Directed by: Yorgos Lanthimos
Cinematography by: Robbie Ryan
Edited by: Yorgos Mavropsaridis
Directed by: Baz Luhrmann
Cinematography by: Mandy Walker
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA LF Camera
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Edited by: John Ottman
Editing System: Avid Editing System
Directed by: Luca Guadagnino
Cinematography by: Sayombhu Mukdeeprom
Edited by: Walter Fasano
Directed by: Ben Stiller
Cinematography by: Dan Mindel
Edited by: Greg Hayden
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera
Editing System: Avid Editing System
Directed by: Burr Steers
Cinematography by: Remi Adefarasin
Edited by: Padraic McKinley
Lenses: Cooke S4/i Lenses
Directed by: David Yates
Cinematography by: Philippe Rousselot
Edited by: Mark Day
Cameras: ARRI ALEXA XT Camera
Directed by: Sean Ellis
Cinematography by: Sean Ellis
Edited by: Richard Mettler
Cameras: ARRIFLEX 416 Camera
Lenses: Hawk V-Lite 16 Lens
Directed by: Sam Mendes
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Directed by: Gary Shore
Cinematography by: John Schwartzman
Edited by: Richard Pearson
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Barney Pilling
Cameras: ARRICAM Studio (ST) Camera
Lenses: Angenieux Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Technovision Techno-Cooke Anamorphic Zoom 40-200mm T4.5 Lens
Editing System: Avid Editing System
Directed by: Justin Chadwick
Cinematography by: Lol Crawley
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Directed by: Ron Howard
Cinematography by: Anthony Dod Mantle
Directed by: Marc Forster
Directed by: Ralph Fiennes
Cinematography by: Barry Ackroyd
Edited by: Nicolas Gaster
Cameras: Aaton Penelope Camera
Lenses: Angenieux Optimo Zoom Lenses
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
Directed by: Justin Molotnikov
Cinematography by: Dale McCready
Edited by: Jeremy Strachan
Directed by: Phyllida Lloyd
Cinematography by: Elliot Davis
Edited by: Justine Wright
Directed by: Matthew Vaughn
Cinematography by: John Mathieson
Directed by: Alice Troughton
Cinematography by: Dale McCready
Edited by: Simon Reglar
Directed by: Ashley Way
Cinematography by: Dale McCready
Edited by: Elen Pierce Lewis
Directed by: Jeremy Webb
Cinematography by: Dale McCready
Edited by: Elen Pierce Lewis
Directed by: David Moore
Cinematography by: Peter Greenhalgh
Edited by: Fiona Colbeck
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Directed by: Metin Hüseyin
Cinematography by: Dale McCready
Edited by: Annie Kocur
Directed by: David Moore
Cinematography by: Dale McCready
Edited by: Fiona Colbeck
Directed by: Jeremy Webb
Cinematography by: Dale McCready
Edited by: Elen Pierce Lewis
Directed by: Jeremy Webb
Cinematography by: Dale McCready
Edited by: Jeremy Strachan
Directed by: David Yates
Cinematography by: Bruno Delbonnel
Edited by: Mark Day
Directed by: James Hawes
Cinematography by: Geoffrey Wharton
Edited by: Elen Pierce Lewis
Directed by: James Hawes
Cinematography by: Geoffrey Wharton
Edited by: Jeremy Strachan
Directed by: James Hawes
Cinematography by: Geoffrey Wharton
Edited by: Fiona Colbeck
Directed by: Ed Fraiman
Cinematography by: Dale McCready
Edited by: Jackie Ophir
Directed by: Jeremy Webb
Cinematography by: Dale McCready
Edited by: Andrew McClelland
Directed by: Jeremy Webb
Cinematography by: Dale McCready
Edited by: Bjorn Johnson
Directed by: David Moore
Cinematography by: Dale McCready
Edited by: Elen Pierce Lewis
Directed by: Jeremy Webb, Alice Troughton, David Moore, Justin Molotnikov, Ashley Way, Ed Fraiman, James Hawes, Metin Hüseyin, Alex Pillai, Stuart Orme, Declan O'Dwyer
Cinematography by: Dale McCready, Ashley Rowe, Sam McCurdy, Geoffrey Wharton, Peter Greenhalgh, Jim O'Donnell
Edited by: Simon Reglar, Elen Pierce Lewis, Jeremy Strachan, Fiona Colbeck, Tom White, Mark Eckersley, Crispin Green, Mark Thornton, Bjorn Johnson, Andrew McClelland, Jackie Ophir, Belinda Cottrell, Tim Marchant, Annie Kocur, William Webb
Lenses: Cooke Lenses, Cooke S4 Lenses
Editing System: Avid Editing System
Directed by: David Yates
Cinematography by: Slawomir Idziak
Edited by: Mark Day
Cameras: ARRI Cameras
Directed by: Mike Newell
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Directed by: Alfonso Cuarón
Cinematography by: Michael Seresin
Edited by: Steven Weisberg
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDW-F900 Camera
Directed by: Chris Columbus
Cinematography by: Roger Pratt
Edited by: Peter Honess
Directed by: Chris Columbus
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Directed by: Stephen Sommers
Cinematography by: Adrian Biddle
Directed by: Nick Willing
Cinematography by: Sergei Kozlov
Edited by: Sean Barton
Directed by: Steve Barron
Cinematography by: Remi Adefarasin
Edited by: David Yardley
Directed by: Steve Barron
Cinematography by: Remi Adefarasin
Edited by: David Yardley
Directed by: Nick Willing
Cinematography by: Sergei Kozlov
Edited by: Sean Barton
Directed by: Danny Boyle
Cinematography by: Darius Khondji
Edited by: Masahiro Hirakubo
Cameras: ARRIFLEX 235 Camera
Directed by: Nick Willing
Cinematography by: Sergei Kozlov
Edited by: Sean Barton
Directed by: Steve Barron
Cinematography by: Remi Adefarasin
Edited by: David Yardley
Directed by: Scott Derrickson
Cinematography by: Nathan Hope
Edited by: Kirk M. Morri
Directed by: George Lucas
Cinematography by: David Tattersall
Lenses: Hawk C-Series Lenses
Directed by: Stephen Sommers
Cinematography by: Adrian Biddle
Edited by: Bob Ducsay
Cameras: Panavision Panaflex Platinum Camera
Directed by: Paul W.S. Anderson
Cinematography by: Adrian Biddle
Edited by: Martin Hunter
Cameras: Panavision Panaflex Platinum Camera
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Edited by: Sylvie Landra
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 35 IIIC Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Lenses: Zeiss Lenses
Directed by: Chris Noonan
Cinematography by: Andrew Lesnie
Cameras: Panavision Cameras
Directed by: Jean-Paul Rappeneau
Cinematography by: Thierry Arbogast
Edited by: Noëlle Boisson
Directed by: Brian Levant
Cinematography by: Dean Cundey
Edited by: Kent Beyda
Cameras: Panavision Cameras
Directed by: Kenneth Branagh
Cinematography by: Roger Pratt
Edited by: Andrew Marcus
Directed by: Anthony Hickox
Cinematography by: Gerry Lively
Edited by: Christopher Cibelli
Directed by: Bernard Rose
Cinematography by: Anthony B. Richmond
Edited by: Dan Rae
Directed by: Tony Randel
Cinematography by: Robin Vidgeon
Cameras: Panavision Cameras
Directed by: Ken Russell
Cinematography by: Dick Bush
Edited by: Peter Davies