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The Matrix Resurrections | ShotOnWhat?

Visual Effects Supervisor: BUF The Matrix Resurrections (2021)

Directed by: Lana Wachowski

Cinematography by: Daniele Massaccesi, John Toll

Edited by: Joseph Jett Sally

Cameras: Red Komodo Camera

Lenses: Panavision Compact Zoom Lenses, Panavision LWZ 27-68 mm T2.8 Lens, Panavision Panaspeed Series Lenses, Panavision Primo 70 Lenses, Sigma Lenses, Zeiss Cinema Zoom Series Lenses

Blade Runner 2049 | ShotOnWhat?

Visual Effects Supervisor Blade Runner 2049 (2017)

Directed by: Denis Villeneuve

Cinematography by: Roger Deakins

Edited by: Joe Walker

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera

Lenses: ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

"Sleepy Hollow" One Life | ShotOnWhat?

Visual Effects Lead Supervisor: BUF 'Sleepy Hollow' One Life (2016)

Television Episode

Directed by: Kate Dennis

Cinematography by: Bing Sokolsky

Edited by: Scott Gamzon

"Sleepy Hollow" Kindred Spirits | ShotOnWhat?

Visual Effects Lead Supervisor: BUF 'Sleepy Hollow' Kindred Spirits (2016)

Television Episode

Directed by: Olatunde Osunsanmi

Cinematography by: Bing Sokolsky

Edited by: Andrew Coutts

"Sleepy Hollow" Dark Mirror | ShotOnWhat?

Visual Effects Lead Supervisor: BUF 'Sleepy Hollow' Dark Mirror (2016)

Television Episode

Directed by: Sylvain White

Cinematography by: Bing Sokolsky

Edited by: Steve Haugen

"Sleepy Hollow" Incommunicado | ShotOnWhat?

Visual Effects Lead Supervisor: BUF 'Sleepy Hollow' Incommunicado (2016)

Television Episode

Directed by: Russell Lee Fine

Cinematography by: Bing Sokolsky

Edited by: Scott Gamzon

"Sleepy Hollow" Dawn's Early Light | ShotOnWhat?

Visual Effects Lead Supervisor: BUF 'Sleepy Hollow' Dawn's Early Light (2016)

Television Episode

Directed by: Paul A. Edwards

Cinematography by: Jan Richter-Friis

Edited by: Steve Haugen

"Sleepy Hollow" Delaware | ShotOnWhat?

Visual Effects Lead Supervisor: BUF 'Sleepy Hollow' Delaware (2016)

Television Episode

Directed by: Marc Roskin

Cinematography by: Bing Sokolsky

Edited by: Andrew Coutts

"Sleepy Hollow" Ragnarok | ShotOnWhat?

Visual Effects Lead Supervisor: BUF 'Sleepy Hollow' Ragnarok (2016)

Television Episode

Directed by: Russell Lee Fine

Cinematography by: Jan Richter-Friis

Edited by: Scott Gamzon, Steve Haugen

Allegiant | ShotOnWhat?

Senior Visual Effects Supervisor: BUF Allegiant (2016)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Stuart Levy

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

The Transporter Refueled | ShotOnWhat?

Senior Visual Effects Supervisor: BUF The Transporter Refueled (2015)

Directed by: Camille Delamarre

Cinematography by: Christophe Collette, Vincent Richard

Edited by: Julien Rey

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens

Run All Night | ShotOnWhat?

Senior Visual Effects Supervisor: BUF Run All Night (2015)

Directed by: Jaume Collet-Serra

Cinematography by: Martin Ruhe

Edited by: Dirk Westervelt

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses

The Lobster | ShotOnWhat?

Senior Visual Effects Supervisor: BUF The Lobster (2015)

Directed by: Yorgos Lanthimos

Cinematography by: Thimios Bakatakis

Edited by: Yorgos Mavropsaridis

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

"Game of Thrones" The Children | ShotOnWhat?

Senior Visual Effects Supervisor: BUF 'Game of Thrones' The Children (2014)

Television Episode

Directed by: Alex Graves

Cinematography by: Anette Haellmigk

Edited by: Tim Porter

Bird People | ShotOnWhat?

Visual Effects Art Director: BUF Bird People (2014)

Directed by: Pascale Ferran

Cinematography by: Julien Hirsch

Edited by: Mathilde Muyard

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses

Kingsman: The Secret Service | ShotOnWhat?

Senior Visual Effects Supervisor: BUF Kingsman: The Secret Service (2014)

Directed by: Matthew Vaughn

Cinematography by: George Richmond

Edited by: Eddie Hamilton, Jon Harris

Cameras: ARRI ALEXA XT Plus Camera, Blackmagic Production 4K Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Editing System: Avid Editing System

Odd Thomas | ShotOnWhat?

Co-producer, Senior Visual Effects Supervisor: BUF / Visual Effects Odd Thomas (2013)

Directed by: Stephen Sommers

Cinematography by: Mitchell Amundsen

Edited by: David Checel

Cameras: Red Epic Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses

Nymphomaniac: Vol. I | ShotOnWhat?

Visual Effects Art Director: BUF Nymphomaniac: Vol. I (2013)

Directed by: Lars von Trier

Cinematography by: Manuel Alberto Claro

Edited by: Morten Højbjerg, Jacob Secher Schulsinger, Molly Malene Stensgaard

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Lenses

Sleepy Hollow | ShotOnWhat?

Visual Effects Lead Supervisor: BUF - 7 Episodes, 2016 Sleepy Hollow (2013)

Television Series

Cinematography by: Jan Richter-Friis, Tod Campbell, Bing Sokolsky, Glen Keenan, Niels Alpert, Robert LaBonge, John R. Leonetti, Arthur Albert, Teodoro Maniaci, Kramer Morgenthau

Edited by: Scott Gamzon, Andrew Coutts, Steve Haugen, Tim Brinker, Imelda Betiong, Neil Felder, John L. Roberts, Casey Brown, Michael Stern, Barbara Gerard, John Refoua, Casey O. Rohrs, David Dean, John Roberts, Kaja Fehr, Michael N. Knue

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses

The Grandmaster | ShotOnWhat?

Visual Effects Supervisor The Grandmaster (2013)

Directed by: Kar-Wai Wong

Cinematography by: Philippe Le Sourd

Edited by: William Chang, Hung Poon

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Xtreme Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Nymphomaniac: Vol. II | ShotOnWhat?

Visual Effects Art Director: BUF Nymphomaniac: Vol. II (2013)

Directed by: Lars von Trier

Cinematography by: Manuel Alberto Claro

Edited by: Morten Højbjerg, Jacob Secher Schulsinger, Molly Malene Stensgaard

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Super Speed Lenses

Dark Shadows | ShotOnWhat?

Visual Effects Art Director: BUF Dark Shadows (2012)

Directed by: Tim Burton

Cinematography by: Bruno Delbonnel

Edited by: Chris Lebenzon

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Life of Pi | ShotOnWhat?

Senior Visual Effects Supervisor: BUF Compagnie Life of Pi (2012)

Directed by: Ang Lee

Cinematography by: Claudio Miranda

Edited by: Tim Squyres

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Thor | ShotOnWhat?

Art Director, Visual Effects Art Director: BUF Thor (2011)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Game of Thrones | ShotOnWhat?

Senior Visual Effects Supervisor: BUF - 1 Episode, 2014 Game of Thrones (2011)

Television Series

Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman

Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson

Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles

Cameras: ARRI ALEXA Camera, ARRI ALEXA Mini Camera, Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Lenses

Editing System: Avid Editing System

Arthur 3: la guerre des deux mondes | ShotOnWhat?

CG Director: BUF Arthur 3: la guerre des deux mondes (2010)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Stéphane Garnier, Julien Rey

Splice | ShotOnWhat?

Visual Effects Supervisor: BUF Splice (2009)

Directed by: Vincenzo Natali

Cinematography by: Tetsuo Nagata

Edited by: Michele Conroy

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

Enter the Void | ShotOnWhat?

Producer, Visual Effects Art Director: BUF Enter the Void (2009)

Directed by: Gaspar Noé

Cinematography by: Benoît Debie

Edited by: Marc Boucrot, Gaspar Noé, Jérôme Pesnel

Cameras: Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, Ikonoskop Cameras

Lenses: Zeiss Master Prime Lenses, Zeiss Ultra 16 Lenses

Knowing | ShotOnWhat?

