Directed by: Patricia Riggen
Cinematography by: Checco Varese
Edited by: Emma E. Hickox
Cameras: ARRI Cameras
Lenses: ARRI Lenses
Directed by: David Robert Mitchell
Cinematography by: Mike Gioulakis
Edited by: Julio Perez IV
Cameras: ARRI ALEXA Plus Camera, Red Epic Camera
Directed by: Scott Waugh
Cinematography by: Shane Hurlbut
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
Directed by: Benjamin Berman
Cinematography by: Christian Sprenger
Edited by: Eric Notarnicola
Directed by: Jason Woliner
Cinematography by: Christian Sprenger
Edited by: Daniel Haworth
Directed by: Jason Woliner
Cinematography by: Christian Sprenger
Edited by: Eric Notarnicola
Directed by: Jason Woliner
Cinematography by: Christian Sprenger
Edited by: Daniel Haworth
Directed by: Jason Woliner
Cinematography by: Christian Sprenger
Edited by: Daniel Haworth
Directed by: Peter Lauer
Cinematography by: Christian Sprenger
Directed by: Peter Lauer
Cinematography by: Christian Sprenger
Edited by: Eric Notarnicola
Directed by: Jason Woliner
Cinematography by: Christian Sprenger
Edited by: Eric Notarnicola
Directed by: Benjamin Berman
Cinematography by: Christian Sprenger
Edited by: Eric Notarnicola
Directed by: Jason Woliner
Cinematography by: Christian Sprenger
Edited by: Eric Notarnicola
Directed by: Jason Woliner
Cinematography by: Christian Sprenger
Directed by: Jason Woliner
Cinematography by: Christian Sprenger
Edited by: Daniel Haworth
Directed by: Andrew Adamson
Cinematography by: Brett Turnbull
Cameras: Sony HDC-1500 Camera
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Camera
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Directed by: Jason Woliner
Cinematography by: Christian Sprenger
Directed by: Eric Appel
Cinematography by: Christian Sprenger
Directed by: Eric Appel
Cinematography by: Christian Sprenger
Directed by: Jay Karas
Cinematography by: Christian Sprenger
Directed by: Troy Miller
Cinematography by: Christian Sprenger
Directed by: Jason Woliner
Cinematography by: Christian Sprenger
Directed by: Jason Woliner
Cinematography by: Christian Sprenger
Directed by: Jason Woliner
Cinematography by: Christian Sprenger
Edited by: Benjamin Berman
Directed by: Jay Karas
Cinematography by: Christian Sprenger
Directed by: Jason Woliner
Cinematography by: Christian Sprenger
Edited by: Benjamin Berman
Directed by: Jason Woliner
Cinematography by: Christian Sprenger
Directed by: Jason Woliner
Cinematography by: Christian Sprenger
Directed by: Kim Bass
Edited by: Michael Purl
Cinematography by: Christian Sprenger
Edited by: Eric Notarnicola, Benjamin Berman, Seth Clark, Daniel Haworth, Michael Giambra, Steve Welch, Kabir Akhtar
Cameras: Red One Camera
Editing System: Final Cut Pro Editing System
Directed by: John Curran
Cinematography by: Maryse Alberti
Edited by: Alexandre de Franceschi
Directed by: Craig Moss
Cinematography by: Andrew Strahorn
Edited by: Michel Aller
Directed by: Richard Levine
Cinematography by: Nancy Schreiber
Edited by: Pam Wise
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Kevin Stitt
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Directed by: Hoyt Yeatman
Cinematography by: Bojan Bazelli
Directed by: Christine Jeffs
Cinematography by: John Toon
Edited by: Heather Persons
Directed by: Rob Cohen
Cinematography by: Simon Duggan
Editing System: Avid Editing System
Directed by: Jon Turteltaub
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Directed by: Anthony Hopkins
Cinematography by: Dante Spinotti
Edited by: Michael R. Miller
Directed by: Robin Swicord
Cinematography by: John Toon
Edited by: Maryann Brandon
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Directed by: Sean Penn
Cinematography by: Eric Gautier
Edited by: Jay Cassidy
Lenses: Canon Lenses, Zeiss Ultra Prime Lenses
Cinematography by: Stefan Czapsky
Edited by: Richard Pearson
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Directed by: James Gartner
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Cinematography by: Tim Suhrstedt
Edited by: Pamela Martin
Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Directed by: Michael Bay
Cinematography by: Mauro Fiore
Directed by: Bennett Miller
Cinematography by: Adam Kimmel
Edited by: Christopher Tellefsen
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Directed by: Andrew Douglas
Cinematography by: Peter Lyons Collister
Directed by: Gore Verbinski
Cinematography by: Phedon Papamichael
Edited by: Craig Wood
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Directed by: Joseph Kahn
Cinematography by: Peter Levy
Directed by: Antoine Fuqua
Cinematography by: Slawomir Idziak
Directed by: Jon Turteltaub
Cinematography by: Caleb Deschanel
Edited by: William Goldenberg
Directed by: Tony Scott
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Directed by: Spike Jonze
Cinematography by: Lance Acord
Edited by: Eric Zumbrunnen
Directed by: Tony Scott
Cinematography by: Dan Mindel
Edited by: Christian Wagner
Cameras: Panavision Cameras
Lenses: Panavision Lenses