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Overlord | ShotOnWhat?

Visual Effects Supervisor: Base FX Overlord (2018)

Directed by: Julius Avery

Cinematography by: Laurie Rose, Fabian Wagner

Edited by: Matt Evans

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Panavision T Series Anamorphic Lenses

Captain America: Civil War | ShotOnWhat?

Additional Visual Effects: BaseFX Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

Winter's Tale | ShotOnWhat?

Visual Effects: Framestore/Rhythm & Hues Studios Winter's Tale (2014)

Directed by: Akiva Goldsman

Cinematography by: Caleb Deschanel

Edited by: Tim Squyres, Wayne Wahrman

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Seventh Son | ShotOnWhat?

Sequence Supervisor Seventh Son (2014)

Directed by: Sergei Bodrov

Cinematography by: Newton Thomas Sigel

Edited by: Michael Kahn, Jim Page, Paul Rubell

Cameras: ARRI ALEXA Camera

Snow White and the Huntsman | ShotOnWhat?

Digital Effects Supervisor Snow White and the Huntsman (2012)

Directed by: Rupert Sanders

Cinematography by: Greig Fraser

Edited by: Conrad Buff IV, Neil Smith

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Mr. Popper's Penguins | ShotOnWhat?

Sequence Supervisor Mr. Popper's Penguins (2011)

Directed by: Mark Waters

Cinematography by: Florian Ballhaus

Edited by: Bruce Green

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Marmaduke | ShotOnWhat?

Sequence Supervisor Marmaduke (2010)

Directed by: Tom Dey

Cinematography by: Greg Gardiner

Edited by: Don Zimmerman

Yogi Bear | ShotOnWhat?

Sequence Supervisor Yogi Bear (2010)

Directed by: Eric Brevig

Cinematography by: Peter James

Edited by: Kent Beyda

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony PMW-EX3 Camera

Alvin and the Chipmunks: The Squeakquel | ShotOnWhat?

Sequence Supervisor Alvin and the Chipmunks: The Squeakquel (2009)

Directed by: Betty Thomas

Cinematography by: Anthony B. Richmond

Edited by: Matt Friedman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Cooke S4 Lenses

Aliens in the Attic | ShotOnWhat?

Sequence Supervisor Aliens in the Attic (2009)

Directed by: John Schultz

Cinematography by: Don Burgess

Edited by: John Pace

The Kingdom | ShotOnWhat?

2D Visual Effects Supervisor The Kingdom (2007)

Directed by: Peter Berg

Cinematography by: Mauro Fiore

Edited by: Colby Parker Jr., Kevin Stitt

The Fast and the Furious: Tokyo Drift | ShotOnWhat?

Compositing Supervisor: Rhythm & Hues The Fast and the Furious: Tokyo Drift (2006)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Kelly Matsumoto, Dallas Puett, Fred Raskin

Friday Night Lights | ShotOnWhat?

Compositing Supervisor Friday Night Lights (2004)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Gabrielle Fasulo, Colby Parker Jr., Susan Rash, David Rosenbloom

The Cat in the Hat | ShotOnWhat?

Lead Compositor The Cat in the Hat (2003)

Directed by: Bo Welch

Cinematography by: Emmanuel Lubezki

Edited by: Don Zimmerman

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Daredevil | ShotOnWhat?

Compositing Supervisor Daredevil (2003)

Directed by: Mark Steven Johnson

Cinematography by: Ericson Core

Edited by: Armen Minasian, Dennis Virkler

X2 | ShotOnWhat?

Compositor: Rhythm & Hues X2: X-Men United (2003)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

Men in Black II | ShotOnWhat?

2D Compositing Supervisor: Rhythm & Hues Men in Black II (2002)

Directed by: Barry Sonnenfeld

Cinematography by: Greg Gardiner

Edited by: Richard Pearson, Steven Weisberg

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Stuart Little 2 | ShotOnWhat?

Compositing Supervisor Stuart Little 2 (2002)

Directed by: Rob Minkoff

Cinematography by: Steven Poster

Edited by: Priscilla Nedd-Friendly

Harry Potter and the Sorcerer's Stone | ShotOnWhat?

2D Compositing Supervisor: Rhythm & Hues Harry Potter and the Sorcerer's Stone (2001)

Directed by: Chris Columbus

Cinematography by: John Seale

Edited by: Richard Francis-Bruce

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

The Flintstones in Viva Rock Vegas | ShotOnWhat?

Compositor: Rhythm & Hues The Flintstones in Viva Rock Vegas (2000)

Directed by: Brian Levant

Cinematography by: Jamie Anderson

Edited by: Kent Beyda

Bedazzled | ShotOnWhat?

Compositing Supervisor Bedazzled (2000)

Directed by: Harold Ramis

Cinematography by: Bill Pope

Edited by: Craig Herring

Never Been Kissed | ShotOnWhat?

Compositing Supervisor Never Been Kissed (1999)

Directed by: Raja Gosnell

Cinematography by: Alex Nepomniaschy

Edited by: Debra Chiate, Marcelo Sansevieri

The Astronaut's Wife | ShotOnWhat?

Digital Supervisor: VIFX The Astronaut's Wife (1999)

Directed by: Rand Ravich

Cinematography by: Allen Daviau

Edited by: Timothy Alverson, Steve Mirkovich

End of Days | ShotOnWhat?

Digital Compositing Supervisor End of Days (1999)

Directed by: Peter Hyams

Cinematography by: Peter Hyams

Edited by: Jeff Gullo, Steven Kemper

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Firestorm | ShotOnWhat?

Digital Compositing Supervisor Firestorm (1998)

Directed by: Dean Semler

Cinematography by: Stephen F. Windon

Edited by: Jack Hofstra

The Relic | ShotOnWhat?

Digital Compositing Lead The Relic (1997)

Directed by: Peter Hyams

Cinematography by: Peter Hyams

Edited by: Steven Kemper

Down Periscope | ShotOnWhat?

2D Digital Artist Down Periscope (1996)

Directed by: David S. Ward

Cinematography by: Victor Hammer

Edited by: William M. Anderson, Armen Minasian

Broken Arrow | ShotOnWhat?

2D Digital Artist Broken Arrow (1996)

Directed by: John Woo

Cinematography by: Peter Levy

Edited by: Joe Hutshing, Steve Mirkovich, John Wright

Cameras: Panavision Cameras

Crimson Tide | ShotOnWhat?

Crew: Video Image Crimson Tide (1995)

Directed by: Tony Scott

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision E Series Anamorphic Lenses

Mighty Morphin Power Rangers: The Movie | ShotOnWhat?

Digital Compositor: VIFX Mighty Morphin Power Rangers: The Movie (1995)

Directed by: Bryan Spicer

Cinematography by: Paul Murphy

Edited by: Wayne Wahrman

Miracle on 34th Street | ShotOnWhat?

Digital Compositor Miracle on 34th Street (1994)

Directed by: Les Mayfield

Cinematography by: Julio Macat

Edited by: Raja Gosnell

Clear and Present Danger | ShotOnWhat?

Digital Compositor Clear and Present Danger (1994)

Directed by: Phillip Noyce

Cinematography by: Donald McAlpine

Edited by: Neil Travis

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