Steve Morris

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Head Of Engineering The Killer (2023)

Motion Picture

Directed by: David Fincher

Cinematography by: Erik Messerschmidt

Edited by: Kirk Baxter

Lenses: Fujinon Premier Lenses, Leitz Summilux-C Series Lenses

Editing System: Adobe Premiere Editing System

Head Of Engineering Elemental (2023)

Motion Picture

Directed by: Peter Sohn

Cinematography by: David Juan Bianchi, Jean-Claude Kalache

Edited by: Stephen Schaffer

Guardians of the Galaxy Vol. 3 | ShotOnWhat?

Head Of Engineering Guardians of the Galaxy Vol. 3 (2023)

Motion Picture

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Greg D'Auria, Fred Raskin

Cameras: Red Digital Cinema Cameras, Red Komodo Camera, Red Monstro 8K Camera, Red V-Raptor Camera

Lenses: Angenieux Optimo Ultra 12x Lens, Angenieux Type EZ-1 VV 45-135 mm T3.0 Lens, Angenieux Type EZ-2 VV 22-60 mm T3.0 Lens, Leitz M 0.8 Series Lenses

Head Of Engineering: Skywalker Sound Top Gun: Maverick (2022)

Motion Picture

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Eddie Hamilton

Cameras: Sony CineAlta VENICE Camera

Lenses: Sigma Lenses, Voigtländer Lenses, Zeiss Master Prime Lenses

Head Of Engineering Argentina, 1985 (2022)

Motion Picture

Directed by: Santiago Mitre

Cinematography by: Javier Julia

Edited by: Andrés Pepe Estrada

Cameras: ARRI ALEXA Mini LF Camera

Lenses: ARRI Signature Prime Lenses, Canon FD Series Lenses

Black Panther: Wakanda Forever | ShotOnWhat?

Head Of Engineering: Skywalker Sound Black Panther: Wakanda Forever (2022)

Motion Picture

Directed by: Ryan Coogler

Cinematography by: Autumn Durald Arkapaw

Edited by: Kelley Dixon, Jennifer Lame, Michael P. Shawver

Cameras: Sony CineAlta VENICE Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Panatar Anamorphic Lenses

Head Of Engineering The Fabelmans (2022)

Motion Picture

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: ARRI ALEXA Mini LF Camera, ARRIFLEX 16ST Camera, ARRIFLEX 416 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

Head Of Engineering Glass Onion (2022)

Motion Picture

Directed by: Rian Johnson

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Zeiss Supreme Prime Series Lenses

Head Of Engineering Turning Red (2022)

Motion Picture

Directed by: Domee Shi

Cinematography by: Mahyar Abousaeedi, Jonathan Pytko

Edited by: Steve Bloom, Nicholas C. Smith

Head Of Engineering West Side Story (2021)

Motion Picture

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Head Of Engineering Come Away (2020)

Motion Picture

Directed by: Brenda Chapman

Cinematography by: Jules O'Loughlin

Edited by: Dody Dorn

Head Of Engineering Toy Story 4 (2019)

Motion Picture

Directed by: Josh Cooley

Cinematography by: Jean-Claude Kalache, Patrick Lin

Edited by: Axel Geddes

Head Of Engineering Avengers: Endgame (2019)

Motion Picture

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Head Of Engineering Ad Astra (2019)

Motion Picture

Directed by: James Gray

Cinematography by: Hoyte Van Hoytema

Edited by: John Axelrad, Lee Haugen

Cameras: Aaton Penelope Camera, ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX Camera

Lenses: CamTec Astra Master Prime Series Lenses, Zeiss Master Prime Lenses

Skywalker Sound Head Of Engineering A Hidden Life (2019)

Motion Picture

Directed by: Terrence Malick

Cinematography by: Jörg Widmer

Edited by: Rehman Nizar Ali, Joe Gleason, Sebastian Jones

Cameras: Red Epic Dragon Camera

Lenses: Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens

Head Of Engineering The Lion King (2019)

Motion Picture

Directed by: Jon Favreau

Cinematography by: Caleb Deschanel

Edited by: Adam Gerstel, Mark Livolsi

Cameras: ARRI ALEXA 65 Camera

Head Of Engineering Knives Out (2019)

Motion Picture

Directed by: Rian Johnson

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Panavision Silent Reflex PSR Camera

Lenses: ARRI Rental Prime 65 Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses

Star Wars: Episode IX - The Rise of Skywalker | ShotOnWhat?