Artistic Supervisor: BUF Knowing (2009)

Directed by: Alex Proyas

Cinematography by: Simon Duggan

Edited by: Richard Learoyd

Cameras: Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Solomon Kane | ShotOnWhat?

Artistic Supervisor: BUF Solomon Kane (2009)

Directed by: M.J. Bassett

Cinematography by: Dan Laustsen

Edited by: Andrew MacRitchie

Visual Effects Supervisor: BUF Avatar (2009)

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

The Dark Knight | ShotOnWhat?

Visual Effects Supervisor: BUF The Dark Knight (2008)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

Dante 01 | ShotOnWhat?

Art Director: BUF Dante 01 (2008)

Directed by: Marc Caro

Cinematography by: Jean Poisson

Edited by: Linda Attab, Sébastien Prangère

Mr. Magorium's Wonder Emporium | ShotOnWhat?

Visual Effects Art Director: BUF Mr. Magorium's Wonder Emporium (2007)

Directed by: Zach Helm

Cinematography by: Roman Osin

Edited by: Sabrina Plisco, Steven Weisberg

Spider-Man 3 | ShotOnWhat?

Art Director Spider-Man 3 (2007)

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Even Pigeons Go to Heaven | ShotOnWhat?

Producer Even Pigeons Go to Heaven (2007)

Directed by: Samuel Tourneux

Edited by: Aurélie Speranza

Arthur and the Invisibles | ShotOnWhat?

CG Character Designer: BUF Compagnie / CG Director Arthur and the Invisibles (2006)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Karim Benhammouda, Yann Hervé, Vincent Tabaillon

Silent Hill | ShotOnWhat?

Visual Effects: BUF Silent Hill (2006)

Directed by: Christophe Gans

Cinematography by: Dan Laustsen

Edited by: Sébastien Prangère

Angel-A | ShotOnWhat?

Special Effects Supervisor Angel-A (2005)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Christine Lucas Navarro, Frédéric Thoraval

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

Batman Begins | ShotOnWhat?

Artistic Supervisor: BUF Batman Begins (2005)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Alexander | ShotOnWhat?

Visual Effects: BUF Alexander (2004)

Directed by: Oliver Stone

Cinematography by: Rodrigo Prieto

Edited by: Yann Hervé, Gladys Joujou, Alex Marquez, Thomas J. Nordberg

2046 | ShotOnWhat?

Visual Effects Supervisor: BUF 2046 (2004)

Directed by: Kar-Wai Wong

Cinematography by: Christopher Doyle, Pung-Leung Kwan

Edited by: William Chang

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Matrix Reloaded | ShotOnWhat?

Artistic Supervisor: BUF The Matrix Reloaded (2003)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: Bill Pope

Edited by: Zach Staenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

S1m0ne | ShotOnWhat?

Visual Effects Supervisor S1m0ne (2002)

Directed by: Andrew Niccol

Cinematography by: Edward Lachman

Edited by: Paul Rubell

The Cell | ShotOnWhat?

Artistic Supervisor: BUF The Cell (2000)

Directed by: Tarsem Singh

Cinematography by: Paul Laufer

Edited by: Robert Duffy, Paul Rubell

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Panavision Panaflex Platinum Camera

Lenses: Cooke S4 Lenses, Panavision Primo Primes Spherical Lenses

Fight Club | ShotOnWhat?

Artistic Supervisor: BUF Fight Club (1999)

Directed by: David Fincher

Cinematography by: Jeff Cronenweth

Edited by: James Haygood

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Batman & Robin | ShotOnWhat?

Artistic Supervisor: BUF Batman & Robin (1997)

Directed by: Joel Schumacher

Cinematography by: Stephen Goldblatt

Edited by: Mark Stevens, Dennis Virkler

The City of Lost Children | ShotOnWhat?

Computer Animator The City of Lost Children (1995)

Directed by: Marc Caro, Jean-Pierre Jeunet

Cinematography by: Darius Khondji

Edited by: Hervé Schneid

Dung che sai duk | ShotOnWhat?

Artistic Supervisor: BUF Dung che sai duk (1994)

Directed by: Kar-Wai Wong

Cinematography by: Christopher Doyle, Pung-Leung Kwan

Edited by: Kit-Wai Kai, Patrick Tam, William Chang

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