Directed by: George Miller
Cinematography by: John Seale
Edited by: Margaret Sixel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
Editing System: Avid Editing System
Directed by: Brad Peyton
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Directed by: Julius Avery
Cinematography by: Nigel Bluck
Edited by: Jack Hutchings
Cameras: ARRI ALEXA XT Plus Camera
Directed by: Alister Grierson
Cinematography by: Jules O'Loughlin
Edited by: Mark Warner
Directed by: Scott Hicks
Cinematography by: Greig Fraser
Edited by: Scott Gray
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Edited by: Richard Learoyd
Cameras: Red One Camera
Cinematography by: Stuart Dryburgh
Edited by: Stuart Levy
Cameras: Panavision Cameras
Directed by: Mark Steven Johnson
Cinematography by: Russell Boyd
Edited by: Richard Francis-Bruce
Cameras: Panavision Cameras
Directed by: Paul Goldman
Cinematography by: Robert Humphreys
Edited by: Stephen Evans
Directed by: Jaume Collet-Serra
Cinematography by: Stephen F. Windon
Edited by: Joel Negron
Directed by: John Dahl
Cinematography by: Peter Menzies Jr.
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Directed by: David McNally
Cinematography by: Peter Menzies Jr.
Cameras: Panavision Cameras
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball