Directed by: Seth MacFarlane
Cinematography by: Michael Barrett
Edited by: Jeff Freeman
Cameras: Sony CineAlta F65 Camera
Directed by: Robert Zemeckis
Cinematography by: Dariusz Wolski
Edited by: Jeremiah O'Driscoll
Cameras: Red Epic Dragon Camera
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Directed by: Ava DuVernay
Cinematography by: Bradford Young
Edited by: Spencer Averick
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Hawk V-Plus Lenses, Hawk V-Series Lenses
Directed by: Scott Waugh
Cinematography by: Shane Hurlbut
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
Directed by: Patrick Hughes
Cinematography by: Peter Menzies Jr.
Directed by: Steve Pink
Cinematography by: Michael Barrett
Cameras: Sony CineAlta F65 Camera
Lenses: Leitz Summilux-C Series Lenses
Directed by: Phillip Noyce
Cinematography by: Ross Emery
Edited by: Barry Alexander Brown
Cameras: ARRI ALEXA XT Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Directed by: Seth MacFarlane
Cinematography by: Michael Barrett
Edited by: Jeff Freeman
Cameras: Sony PMW-F55 Camera
Editing System: Avid Editing System
Directed by: Tim Story
Cinematography by: Christopher Duskin
Edited by: Peter S. Elliot
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses: Panavision Super Speed Lenses
Directed by: Sam Miller
Cinematography by: Michael Barrett
Cameras: Sony CineAlta F65 Camera
Directed by: M. Night Shyamalan
Cinematography by: Peter Suschitzky
Edited by: Steven Rosenblum
Directed by: Dennis Dugan
Cinematography by: Theo van de Sande
Edited by: Tom Costain
Cameras: Red Epic Camera
Directed by: Joseph Gordon-Levitt
Cinematography by: Thomas Kloss
Edited by: Lauren Zuckerman
Editing System: Avid Editing System
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Directed by: David Koepp
Cinematography by: Mitchell Amundsen
Directed by: Tim Story
Cinematography by: Larry Blanford
Edited by: Peter S. Elliot
Cameras: Red Epic Camera
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Editing System: Adobe Premiere Editing System, Avid Editing System
Directed by: Deepa Mehta
Cinematography by: Giles Nuttgens
Edited by: Colin Monie
Directed by: Rod Lurie
Cinematography by: Alik Sakharov
Edited by: Sarah Boyd
Directed by: Will Gluck
Cinematography by: Michael Grady
Edited by: Tia Nolan
Cameras: Sony CineAlta F35 Camera, Sony Other Camera
Directed by: Dennis Dugan
Cinematography by: Theo van de Sande
Edited by: Tom Costain
Directed by: Joe Carnahan
Cinematography by: Masanobu Takayanagi
Directed by: Ruben Fleischer
Cinematography by: Jess Hall
Edited by: Alan Baumgarten
Editing System: Avid Editing System
Directed by: Scott Stewart
Cinematography by: Don Burgess
Directed by: Salim Akil
Cinematography by: Anastas N. Michos
Edited by: Terilyn A. Shropshire
Cameras: Sony CineAlta F35 Camera
Directed by: Steve Antin
Cinematography by: Bojan Bazelli
Edited by: Virginia Katz
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses
Directed by: John Erick Dowdle
Cinematography by: Tak Fujimoto
Edited by: Elliot Greenberg
Cameras: Panavision Cameras
Directed by: Will Gluck
Cinematography by: Michael Grady
Edited by: Susan Littenberg
Cameras: Panavision Genesis Camera
Directed by: Harald Zwart
Cinematography by: Roger Pratt
Edited by: Joel Negron
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses: Cooke S4 Lenses