Directed by: Chad Stahelski
Cinematography by: Dan Laustsen
Edited by: Evan Schiff
Directed by: Lorene Scafaria
Cinematography by: Todd Banhazl
Edited by: Kayla Emter
Cameras: Panavision Millennium DXL2 Camera
Directed by: Ben Stiller
Cinematography by: Dan Mindel
Edited by: Greg Hayden
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera
Editing System: Avid Editing System
Cinematography by: Xavier Grobet
Edited by: Jan Kovac
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Editing System: Final Cut Pro Editing System
Directed by: Nancy Meyers
Cinematography by: Stephen Goldblatt
Edited by: Robert Leighton
Cameras: ARRI ALEXA XT Camera
Directed by: Akiva Goldsman
Cinematography by: Caleb Deschanel
Cameras: ARRI ALEXA Plus 4:3 Camera
Directed by: Marc Webb
Cinematography by: Dan Mindel
Edited by: Pietro Scalia
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera
Editing System: Avid Editing System
Directed by: M. Night Shyamalan
Cinematography by: Peter Suschitzky
Edited by: Steven Rosenblum
Directed by: Ben Stiller
Cinematography by: Stuart Dryburgh
Edited by: Greg Hayden
Cameras: ARRICAM Lite (LT) Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Directed by: Barry Sonnenfeld
Cinematography by: Bill Pope
Edited by: Don Zimmerman
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Steven Weisberg
Cameras: ARRI ALEXA Camera
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera
Lenses: Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Directed by: Raja Gosnell
Cinematography by: Phil Meheux
Cameras: Panavision Genesis Camera
Editing System: Avid Editing System
Directed by: Madonna
Cinematography by: Hagen Bogdanski
Edited by: Danny Tull
Lenses: Zeiss Ultra Prime Lenses
Directed by: Mark Waters
Cinematography by: Florian Ballhaus
Edited by: Bruce Green
Cameras: ARRI ALEXA Camera
Directed by: Jodie Foster
Cinematography by: Hagen Bogdanski
Edited by: Lynzee Klingman
Directed by: Jason Winer
Cinematography by: Uta Briesewitz
Edited by: Brent White
Directed by: Nicholas Stoller
Cinematography by: Robert D. Yeoman
Cameras: Panavision Cameras
Directed by: Andrew Jarecki
Cinematography by: Michael Seresin
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRIFLEX 416 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera
Lenses: Zeiss Ultra 16 Lenses
Editing System: Avid Editing System
Directed by: Phillip Noyce
Cinematography by: Robert Elswit
Directed by: Michael Patrick King
Cinematography by: John Thomas
Edited by: Michael Berenbaum
Cameras: Panavision Panaflex Platinum Camera
Directed by: Shawn Levy
Cinematography by: Dean Semler
Edited by: Dean Zimmerman
Cameras: Panavision Genesis Camera
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Cameras: Panavision Panaflex Platinum Camera
Directed by: Michael McCullers
Cinematography by: Daryn Okada
Cameras: Panavision Cameras
Directed by: Tom Vaughan
Cinematography by: Matthew F. Leonetti
Edited by: Matt Friedman
Cameras: Panavision Cameras
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
Directed by: James Gray
Cinematography by: Joaquín Baca-Asay
Edited by: John Axelrad
Lenses: Cooke S4 Lenses
Directed by: Francis Lawrence
Cinematography by: Andrew Lesnie
Edited by: Wayne Wahrman
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Lenses
Directed by: Kar-Wai Wong
Edited by: William Chang
Cinematography by: Terry Stacey
Edited by: Robert Pulcini
Directed by: Neil Jordan
Cinematography by: Philippe Rousselot
Edited by: Tony Lawson
Cameras: Panavision Panaflex Camera
Directed by: Joby Harold
Cinematography by: Russell Carpenter
Edited by: Craig McKay
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Directed by: James Foley
Cinematography by: Anastas N. Michos
Edited by: Christopher Tellefsen
Directed by: Tamara Jenkins
Cinematography by: W. Mott Hupfel III
Edited by: Brian A. Kates
Cameras: ARRICAM Lite (LT) Camera
Lenses: Cooke S4 Lenses
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Mark Livolsi
Cameras: ARRICAM Studio (ST) Camera