Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Claire Simpson
Cameras: ARRI ALEXA Mini LF Camera
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Lee Smith
Cameras: ARRI ALEXA Mini LF Camera
Lenses: ARRI Signature Prime 35mm T1.8 Lens, ARRI Signature Prime 40mm T1.8 Lens, ARRI Signature Prime 47mm T1.8 Lens
Editing System: Avid Editing System
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 435 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: ARRI Rental Prime 65 Lenses, Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Directed by: David Nutter
Cinematography by: Robert McLachlan
Edited by: Tim Porter
Directed by: Michael Slovis
Cinematography by: David Franco
Edited by: Katie Weiland
Directed by: Mark Mylod
Cinematography by: Anette Haellmigk
Edited by: Tim Porter
Directed by: Michael Slovis
Cinematography by: David Franco
Edited by: Katie Weiland
Directed by: Mark Mylod
Cinematography by: Anette Haellmigk
Edited by: Tim Porter
Directed by: Miguel Sapochnik
Cinematography by: Fabian Wagner
Edited by: Crispin Green
Directed by: Jeremy Podeswa
Cinematography by: Gregory Middleton
Edited by: Crispin Green
Directed by: Jeremy Podeswa
Cinematography by: Gregory Middleton
Edited by: Crispin Green
Directed by: Miguel Sapochnik
Cinematography by: Fabian Wagner
Edited by: Tim Porter
Directed by: David Nutter
Cinematography by: Robert McLachlan
Edited by: Katie Weiland
Cinematography by: Jonathan Freeman
Edited by: Katie Weiland
Directed by: Michelle MacLaren
Cinematography by: Robert McLachlan
Edited by: Crispin Green
Directed by: Michelle MacLaren
Cinematography by: Robert McLachlan
Edited by: Crispin Green
Directed by: Alik Sakharov
Cinematography by: Fabian Wagner
Edited by: Crispin Green
Directed by: Alex Graves
Cinematography by: Anette Haellmigk
Edited by: Tim Porter
Directed by: Alik Sakharov
Cinematography by: Fabian Wagner
Edited by: Tim Porter
Directed by: Neil Marshall
Cinematography by: David Franco
Edited by: Katie Weiland
Directed by: Alex Graves
Cinematography by: Anette Haellmigk
Edited by: Tim Porter
Directed by: Alex Graves
Cinematography by: Anette Haellmigk
Edited by: Katie Weiland
Directed by: Alex Graves
Cinematography by: Anette Haellmigk
Edited by: Katie Weiland
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: Red Epic Camera
Directed by: Edgar Wright
Cinematography by: Bill Pope
Edited by: Paul Machliss
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: ARRI ALEXA Camera, Red Epic Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman
Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson
Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles
Editing System: Avid Editing System
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Directed by: Mathieu Kassovitz
Cinematography by: Thierry Arbogast
Edited by: Benjamin Weill
Directed by: David Dobkin
Cinematography by: Remi Adefarasin
Edited by: Mark Livolsi
Lenses: Zeiss Ultra Prime Lenses
Directed by: Stefen Fangmeier
Cinematography by: Hugh Johnson
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Directed by: Antoine Fuqua
Cinematography by: Slawomir Idziak
Directed by: Edgar Wright
Cinematography by: David M. Dunlap
Edited by: Chris Dickens
Cameras: ARRI Cameras
Directed by: Oliver Stone
Cinematography by: Rodrigo Prieto
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Directed by: Guillermo del Toro
Cinematography by: Gabriel Beristain
Edited by: Peter Amundson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Stephen Sommers
Cinematography by: Adrian Biddle
Directed by: Chris Columbus
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Directed by: Nick Willing
Cinematography by: Sergei Kozlov
Edited by: Sean Barton
Directed by: Nick Willing
Cinematography by: Sergei Kozlov
Edited by: Sean Barton
Directed by: Nick Willing
Cinematography by: Sergei Kozlov
Edited by: Sean Barton
Directed by: Tim Burton
Cinematography by: Emmanuel Lubezki
Cameras: Panavision Panaflex Platinum Camera
Directed by: Stephen Sommers
Cinematography by: Adrian Biddle
Edited by: Bob Ducsay
Cameras: Panavision Panaflex Platinum Camera
Directed by: Jeremiah S. Chechik
Cinematography by: Roger Pratt
Edited by: Mick Audsley