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Ready Player One | ShotOnWhat?

Senior Digital Effects Artist: Industrial Light & Magic Ready Player One (2018)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: ARRI ALEXA Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses

Star Wars: Episode VIII - The Last Jedi | ShotOnWhat?

Jurassic World | ShotOnWhat?

Senior Digital Artist: Industrial Light & Magic Jurassic World (2015)

Directed by: Colin Trevorrow

Cinematography by: John Schwartzman

Edited by: Kevin Stitt

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Platinum Camera, Red Epic Dragon Camera

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Panavision 65mm Prime Lenses, Panavision Primo Primes Spherical Lenses

Star Wars: The Force Awakens | ShotOnWhat?

Senior Digital Artist: Industrial Light & Magic Star Wars: Episode VII - The Force Awakens (2015)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens

Editing System: Avid Editing System

Teenage Mutant Ninja Turtles | ShotOnWhat?

Creatures Supervisor: ILM Teenage Mutant Ninja Turtles (2014)

Directed by: Jonathan Liebesman

Cinematography by: Lula Carvalho

Edited by: Joel Negron, Glen Scantlebury

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Pacific Rim | ShotOnWhat?

Lead Artist: Industrial Light & Magic Pacific Rim (2013)

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Peter Amundson, John Gilroy

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Mirror Mirror | ShotOnWhat?

Concept Artist: Tippett Studios Mirror Mirror (2012)

Directed by: Tarsem Singh

Cinematography by: Brendan Galvin

Edited by: Robert Duffy, Nick Moore

Cameras: Sony CineAlta F35 Camera

Lenses: Panavision Primo Anamorphic Lenses

The Adventures of Tintin | ShotOnWhat?

Lead Textures Artist: Weta Digital The Adventures of Tintin (2011)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Cameras

Editing System: Avid Editing System

Star Trek | ShotOnWhat?

Texture Painter: ILM Star Trek (2009)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System, Avid Editing System

Senior Texture Artist: Weta Digital Avatar (2009)

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

The Lovely Bones | ShotOnWhat?

Lead & Senior Texture Artist: Weta Digital The Lovely Bones (2009)

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jabez Olssen

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Iconix HD-RH1 Camera, Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Day the Earth Stood Still | ShotOnWhat?

Texture Painter: Weta Digital The Day the Earth Stood Still (2008)

Directed by: Scott Derrickson

Cinematography by: David Tattersall

Edited by: Wayne Wahrman

Cameras: Panavision Cameras

The Spiderwick Chronicles | ShotOnWhat?

Texture Painter: Tippett Studio The Spiderwick Chronicles (2008)

Directed by: Mark Waters

Cinematography by: Caleb Deschanel

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Indiana Jones and the Kingdom of the Crystal Skull | ShotOnWhat?

Digital Models And Simulations: ILM Indiana Jones and the Kingdom of the Crystal Skull (2008)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Charlotte's Web | ShotOnWhat?

Texture Painter: Tippett Studio Charlotte's Web (2006)

Directed by: Gary Winick

Cinematography by: Seamus McGarvey

Edited by: Susan Littenberg, Sabrina Plisco

Constantine | ShotOnWhat?

Texture Painter: Tippett Studio Constantine (2005)

Directed by: Francis Lawrence

Cinematography by: Philippe Rousselot

Edited by: Wayne Wahrman

Son of the Mask | ShotOnWhat?

Texture Painter: Tippett Studio Son of the Mask (2005)

Directed by: Lawrence Guterman

Cinematography by: Greg Gardiner

Edited by: Malcolm Campbell, John Coniglio, Debra Neil-Fisher

Van Helsing | ShotOnWhat?

Digital Modeler: ILM Van Helsing (2004)

Directed by: Stephen Sommers

Cinematography by: Allen Daviau

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Dreamcatcher | ShotOnWhat?

Digital Modeler: ILM Dreamcatcher (2003)

Directed by: Lawrence Kasdan

Cinematography by: John Seale

Edited by: Raúl Dávalos, Carol Littleton

The Lord of the Rings: The Return of the King | ShotOnWhat?

CG Modeler The Lord of the Rings: The Return of the King (2003)

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jamie Selkirk

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

The Lord of the Rings: The Two Towers | ShotOnWhat?

Creature Technical Director: Weta Digital The Lord of the Rings: The Two Towers (2002)

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Michael Horton

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera, Mitchell Cameras, Moviecam Compact Camera

Lenses: Angenieux Lenses, Zeiss Ultra Prime Lenses

The Lord of the Rings: The Fellowship of the Ring | ShotOnWhat?

Digital Modeller: Weta Digital The Lord of the Rings: The Fellowship of the Ring (2001)

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: John Gilbert

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses: Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

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