Head Of Engineering Star Wars: Episode IX - The Rise of Skywalker (2019)

Motion Picture

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Stefan Grube

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Digital Lenses, Panavision Retro C Series Lenses, Panavision T Series Anamorphic Lenses

Head Of Engineering: Skywalker Sound Avengers: Infinity War (2018)

Motion Picture

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Head Of Engineering Black Panther (2018)

Motion Picture

Directed by: Ryan Coogler

Cinematography by: Rachel Morrison

Edited by: Debbie Berman, Michael P. Shawver

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera

Lenses: Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens

Head Of Engineering Incredibles 2 (2018)

Motion Picture

Directed by: Brad Bird

Cinematography by: Mahyar Abousaeedi, Erik Smitt

Edited by: Stephen Schaffer

Head Of Engineering: Skywalker Sound Ralph Breaks the Internet (2018)

Motion Picture

Directed by: Phil Johnston, Rich Moore

Cinematography by: Nathan Warner

Edited by: Jeremy Milton, Fabienne Rawley

Head Of Engineering: Skywalker Sound Ready Player One (2018)

Motion Picture

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: ARRI ALEXA Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses

Head Of Engineering: Skywalker Sound Solo: A Star Wars Story (2018)

Motion Picture

Directed by: Ron Howard

Cinematography by: Bradford Young

Edited by: Pietro Scalia

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: ARRI Rental Prime DNA Lenses, CamTec Falcon Full Frame Lenses, Zeiss Super Speed Lenses

Pirates of the Caribbean: Dead Men Tell No Tales | ShotOnWhat?

Head Of Engineering: Executive Staff, Skywalker Sound, Head Of Engineering: Skywalker Sound Executive Staff Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Motion Picture

Directed by: Joachim Rønning, Espen Sandberg

Cinematography by: Paul Cameron

Edited by: Roger Barton, Leigh Folsom Boyd

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses: Panavision Primo Primes Spherical Lenses

Guardians of the Galaxy Vol. 2 | ShotOnWhat?

Head Of Engineering: Skywalker Sound Guardians of the Galaxy Vol. 2 (2017)

Motion Picture

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Fred Raskin, Craig Wood

Cameras: Red Weapon Dragon Camera

Lenses: Panavision Primo 70 Lenses

Head Of Engineering: Skywalker Sound Executive Staff The Book of Henry (2017)

Motion Picture

Directed by: Colin Trevorrow

Cinematography by: John Schwartzman

Edited by: Kevin Stitt

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Lenses

Head Of Engineering: Skywalker Sound Columbus (2017)

Motion Picture

Directed by: Kogonada

Cinematography by: Elisha Christian

Edited by: Kogonada

Cameras: ARRI ALEXA Mini Camera

Lenses: Cooke S4 Lenses

Head Of Engineering Thor: Ragnarok (2017)

Motion Picture

Directed by: Taika Waititi

Cinematography by: Javier Aguirresarobe

Edited by: Zene Baker, Joel Negron

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses, Panavision Primo V Lenses

Head Of Engineering: Skywalker Sound Coco (2017)

Motion Picture

Directed by: Lee Unkrich, Adrian Molina

Edited by: Steve Bloom, Lee Unkrich

Head Of Engineering The Post (2017)

Motion Picture

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

Head Of Engineering: Executive Staff, Skywalker Sound Only the Brave (2017)

Motion Picture

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Billy Fox

Cameras: Sony CineAlta F65 Camera

Lenses: Fujinon Premier Lenses, Zeiss Master Prime Lenses

Star Wars: Episode VIII - The Last Jedi | ShotOnWhat?

Captain America: Civil War | ShotOnWhat?

Head Of Engineering: Skywalker Sound Captain America: Civil War (2016)

Motion Picture

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

Head Of Engineering: Skywalker Sound Allegiant (2016)

Motion Picture

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Stuart Levy

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

Head Of Engineering: Skywalker Sound Executive Staff Zootopia (2016)

Motion Picture

Directed by: Byron Howard, Rich Moore, Jared Bush

Cinematography by: Nathan Warner

Edited by: Jeremy Milton, Fabienne Rawley

Rogue One: A Star Wars Story | ShotOnWhat?

Head Of Engineering: Skywalker Sound Rogue One (2016)

Motion Picture

Directed by: Gareth Edwards

Cinematography by: Greig Fraser

Edited by: John Gilroy, Colin Goudie, Jabez Olssen

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision APO Panatar Lenses

Editing System: Avid Editing System

Skywalker Sound Head Of Engineering The Jungle Book (2016)

Motion Picture

Directed by: Jon Favreau

Cinematography by: Bill Pope

Edited by: Adam Gerstel, Mark Livolsi

Cameras: ARRI ALEXA XT M Camera

Lenses: Panavision Primo Primes Spherical Lenses

Head Of Engineering: Skywalker Sound Doctor Strange (2016)

Motion Picture

Directed by: Scott Derrickson

Cinematography by: Ben Davis

Edited by: Sabrina Plisco, Wyatt Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Head Of Engineering: Skywalker Sound Finding Dory (2016)

Motion Picture

Directed by: Andrew Stanton, Angus MacLane

Cinematography by: Jeremy Lasky

Edited by: Axel Geddes

Head Of Engineering: Executive Staff, Skywalker Sound The BFG (2016)

Motion Picture

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRI ALEXA XT Series Cameras

Lenses: Panavision Primo Primes Spherical Lenses

Star Wars: The Force Awakens | ShotOnWhat?

Head Of Engineering: Skywalker Sound Star Wars: Episode VII - The Force Awakens (2015)

Motion Picture

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens

Editing System: Avid Editing System

Head Of Engineering: Skywalker Sound Avengers: Age of Ultron (2015)

Motion Picture

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

Head Of Engineering: Skywalker Sound Crimson Peak (2015)

Motion Picture

Directed by: Guillermo del Toro

Cinematography by: Dan Laustsen

Edited by: Bernat Vilaplana

Cameras: ARRI ALEXA XT Camera

Head Of Engineering: Skywalker Sound Executive Staff Bridge of Spies (2015)

Motion Picture

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

Editing System: Avid Editing System

Head Of Engineering: Skywalker Sound Inside Out (2015)

Motion Picture

Directed by: Pete Docter, Ronnie Del Carmen

Edited by: Kevin Nolting

Head Of Engineering: Skywalker Sound Executive Staff Racing Extinction (2015)

Documentary

Directed by: Louie Psihoyos

Cinematography by: John Behrens, Shawn Heinrichs, Sean Kirby, Petr Stepanek

Edited by: Geoffrey Richman, Lyman Smith, Jason Zeldes

Head Of Engineering: Skywalker Sound Executive Staff Krisha (2015)

Motion Picture

Directed by: Trey Edward Shults

Cinematography by: Drew Daniels

Edited by: Trey Edward Shults

Cameras: Red Epic Camera, Red Scarlet Camera

Captain America: The Winter Soldier | ShotOnWhat?

Head Of Engineering: Skywalker Sound Captain America: The Winter Soldier (2014)

Motion Picture

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

Head Of Engineering: Skywalker Sound Maleficent (2014)

Motion Picture

Directed by: Robert Stromberg

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Richard Pearson

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Engineering Services Rio 2 (2014)

Motion Picture

Directed by: Carlos Saldanha

Cinematography by: Renato Falcão

Edited by: Harry Hitner, Randy Trager

Head Of Engineering: Skywalker Sound Guardians of the Galaxy (2014)

Motion Picture

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Director Of Engineering: Skywalker Sound Staff The Raid 2 (2014)

Motion Picture

Directed by: Gareth Evans

Cinematography by: Matt Flannery, Dimas Imam Subhono

Edited by: Gareth Evans

Cameras: GoPro HD Hero3 Camera, Red Epic Camera, Red Scarlet Camera

Lenses: Zeiss Ultra Prime Lenses

Head Of Engineering: Skywalker Sound A Most Violent Year (2014)

Motion Picture

Directed by: J.C. Chandor

Cinematography by: Bradford Young

Edited by: Ron Patane

Cameras: ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera, ARRI ALEXA XT Studio Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses

Editing System: Final Cut Pro Editing System

Director Of Engineering: Skywalker Sound Executive Staff Big Hero 6 (2014)

Motion Picture

Directed by: Don Hall, Chris Williams

Cinematography by: Rob Dressel

Edited by: Tim Mertens

Head Of Engineering: Skywalker Sound Staff The Boxtrolls (2014)

Motion Picture

Directed by: Graham Annable, Anthony Stacchi

Cinematography by: John Ashlee Prat

Edited by: Edie Ichioka

Cameras: Canon EOS-5D Mark III Camera

Director Of Engineering: Skywalker Sound, Engineering Support I Origins (2014)

Motion Picture

Directed by: Mike Cahill

Cinematography by: Markus Förderer

Edited by: Mike Cahill

Cameras: Red Epic Camera

Engineering Services Oblivion (2013)

Motion Picture

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Richard Francis-Bruce

Cameras: Red Epic Camera, Sony CineAlta F65 Camera

Editing System: Avid Editing System

Engineering Services Inequality for All (2013)

Motion Picture

Directed by: Jacob Kornbluth

Cinematography by: Svetlana Cvetko, Dan Krauss

Edited by: Kim Roberts, Miranda Yousef

Cameras: Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Canon EOS-C300 Camera, Sony PMW-F3 Camera

Engineering Services Fruitvale Station (2013)

Motion Picture

Directed by: Ryan Coogler

Cinematography by: Rachel Morrison

Edited by: Claudia Castello, Michael P. Shawver

Cameras: ARRIFLEX 416 Camera

Lenses: Zeiss Ultra 16 Lenses

Engineering Services Monsters University (2013)

Motion Picture

Directed by: Dan Scanlon

Edited by: Greg Snyder

Engineering Services Prince Avalanche (2013)

Motion Picture

Directed by: David Gordon Green

Cinematography by: Tim Orr

Edited by: Colin Patton

Cameras: ARRI ALEXA Camera

Lenses: Bausch & Lomb Super Baltar Lenses

Engineering Services John Carter (2012)

Motion Picture

Directed by: Andrew Stanton

Cinematography by: Dan Mindel

Edited by: Eric Zumbrunnen

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Apple Final Cut Pro 7

The Odd Life of Timothy Green | ShotOnWhat?

Engineering Services The Odd Life of Timothy Green (2012)

Motion Picture

Directed by: Peter Hedges

Cinematography by: John Toll

Edited by: Andrew Mondshein

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Engineering Services Red Tails (2012)

Motion Picture

Directed by: Anthony Hemingway

Cinematography by: John B. Aronson

Edited by: Ben Burtt, Michael O'Halloran

Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F35 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Lightworks Editing System

Beasts of the Southern Wild | ShotOnWhat?

Engineer Services Beasts of the Southern Wild (2012)

Motion Picture

Directed by: Benh Zeitlin

Cinematography by: Ben Richardson

Edited by: Crockett Doob, Affonso Gonçalves

Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 416 Camera

Lenses: Zeiss Super Speed Lenses

Editing System: Avid Editing System

Engineering Services ParaNorman (2012)

Motion Picture

Directed by: Chris Butler, Sam Fell

Cinematography by: Tristan Oliver

Edited by: Christopher Murrie

Cameras: Canon EOS-5D Mark II Camera

Lenses: Canon Tilt-Shift Lenses, Cooke Varotal Lenses

Engineering Services People Like Us (2012)

Motion Picture

Directed by: Alex Kurtzman

Cinematography by: Salvatore Totino

Edited by: Robert Leighton

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Editing System: Avid Editing System

Engineering Brave (2012)

Motion Picture

Directed by: Mark Andrews, Brenda Chapman, Steve Purcell

Edited by: Nicholas C. Smith

Ice Age: Continental Drift | ShotOnWhat?

Engineering Services Ice Age: Continental Drift (2012)

Motion Picture

Directed by: Steve Martino, Mike Thurmeier

Cinematography by: Renato Falcão

Edited by: Christopher Campbell, James Palumbo, David Ian Salter

Engineering Services LUV (2012)

Motion Picture

Directed by: Sheldon Candis

Cinematography by: Gavin Kelly

Edited by: Jeff Wishengrad

Cameras: Red One MX Camera

Lenses: Hawk V-Lite Lenses

Engineering Services How to Survive a Plague (2012)

Documentary

Directed by: David France

Cinematography by: Derek Wiesehahn

Edited by: Woody Richman, Tyler H. Walk

Engineering Services Drive Angry (2011)

Motion Picture

Directed by: Patrick Lussier

Cinematography by: Brian Pearson

Edited by: Devin C. Lussier, Patrick Lussier

Engineering Services Thin Ice (2011)

Motion Picture

Directed by: Jill Sprecher

Cinematography by: Dick Pope

Edited by: Lee Percy

Digital Engineer: Skywalker Sound Super 8 (2011)

Motion Picture

Directed by: J.J. Abrams

Cinematography by: Larry Fong

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses

Editing System: Avid Editing System

Engineering Services War Horse (2011)

Motion Picture

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Mission: Impossible - Ghost Protocol | ShotOnWhat?

