Directed by: Jeff Nichols
Cinematography by: Adam Stone
Edited by: Julie Monroe
Directed by: Jill Sprecher
Cinematography by: Dick Pope
Edited by: Lee Percy
Directed by: Jon M. Chu
Cinematography by: Reed Smoot
Directed by: George Clooney
Cinematography by: Phedon Papamichael
Edited by: Stephen Mirrione
Cameras: Panavision Panaflex Platinum Camera
Directed by: Mark Waters
Cinematography by: Daryn Okada
Edited by: Bruce Green
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Directed by: Grant Heslov
Cinematography by: Robert Elswit
Edited by: Tatiana S. Riegel
Cameras: Panavision Panaflex Platinum Camera
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Cinematography by: David Tattersall
Lenses: Zeiss DigiPrime Lenses
Directed by: George Clooney
Cinematography by: Newton Thomas Sigel
Edited by: Stephen Mirrione
Directed by: Gary Fleder
Cinematography by: Kramer Morgenthau
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Directed by: Ben Stiller
Cinematography by: John Toll
Edited by: Greg Hayden
Directed by: Andrew Dominik
Cinematography by: Roger Deakins
Lenses: Cooke Lenses, Cooke S4 Lenses
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Directed by: Brett Ratner
Cinematography by: James M. Muro
Directed by: Tom Shadyac
Cinematography by: Ian Baker
Edited by: Scott Hill
Cameras: Panavision Cameras
Editing System: Lightworks Editing System
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Colby Parker Jr.
Directed by: Francis Lawrence
Cinematography by: Andrew Lesnie
Edited by: Wayne Wahrman
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Lenses
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Edited by: Robert Frazen
Directed by: Stefen Fangmeier
Cinematography by: Hugh Johnson
Directed by: Kurt Wimmer
Cinematography by: Arthur Wong
Edited by: William Yeh
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Directed by: Bryan Barber
Cinematography by: Pascal Rabaud
Edited by: Anne Goursaud
Lenses: Zeiss Ultra Prime Lenses
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Peter Honess
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Directed by: David Dobkin
Cinematography by: Julio Macat
Edited by: Mark Livolsi
Directed by: Tim Fywell
Cinematography by: David Hennings
Edited by: Janice Hampton
Directed by: Bille Woodruff
Cinematography by: Theo van de Sande
Edited by: Michael Jablow
Directed by: Tim Story
Cinematography by: Oliver Wood
Edited by: William Hoy
Directed by: Francis Lawrence
Cinematography by: Philippe Rousselot
Edited by: Wayne Wahrman
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Directed by: Noah Kadner
Cinematography by: Tyler Oliver
Edited by: Tirsa Hackshaw
Directed by: Stephen Sommers
Cinematography by: Allen Daviau
Editing System: Avid Editing System
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Cameras: ARRI Cameras
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Directed by: Trey Parker
Cinematography by: Bill Pope
Edited by: Thomas M. Vogt
Cameras: ARRIFLEX 435 Camera, Pan-Arri 435 Camera
Directed by: David Twohy
Cinematography by: Hugh Johnson
Directed by: John Singleton
Cinematography by: Matthew F. Leonetti
Lenses: Cooke S4 Lenses
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Directed by: Jon Amiel
Cinematography by: John Lindley
Edited by: Terry Rawlings
Directed by: Andrzej Bartkowiak
Cinematography by: Daryn Okada
Edited by: Derek Brechin
Cameras: Panavision Cameras
Directed by: David Zucker
Cinematography by: Mark Irwin
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera