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Black Panther: Wakanda Forever | ShotOnWhat?

First Assistant Camera: "a" Camera Black Panther: Wakanda Forever (2022)

Motion Picture

Directed by: Ryan Coogler

Cinematography by: Autumn Durald Arkapaw

Edited by: Kelley Dixon, Jennifer Lame, Michael P. Shawver

Cameras: Sony CineAlta VENICE Camera

Star Wars: Episode IX - The Rise of Skywalker | ShotOnWhat?

First Assistant Camera: "a" Camera Star Wars: Episode IX - The Rise of Skywalker (2019)

Motion Picture

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Stefan Grube

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Digital Lenses, Panavision Retro C Series Lenses, Panavision T Series Anamorphic Lenses

First Assistant Camera: "b" Camera Live by Night (2016)

Motion Picture

Directed by: Ben Affleck

Cinematography by: Robert Richardson

Edited by: William Goldenberg

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Sphero 65 Series Lenses, Panavision Super Panavision 70 Series Lenses

First Assistant Camera: "a" Camera Zoolander 2 (2016)

Motion Picture

Directed by: Ben Stiller

Cinematography by: Dan Mindel

Edited by: Greg Hayden

Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Star Wars: The Force Awakens | ShotOnWhat?

"a" Camera First Assistant: : Santa Monica Unit Star Wars: Episode VII - The Force Awakens (2015)

Motion Picture

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens

Editing System: Avid Editing System

First Assistant Camera: "a" Camera The Amazing Spider-Man 2 (2014)

Motion Picture

Directed by: Marc Webb

Cinematography by: Dan Mindel

Edited by: Pietro Scalia

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

First Assistant Camera: "a" Camera Sabotage (2014)

Motion Picture

Directed by: David Ayer

Cinematography by: Bruce McCleery

Edited by: Dody Dorn

First Assistant Camera: "c" Camera Gangster Squad (2013)

Motion Picture

Directed by: Ruben Fleischer

Cinematography by: Dion Beebe

Edited by: Alan Baumgarten, James Herbert

Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera

Lenses: Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

First Assistant Photographer Star Trek Into Darkness (2013)

Motion Picture

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

First Assistant Camera: "a" Camera, Second Unit Grown Ups 2 (2013)

Motion Picture

Directed by: Dennis Dugan

Cinematography by: Theo van de Sande

Edited by: Tom Costain

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

First Assistant Camera: "a" Camera Savages (2012)

Motion Picture

Directed by: Oliver Stone

Cinematography by: Dan Mindel

Edited by: Joe Hutshing, Stuart Levy, Alex Marquez

Cameras: ARRIFLEX 35 IIC Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

First Assistant Camera: Second Unit John Carter (2012)

Motion Picture

Directed by: Andrew Stanton

Cinematography by: Dan Mindel

Edited by: Eric Zumbrunnen

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Apple Final Cut Pro 7

First Assistant Camera: Second Unit Fast Five (2011)

Motion Picture

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Kelly Matsumoto, Fred Raskin, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

First Assistant Camera: "b" Camera Drive (2011)

Motion Picture

Directed by: Nicolas Winding Refn

Cinematography by: Newton Thomas Sigel

Edited by: Matthew Newman

Cameras: ARRI ALEXA Camera, Canon EOS-5D Mark II Camera, Iconix HD-RH1 Camera, Weisscam HS-2 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Master Prime Lenses

First Assistant Camera: USA X: First Class (2011)

Motion Picture

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

"b" Camera - 1 Episode, 2010 Undercovers (2010)

Television Series

Directed by: Stephen Williams, Tucker Gates, J.J. Abrams, Brad Anderson, Daniel Attias, Anthony Hemingway, Jonas Pate, Rosemary Rodriguez, Frederick E.O. Toye, Jeff T. Thomas

Cinematography by: John B. Aronson, John S. Bartley, Michael Bonvillain

Edited by: Jill D'Agnenica, Mark Conte, Mark Goldman, Christopher Nelson, Mary Jo Markey

Cameras: Red One MX Camera

"b" Camera 'Undercovers' Pilot (2010)

Television Episode

Directed by: J.J. Abrams

Cinematography by: Michael Bonvillain

Edited by: Mary Jo Markey

First Assistant Camera Unstoppable (2010)

Motion Picture

Directed by: Tony Scott

Cinematography by: Ben Seresin

Edited by: Robert Duffy, Chris Lebenzon

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

First Assistant Camera: "a" Camera, Second Unit Star Trek (2009)

Motion Picture

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System, Avid Editing System

Production Staff 'Lost' The Lie (2009)

Television Episode

Directed by: Jack Bender

Cinematography by: Edward J. Pei

Edited by: Mark Goldman

"Lost" The Incident: Part 2 | ShotOnWhat?

First Assistant Camera 'Lost' The Incident: Part 2 (2009)

Television Episode

Directed by: Jack Bender

Shoot First and Pray You Live (Because Luck Has Nothing to Do with It) | ShotOnWhat?

First Assistant Camera: "a" Camera Shoot First and Pray You Live (Because Luck Has Nothing to Do with It) (2008)

Motion Picture

Directed by: Lance Doty

Cinematography by: Bruce McCleery

Edited by: Charly Bender

Second Assistant: A Camera Drillbit Taylor (2008)

Motion Picture

Directed by: Steven Brill

Cinematography by: Fred Murphy

Edited by: Brady Heck, Thomas J. Nordberg

First Assistant Camera: "c" Camera Mission: Impossible III (2006)

Motion Picture

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Nick Gibbs, Mary Jo Markey

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses

Second Assistant Camera The Skeleton Key (2005)

Motion Picture

Directed by: Iain Softley

Cinematography by: Dan Mindel

Edited by: Joe Hutshing

First Assistant Camera - 1 Episode, 2009, Production Staff - 1 Episode, 2009 Lost (2004)

Television Series

Cinematography by: John S. Bartley, Michael Bonvillain, Cort Fey, Larry Fong, Stephen St. John, Edward J. Pei

Edited by: Stephen Semel, Mark Goldman, Christopher Nelson, Mary Jo Markey, Sarah Boyd, Henk Van Eeghen, David Eisenberg, Lance Stubblefield, Robert Florio, Sue Blainey, Jo Francis, Martin Nicholson, Chris Braun

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Second Assistant Camera Friday Night Lights (2004)

Motion Picture

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Gabrielle Fasulo, Colby Parker Jr., Susan Rash, David Rosenbloom

Second Assistant Camera Suspect Zero (2004)

Motion Picture

Directed by: E. Elias Merhige

Cinematography by: Michael Chapman

Edited by: John Gilroy, Robert K. Lambert

Terminator 3: Rise of the Machines | ShotOnWhat?

Additional Second Assistant Camera: Second Unit Terminator 3: Rise of the Machines (2003)

Motion Picture

Directed by: Jonathan Mostow

Cinematography by: Don Burgess

Edited by: Nicolas De Toth, Neil Travis

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

"b" Camera The Mexican (2001)

Motion Picture

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Craig Wood

Cameras: Panavision Cameras

Camera Leader Evolution (2001)

Motion Picture

Directed by: Ivan Reitman

Cinematography by: Michael Chapman

Edited by: Wendy Greene Bricmont, Sheldon Kahn

Cameras: Panavision Cameras

Second Assistant Camera: "b" Camera Fight Club (1999)

Motion Picture

Directed by: David Fincher

Cinematography by: Jeff Cronenweth

Edited by: James Haygood

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Second Assistant Camera Enemy of the State (1998)

Motion Picture

Directed by: Tony Scott

Cinematography by: Dan Mindel

Edited by: Chris Lebenzon

Camera Pa The Fan (1996)

Motion Picture

Directed by: Tony Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson, Christian Wagner

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Stand-in Teresa's Tattoo (1994)

Motion Picture

Directed by: Julie Cypher

Cinematography by: Sven Kirsten

Edited by: Christopher Rouse

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