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Star Trek Beyond | ShotOnWhat?

Makeup Lab Tech Star Trek Beyond (2016)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung

Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

The Cabin in the Woods | ShotOnWhat?

Special Makeup Effects Crew: AFX Studio The Cabin in the Woods (2011)

Directed by: Drew Goddard

Cinematography by: Peter Deming

Edited by: Lisa Lassek

X-Men Origins: Wolverine | ShotOnWhat?

Special Effects Technician X-Men Origins: Wolverine (2009)

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Nicolas De Toth, Megan Gill

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Final Cut Pro Editing System

Race to Witch Mountain | ShotOnWhat?

Mold Department: Amalgamated Dynamics Race to Witch Mountain (2009)

Directed by: Andy Fickman

Cinematography by: Greg Gardiner

Edited by: David Rennie

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

Cirque du Freak: The Vampire's Assistant | ShotOnWhat?

Special Effects Technician Cirque du Freak: The Vampire's Assistant (2009)

Directed by: Paul Weitz

Cinematography by: James M. Muro

Edited by: Leslie Jones

Aliens vs. Predator: Requiem | ShotOnWhat?

Creature Effects: Amalgamated Dynamics Aliens vs. Predator: Requiem (2007)

Directed by: Colin Strause, Greg Strause

Cinematography by: Daniel Pearl

Edited by: Dan Zimmerman

Scary Movie 3 | ShotOnWhat?

Mold Department: Amalgamated Dynamics, Inc. Scary Movie 3 (2003)

Directed by: David Zucker

Cinematography by: Mark Irwin

Edited by: Malcolm Campbell, Jon Poll

The League of Extraordinary Gentlemen | ShotOnWhat?

Mold Maker: Steve Johnson's Edge FX The League of Extraordinary Gentlemen (2003)

Directed by: Stephen Norrington

Cinematography by: Dan Laustsen

Edited by: Paul Rubell

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Cat in the Hat | ShotOnWhat?

Mold Department Technician: Steve Johnson's Edge FX, Inc. The Cat in the Hat (2003)

Directed by: Bo Welch

Cinematography by: Emmanuel Lubezki

Edited by: Don Zimmerman

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Santa Clause 2 | ShotOnWhat?

Mold Department: Amalgamated Dynamics Inc. The Santa Clause 2 (2002)

Directed by: Michael Lembeck

Cinematography by: Adam Greenberg

Edited by: David Finfer

Planet of the Apes | ShotOnWhat?

Mold Department: Cinovation Studios Planet of the Apes (2001)

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Hollow Man | ShotOnWhat?

Mold Technician: Amalgamated Dynamics Hollow Man (2000)

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Ron Vignone

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera

Lenses: Zeiss Standard Speed Prime Lenses

The 6th Day | ShotOnWhat?

Mold Department: Amalgamated Dynamics The 6th Day (2000)

Directed by: Roger Spottiswoode

Cinematography by: Pierre Mignot

Edited by: Michel Arcand, Mark Conte, Dominique Fortin

Stargate | ShotOnWhat?

Creature Art Department Stargate (1994)

Directed by: Roland Emmerich

Cinematography by: Karl Walter Lindenlaub

Edited by: Derek Brechin, Michael J. Duthie

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Gremlins 2: The New Batch | ShotOnWhat?

Creature Crew: Rick Baker's Cinovation Studio Gremlins 2: The New Batch (1990)

Directed by: Joe Dante

Cinematography by: John Hora

Edited by: Kent Beyda

Cameras: ARRIFLEX 35 III Camera, Moviecam SuperAmerica Camera

Lenses: Cooke Speed Panchro Lenses, Cooke Varopanchro Lenses

Hell Comes to Frogtown | ShotOnWhat?

Creature Effects, Frog Guard Hell Comes to Frogtown (1988)

Directed by: Donald G. Jackson, R.J. Kizer

Cinematography by: Donald G. Jackson, Enrico Picard

Edited by: R.J. Kizer, James Matheny

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