Engineering Services Mission: Impossible - Ghost Protocol (2011)

Motion Picture

Directed by: Brad Bird

Cinematography by: Robert Elswit

Edited by: Paul Hirsch

Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Engineering Services Rio (2011)

Motion Picture

Directed by: Carlos Saldanha

Cinematography by: Renato Falcão

Edited by: Harry Hitner

Engineering Services Toy Story 3 (2010)

Motion Picture

Directed by: Lee Unkrich

Cinematography by: Jeremy Lasky

Edited by: Ken Schretzmann

Engineering Services Tron (2010)

Motion Picture

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: James Haygood

Cameras: Phantom HD Camera, Sony CineAlta F35 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Engineering Services Skateland (2010)

Motion Picture

Directed by: Anthony Burns

Cinematography by: Peter Simonite

Edited by: Robert Hoffman

Engineering Services The Conspirator (2010)

Motion Picture

Directed by: Robert Redford

Cinematography by: Newton Thomas Sigel

Edited by: Craig McKay

Engineering Services Let Me In (2010)

Motion Picture

Directed by: Matt Reeves

Cinematography by: Greig Fraser

Edited by: Stan Salfas

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Engineering Services Whip It (2009)

Motion Picture

Directed by: Drew Barrymore

Cinematography by: Robert D. Yeoman

Edited by: Dylan Tichenor

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Chief Engineer & Facility Design: Skywalker Sound Avatar (2009)

Motion Picture

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

Engineering Services Redwoods (2009)

Motion Picture

Directed by: David Lewis

Cinematography by: Joe Rivera

Edited by: Mathias Hilger

Brief Interviews with Hideous Men | ShotOnWhat?

Engineering Services Brief Interviews with Hideous Men (2009)

Motion Picture

Directed by: John Krasinski

Cinematography by: John Bailey

Edited by: Zene Baker, Rich Fox

Cameras: Panavision Panaflex Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Ice Age: Dawn of the Dinosaurs | ShotOnWhat?

Engineering Support Ice Age: Dawn of the Dinosaurs (2009)

Motion Picture

Directed by: Carlos Saldanha, Mike Thurmeier

Edited by: Harry Hitner, James Palumbo

Zack and Miri Make a Porno | ShotOnWhat?

Engineering Services Zack and Miri Make a Porno (2008)

Motion Picture

Directed by: Kevin Smith

Cinematography by: David Klein

Edited by: Kevin Smith

Indiana Jones and the Kingdom of the Crystal Skull | ShotOnWhat?

Engineering Services, Engineering Services: Skywalker Sound Indiana Jones and the Kingdom of the Crystal Skull (2008)

Motion Picture

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Engineering Services The Promotion (2008)

Motion Picture

Directed by: Steve Conrad

Cinematography by: Lawrence Sher

Edited by: Myron Kerstein, Tim Streeto

Engineering Services Cloverfield (2008)

Motion Picture

Directed by: Matt Reeves

Cinematography by: Michael Bonvillain

Edited by: Kevin Stitt

Cameras: Panasonic AG-HSC1U Camera, Panasonic AG-HVX200 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera

Lenses: Canon Lenses, Zeiss DigiPrime Lenses

Engineering Services Lions for Lambs (2007)

Motion Picture

Directed by: Robert Redford

Cinematography by: Philippe Rousselot

Edited by: Joe Hutshing

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Engineering Services There Will Be Blood (2007)

Motion Picture

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Dylan Tichenor

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Pathé 43 mm (Modified by Dan Sasaki) Lens

Mix Engineer Bonneville (2006)

Motion Picture

Directed by: Christopher N. Rowley

Cinematography by: Jeffrey L. Kimball

Edited by: Anita Brandt Burgoyne, Lisa Fruchtman

Mix Engineer Sea of Dreams (2006)

Motion Picture

Directed by: José Pepe Bojórquez

Cinematography by: Chris Chomyn

Edited by: Tia Nolan

Engineering Services Clerks II (2006)

Motion Picture

Directed by: Kevin Smith

Cinematography by: David Klein

Edited by: Kevin Smith

Magnificent Desolation: Walking on the Moon 3D | ShotOnWhat?

Engineering Magnificent Desolation: Walking on the Moon 3D (2005)

Motion Picture

Directed by: Mark Cowen

Cinematography by: Sean MacLeod Phillips

Edited by: Billy Schinski

Engineering Services Hart's War (2002)

Motion Picture

Directed by: Gregory Hoblit

Cinematography by: Alar Kivilo

Edited by: David Rosenbloom

Engineering Services The Ring (2002)

Motion Picture

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: Craig Wood

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Super Speed Lenses

Editing System: Final Cut Pro Editing System

Jay and Silent Bob Strike Back | ShotOnWhat?

Engineering Services Jay and Silent Bob Strike Back (2001)

Motion Picture

Directed by: Kevin Smith

Cinematography by: Jamie Anderson

Edited by: Scott Mosier, Kevin Smith

A.I. Artificial Intelligence | ShotOnWhat?

Engineering Services A.I. Artificial Intelligence (2001)

Motion Picture

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Cameras

Lenses: ARRI / Zeiss Lenses

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