigation (2000)

Television Series

Directed by: Kenneth Fink, Richard J. Lewis, Alec Smight, Danny Cannon, Brad Tanenbaum, Jeffrey G. Hunt, Louis Shaw Milito, Frank Waldeck, Philip Conserva, Martha Coolidge, David Grossman, Duane Clark, Bill Eagles, Terrence O'Hara, Paris Barclay, Michael Nankin, Eagle Egilsson, Lou Antonio, Thomas J. Wright, Charles Correll, Peter Markle, Deran Sarafian, Michael Slovis, Christopher Leitch, Karen Gaviola, Matt Earl Beesley, Rob Bailey, Quentin Tarantino, William Friedkin, Nathan Hope, Paul McCrane, Michael Shapiro, Michael W. Watkins, Jefery Levy, Allison Liddi-Brown, John Patterson, Oz Scott, Roy H. Wagner, Tucker Gates, Félix Enríquez Alcalá, Nelson McCormick, J. Miller Tobin, Andrew Baron, Jean de Segonzac, Bryan Spicer, Dean White, Jeff Woolnough, Andrew Bernstein, Naren Shankar, Charles Haid, Steven Felder, David Semel, Kevin Bray, Timothy Beavers, Alrick Riley, Claudia Yarmy

Edited by: John Ganem, Alec Smight, Barrie Wise, Ian S. Tan, Augie Robles, Louis Bravo, Tom McQuade, Ray Daniels III, Lou Angelo, J. Benjamin Chulay, Augie Hess, Randy Jon Morgan, Claudia Finkle, Alex Mackie, Derek Degenhardt

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Nikon - Nikkor Lenses, Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens

Visual Effects Producer Dude, Where's My Car? (2000)

Motion Picture

Directed by: Danny Leiner

Cinematography by: Robert M. Stevens

Edited by: Kimberly Ray

First Assistant Camera , Visual Effects Coordinator End of Days (1999)

Motion Picture

Directed by: Peter Hyams

Cinematography by: Peter Hyams

Edited by: Jeff Gullo, Steven Kemper

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Second Assistant Camera: Visual Effects Shoot Crew Armageddon (1998)

Motion Picture

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Assistant Camera, Visual Effects Camera Assistant The Fifth Element (1997)

Motion Picture

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Sylvie Landra

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 35 IIIC Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera

Lenses: Zeiss Lenses

Assistant Camera Starship Troopers (1997)

Motion Picture

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Caroline Ross

Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera

Lenses: Zeiss Lenses

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