Directed by: Andy Goddard
Directed by: Andy Goddard
Edited by: Joe Talbot Hall
Directed by: Matt Shakman
Cinematography by: Jess Hall
Edited by: Nona Khodai
Directed by: Julian Holmes
Cinematography by: Jean-Philippe Gossart
Edited by: Emily Streetz
Directed by: Matt Shakman
Cinematography by: Jess Hall
Edited by: Nona Khodai
Directed by: Julian Holmes
Cinematography by: Jean-Philippe Gossart
Edited by: Emily Streetz
Directed by: Mairzee Almas
Edited by: Joe Talbot Hall
Directed by: Mairzee Almas
Edited by: Joe Talbot Hall
Directed by: Hiromi Kamata
Edited by: Mark Hartzell
Directed by: Hiromi Kamata
Edited by: Mark Hartzell
TV Series
Directed by: Jeff Fowler
Cinematography by: Stephen F. Windon
Lenses: Leitz Summilux-C Series Lenses
Directed by: Ciaran Donnelly
Edited by: Erin Deck
Directed by: Jeremy Webb
Cinematography by: Corey Robson
Directed by: Jeremy Webb
Edited by: Erin Deck
Directed by: M.J. Bassett
Edited by: Jay Prychidny
Directed by: M.J. Bassett
Edited by: Geoff Ashenhurst
Directed by: Simon Curtis
Cinematography by: Ross Emery
Edited by: Adam Recht
Cameras: ARRI ALEXA SXT EV Cameras
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk Vantage One 120mm T1 Lens, Hawk Vantage One 17.5mm T1 Lens, Hawk Vantage One 21mm T1 Lens, Hawk Vantage One 25mm T1 Lens, Hawk Vantage One 32mm T1 Lens, Hawk Vantage One 40mm T1 Lens, Hawk Vantage One 50mm T1 Lens, Hawk Vantage One 65mm T1 Lens, Hawk Vantage One 90mm T1 Lens
Directed by: Ciaran Donnelly
Edited by: Stephen Philipson
Directed by: Alex Graves
Cinematography by: Martin Ahlgren
Edited by: Amy M. Fleming
Directed by: Alex Graves
Cinematography by: Martin Ahlgren
Edited by: Amy M. Fleming
Directed by: Andy Goddard
Cinematography by: Neville Kidd
Edited by: Amy M. Fleming
Directed by: Miguel Sapochnik
Cinematography by: Martin Ahlgren
Edited by: Barry Alexander Brown
Directed by: Nick Hurran
Cinematography by: Neville Kidd
Directed by: Nick Hurran
Cinematography by: Neville Kidd
Directed by: Peter Hoar
Cinematography by: Martin Ahlgren
Edited by: Byron Smith
Directed by: Peter Hoar
Cinematography by: Martin Ahlgren
Directed by: Rawson Marshall Thurber
Cinematography by: Robert Elswit
Directed by: Shane Black
Cinematography by: Larry Fong
Edited by: Harry B. Miller III
Directed by: Drew Goddard
Cinematography by: Seamus McGarvey
Edited by: Lisa Lassek
Directed by: Uta Briesewitz
Cinematography by: Neville Kidd
Edited by: Jonathan Chibnall
Directed by: Uta Briesewitz, Alex Graves, Peter Hoar, Nick Hurran, M.J. Bassett, Ciaran Donnelly, Jeremy Webb, Andy Goddard, Miguel Sapochnik
Edited by: Amy M. Fleming, Byron Smith, Erin Deck, Barry Alexander Brown, Jonathan Chibnall, Julian Clarke, Michael Ruscio, Geoff Ashenhurst, Stephen Philipson, Jay Prychidny
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Directed by: Adam Wingard
Cinematography by: David Tattersall
Edited by: Louis Cioffi
Cameras: Panasonic VariCam 35, Panasonic VariCam Camera
Cinematography by: Paul Cameron
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA 65 Camera
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRI ALEXA XT Series Cameras
Directed by: Brad Bird
Cinematography by: Claudio Miranda
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Dean Zimmerman
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Directed by: Gareth Edwards
Cinematography by: Seamus McGarvey
Edited by: Bob Ducsay
Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera
Directed by: Sergei Bodrov
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA Camera
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera
Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Directed by: Zack Snyder
Cinematography by: Amir Mokri
Edited by: David Brenner
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Nicolas De Toth
Directed by: Brad Bird
Cinematography by: Robert Elswit
Edited by: Paul Hirsch
Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Cameras: Panavision Cameras
Directed by: Rupert Wyatt
Cinematography by: Andrew Lesnie
Cameras: ARRICAM Lite (LT) Camera
Directed by: Catherine Hardwicke
Cinematography by: Mandy Walker
Directed by: Michael Lembeck
Cinematography by: David Tattersall
Edited by: David Finfer
Directed by: Chris Columbus
Cinematography by: Stephen Goldblatt
Edited by: Peter Honess
Directed by: Gordon Chan
Cinematography by: Arthur Wong
Edited by: Ki-Hop Chan
Directed by: Roland Emmerich
Cinematography by: Dean Semler
Cameras: Panavision Cameras, Panavision Genesis Camera
Editing System: Avid Editing System
Directed by: Scott Derrickson
Cinematography by: David Tattersall
Edited by: Wayne Wahrman
Cameras: Panavision Cameras
Directed by: Steve Carr
Cinematography by: Jack N. Green
Edited by: Craig Herring
Directed by: Tim Story
Cinematography by: Larry Blanford
Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Editing System: Avid Editing System, Sony Vegas Editing System
Cinematography by: Daniel Pearl
Edited by: Dan Zimmerman
Directed by: Michael Dougherty
Cinematography by: Glen MacPherson
Edited by: Robert Ivison
Directed by: Ira Sachs
Cinematography by: Peter Deming
Edited by: Affonso Gonçalves
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Directed by: John Whitesell
Cinematography by: Mark Irwin
Directed by: Frank Marshall
Cinematography by: Don Burgess
Edited by: Christopher Rouse
Directed by: Tim Story
Cinematography by: Oliver Wood
Edited by: William Hoy
Directed by: Gavin O'Connor
Cinematography by: Dan Stoloff
Cameras: Panavision Cameras
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch