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Ted 2 | ShotOnWhat?

Additional Set Production Assistant Ted 2 (2015)

Directed by: Seth MacFarlane

Cinematography by: Michael Barrett

Edited by: Jeff Freeman

Cameras: Sony CineAlta F65 Camera

Lenses: Panavision Primo Primes Spherical Lenses

"Bones" The Turn in the Urn | ShotOnWhat?

Set Production Assistant 'Bones' The Turn in the Urn (2014)

Television Episode

Directed by: Tim Southam

Cinematography by: Gregory Paul Collier

Edited by: Bill Lynch

"Bones" The High in the Low | ShotOnWhat?

Set Production Assistant 'Bones' The High in the Low (2014)

Television Episode

Directed by: Anne Renton

Cinematography by: Gregory Paul Collier

Edited by: Richard Currie

"Bones" The Cold in the Case | ShotOnWhat?

Set Production Assistant 'Bones' The Cold in the Case (2014)

Television Episode

Directed by: Milan Cheylov

Cinematography by: Gregory Paul Collier

Edited by: Kimberly Ettinger

"Bones" The Nail in the Coffin | ShotOnWhat?

Set Production Assistant 'Bones' The Nail in the Coffin (2014)

Television Episode

Directed by: Ian Toynton

Cinematography by: Gregory Paul Collier

Edited by: Bill Lynch

"Bones" The Drama in the Queen | ShotOnWhat?

Set Production Assistant 'Bones' The Drama in the Queen (2014)

Television Episode

Directed by: Jeannot Szwarc

Cinematography by: Gregory Paul Collier

Edited by: Richard Currie

"Bones" The Recluse in the Recliner | ShotOnWhat?

Set Production Assistant 'Bones' The Recluse in the Recliner (2014)

Television Episode

Directed by: David Boreanaz

Cinematography by: Gregory Paul Collier

Edited by: Kimberly Ettinger

Lost River | ShotOnWhat?

Additional Set Production Assistant Lost River (2014)

Directed by: Ryan Gosling

Cinematography by: Benoît Debie

Edited by: Nico Leunen, Valdís Óskarsdóttir

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Red Epic Camera

Lenses: Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

Need for Speed | ShotOnWhat?

Set Production Assistant Need for Speed (2014)

Directed by: Scott Waugh

Cinematography by: Shane Hurlbut

Edited by: Paul Rubell, Scott Waugh

Cameras: ARRI ALEXA Camera, Canon EOS-1D C Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE

"Bones" The Carrot in the Kudzu | ShotOnWhat?

Set Production Assistant 'Bones' The Carrot in the Kudzu (2014)

Television Episode

Directed by: Rob Hardy

Cinematography by: Gregory Paul Collier

Edited by: Kimberly Ettinger

"Bones" The Repo Man in the Septic Tank | ShotOnWhat?

Set Production Assistant 'Bones' The Repo Man in the Septic Tank (2014)

Television Episode

Directed by: Jeffrey Walker

Cinematography by: Gregory Paul Collier

Edited by: Richard Currie

"Bones" The Source in the Sludge | ShotOnWhat?

Set Production Assistant 'Bones' The Source in the Sludge (2014)

Television Episode

Directed by: Ian Toynton

Cinematography by: Gregory Paul Collier

Edited by: Bill Lynch

"Bones" The Heiress in the Hill | ShotOnWhat?

Set Production Assistant 'Bones' The Heiress in the Hill (2014)

Television Episode

Directed by: Milan Cheylov

Cinematography by: Gregory Paul Collier

Edited by: Kimberly Ettinger

"Bones" The Master in the Slop | ShotOnWhat?

Set Production Assistant 'Bones' The Master in the Slop (2014)

Television Episode

Directed by: Dwight H. Little

Cinematography by: Gregory Paul Collier

Edited by: Casey O. Rohrs

"Bones" Big in the Philippines | ShotOnWhat?

Set Production Assistant 'Bones' Big in the Philippines (2014)

Television Episode

Directed by: David Boreanaz

Cinematography by: Gregory Paul Collier

Edited by: Bill Lynch

"Bones" The Ghost in the Killer | ShotOnWhat?

Set Production Assistant 'Bones' The Ghost in the Killer (2014)

Television Episode

Directed by: Allison Liddi-Brown

Cinematography by: Gregory Paul Collier

Edited by: J. Benjamin Chulay, Kimberly Ettinger, Andrea Folprecht, Thomas R. Moore, Casey O. Rohrs

"Bones" The Mystery in the Meat | ShotOnWhat?

Set Production Assistant 'Bones' The Mystery in the Meat (2013)

Television Episode

Directed by: Tim Southam

Cinematography by: Gregory Paul Collier

Edited by: C.J. Liao

"Bones" The Spark in the Park | ShotOnWhat?

Set Production Assistant 'Bones' The Spark in the Park (2013)

Television Episode

Directed by: Chad Lowe

Cinematography by: Gregory Paul Collier

Edited by: Richard Currie

Ender's Game | ShotOnWhat?

