Directed by: Mark Rydell
Cinematography by: Vilmos Zsigmond
Edited by: Mark Warner
Directed by: Mark Rydell
Cinematography by: Stephen Goldblatt
Directed by: John Hughes
Cinematography by: Ralf D. Bode
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Carol Littleton
Directed by: Richard Donner
Cinematography by: Michael Chapman
Cameras: Panavision Panaflex Gold Camera
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Cameras: Panavision Panaflex Gold Camera
Directed by: Richard Tuggle
Cinematography by: Bruce Surtees
Edited by: Kent Beyda
Directed by: Walter Hill
Cinematography by: John Bailey
Edited by: Freeman A. Davies
Cameras: Panavision Cameras
Directed by: Joel Schumacher
Cinematography by: Stephen H. Burum
Edited by: Richard Marks
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Directed by: Brian De Palma
Cinematography by: John A. Alonzo
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: John Huston
Cinematography by: Richard Moore
Edited by: Michael A. Stevenson
Directed by: Andrew Bergman
Cinematography by: James A. Contner
Edited by: Alan Heim
Directed by: Sidney Lumet
Cinematography by: Andrzej Bartkowiak
Edited by: Jack Fitzstephens
Cameras: Panavision Cameras
Cinematography by: Victor J. Kemper
Edited by: Argyle Nelson Jr.
Directed by: Sidney Lumet
Cinematography by: Oswald Morris
Edited by: Jack Fitzstephens
Directed by: Sidney Lumet
Cinematography by: Oswald Morris
Edited by: Dede Allen
Directed by: Martin Scorsese
Cinematography by: Michael Chapman
Cameras: ARRIFLEX 35 BL Camera
Lenses: Zeiss Super Speed Lenses
Directed by: Joseph Sargent
Cinematography by: Owen Roizman
Directed by: Sidney Lumet
Cinematography by: Arthur J. Ornitz
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Ossie Davis
Cinematography by: Victor J. Kemper
Edited by: Eric Albertson
Directed by: Francis Ford Coppola
Cinematography by: Gordon Willis
Cameras: Mitchell BNCR Camera
Editing System: Moviola Editing System