Directed by: Richard Linklater
Cinematography by: Shane F. Kelly
Edited by: Sandra Adair
Cameras: ARRI ALEXA Camera
Directed by: Stephen Frears
Cinematography by: Danny Cohen
Edited by: Valerio Bonelli
Cameras: Red Epic Camera
Directed by: Todd Graff
Cinematography by: David Boyd
Edited by: Kathryn Himoff
Directed by: Billy Bob Thornton
Cinematography by: Barry Markowitz
Edited by: Lauren Zuckerman
Directed by: Martin Guigui
Cinematography by: Massimo Zeri
Edited by: Eric Potter
Cameras: Panavision Panaflex Gold II Camera
Lenses: Panavision Lenses
Directed by: Richard Linklater
Cinematography by: Dick Pope
Edited by: Sandra Adair
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
Directed by: Mick Jackson
Cinematography by: Ivan Strasburg
Edited by: Leo Trombetta
Directed by: Todd Graff
Cinematography by: Eric Steelberg
Edited by: John Gilbert
Cameras: Panavision Cameras
Directed by: Thomas Jane
Cinematography by: Geoff Boyle
Cameras: Red One Camera, Silicon Imaging SI-2K Camera
Lenses: Angenieux Lenses, Schneider Lenses
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Cameras: Panavision Genesis Camera
Directed by: Gregor Jordan
Cinematography by: Petra Korner
Edited by: Robert Brakey
Directed by: Dennis Lee
Cinematography by: Daniel Moder
Directed by: Sean Anders
Cinematography by: Tim Orr
Directed by: Russell Mulcahy
Cinematography by: David Johnson
Edited by: Niven Howie
Directed by: Dave Meyers
Cinematography by: James Hawkinson
Edited by: Jim May
Directed by: Frank Darabont
Cinematography by: Rohn Schmidt
Edited by: Hunter M. Via
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Bob Dolman
Cinematography by: Richard Rutkowski
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: David Rennie
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Directed by: Douglas McGrath
Cinematography by: Bruno Delbonnel
Edited by: Camilla Toniolo
Directed by: Jay Chandrasekhar
Cinematography by: Lawrence Sher
Directed by: John Lee Hancock
Cinematography by: Dean Semler
Edited by: Eric L. Beason
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera
Editing System: Avid Editing System
Directed by: Ron Maxwell
Cinematography by: Kees Van Oostrum
Edited by: Corky Ehlers
Directed by: Marcus Nispel
Cinematography by: Daniel Pearl
Edited by: Glen Scantlebury
Directed by: Billy Bob Thornton
Cinematography by: Barry Markowitz
Edited by: Sally Menke
Cameras: Panavision Cameras
Directed by: Michael Cuesta
Cinematography by: Romeo Tirone
Directed by: Billy Bob Thornton
Cinematography by: Barry Markowitz
Edited by: Sally Menke
Directed by: Todd Phillips
Cinematography by: Mark Irwin
Edited by: Sheldon Kahn
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: David Rennie
Directed by: Joe Johnston
Cinematography by: Fred Murphy
Edited by: Robert Dalva
Directed by: Mic Rodgers
Cinematography by: Mike Benson
Edited by: Peck Prior
Directed by: Rod Hardy
Cinematography by: David Connell
Edited by: Michael D. Ornstein
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: David Moritz
Directed by: Dennis Quaid
Cinematography by: Jack Conroy
Edited by: Glenn Farr
Cameras: ARRI Cameras
Directed by: Luis Llosa
Cinematography by: Bill Butler
Edited by: Michael R. Miller
Directed by: Robert Duvall
Cinematography by: Barry Markowitz
Edited by: Stephen Mack
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Richard Pearce
Cinematography by: Fred Murphy
Edited by: Mark Warner
Directed by: Emilio Estevez
Cinematography by: Peter Levy
Edited by: Craig Bassett
Directed by: Ben Stiller
Cinematography by: Emmanuel Lubezki
Directed by: David Anspaugh
Cinematography by: Oliver Wood
Edited by: David Rosenbloom
Directed by: Gus Trikonis
Cinematography by: Robert C. Jessup
Edited by: Byron 'Buzz' Brandt