Additional Set Production Assistant Ender's Game (2013)

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Lee Smith, Zach Staenberg

Cameras: Red Epic Camera

"Bones" The Fury in the Jury | ShotOnWhat?

Set Production Assistant 'Bones' The Fury in the Jury (2013)

Television Episode

Directed by: Dwight H. Little

Cinematography by: Gregory Paul Collier

Edited by: Kimberly Ettinger

Scary Movie 5 | ShotOnWhat?

Additional Set Production Assistant Scary Movie 5 (2013)

Directed by: Malcolm D. Lee, David Zucker

Cinematography by: Steven Douglas Smith

Edited by: Sam Seig

Cameras: ARRI ALEXA Camera

The Hangover Part III | ShotOnWhat?

Set Production Assistant The Hangover Part III (2013)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Jeff Groth, Debra Neil-Fisher

Cameras: ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Now You See Me | ShotOnWhat?

Set Production Assistant: Second Unit Now You See Me (2013)

Directed by: Louis Leterrier

Cinematography by: Mitchell Amundsen, Larry Fong

Edited by: Robert Leighton, Vincent Tabaillon

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses

Oz the Great and Powerful | ShotOnWhat?

Additional Stand-in: Mila Kunis / Set Production Assistant Oz the Great and Powerful (2013)

Directed by: Sam Raimi

Cinematography by: Peter Deming

Edited by: Bob Murawski

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

"Bones" The Nazi on the Honeymoon | ShotOnWhat?

Set Production Assistant 'Bones' The Nazi on the Honeymoon (2013)

Television Episode

Directed by: Jeannot Szwarc

Cinematography by: Gregory Paul Collier

Edited by: Richard Currie

"Bones" The Woman in White | ShotOnWhat?

Set Production Assistant 'Bones' The Woman in White (2013)

Television Episode

Directed by: Kevin Hooks

Cinematography by: Gregory Paul Collier

Edited by: Bill Lynch

Alex Cross | ShotOnWhat?

Screaming Girl, Set Production Assistant Alex Cross (2012)

Directed by: Rob Cohen

Cinematography by: Ricardo Della Rosa

Edited by: Matthew Diezel, Thom Noble

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL3 Camera, Silicon Imaging SI-2K Mini Camera, Silicon Imaging SI-2K Nano Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses

Vamps | ShotOnWhat?

Set Production Assistant Vamps (2012)

Directed by: Amy Heckerling

Cinematography by: Tim Suhrstedt

Edited by: Debra Chiate

Cameras: Sony CineAlta F35 Camera

Lenses: Panavision Lenses

LOL | ShotOnWhat?

Production Assistant LOL (2012)

Directed by: Lisa Azuelos

Cinematography by: Kieran McGuigan

Edited by: Myron Kerstein

Sparkle | ShotOnWhat?

Base Camp Production Assistant Sparkle (2012)

Directed by: Salim Akil

Cinematography by: Anastas N. Michos

Edited by: Terilyn A. Shropshire

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

This Must Be the Place | ShotOnWhat?

Production Assistant This Must Be the Place (2011)

Directed by: Paolo Sorrentino

Cinematography by: Luca Bigazzi

Edited by: Cristiano Travaglioli

Bones | ShotOnWhat?

Set Production Assistant - 18 Episodes, 2013-2014 Bones (2005)

Television Series

Directed by: Ian Toynton, Dwight H. Little, Jeannot Szwarc, Chad Lowe, David Boreanaz, Milan Cheylov, Allan Kroeker, Tim Southam, Kate Woods, Steven DePaul, Jeff Woolnough, Michael Lange, Randy Zisk, Alex Chapple, Jesús Salvador Treviño, Tony Wharmby, Allison Liddi-Brown, François Velle, Sanford Bookstaver, Craig Ross Jr., Kevin Hooks, Greg Yaitanes, Gordon Lonsdale, Emile B. Levisetti, Rob Hardy, Anne Renton, David Grossman, Tawnia McKiernan, James Whitmore Jr., Scott Lautanen, Jessica Landaw, Brad Turner, Jeffrey Walker, Arlene Sanford, David Hugh Jones, Patrick R. Norris, Donna Deitch, David Duchovny, Karen Gaviola, Joe Napolitano, Jonathan Pontell, Bryan Spicer, Thomas J. Wright, Caleb Deschanel, Marita Grabiak, Mark Helfrich, Daniel Sackheim, Reginald Hudlin, Steve Robin, Silver Tree, Robert Reed Altman, Anton Cropper, Emily Deschanel, Denise Di Novi

Cinematography by: Gordon Lonsdale, Gregory Paul Collier, Robert Reed Altman, Michael D. O'Shea, Cort Fey, Dennis Hall, Jules Labarthe, Sidney Sidell, Loren S. Yaconelli

Edited by: Kimberly Ettinger, Richard Currie, Andrea Folprecht, Bill Lynch, Thomas R. Moore, Casey O. Rohrs, J. Benjamin Chulay, C.J. Liao, Harry B. Miller III, Rick Tuber, David Post

Cameras: ARRIFLEX Camera, Sony CineAlta F35 Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses

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