Directed by: Ang Lee
Cinematography by: Claudio Miranda
Edited by: Tim Squyres
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Directed by: Francis Lawrence
Cinematography by: Rodrigo Prieto
Edited by: Alan Edward Bell
Editing System: Avid Editing System
Directed by: Michael Damian
Cinematography by: Ron Stannett
Edited by: Michael Trent
Directed by: John Lee Hancock
Cinematography by: Alar Kivilo
Edited by: Mark Livolsi
Lenses: Zeiss Master Prime Lenses
Directed by: David Hollander
Cinematography by: Elliot Davis
Edited by: Lori Jane Coleman
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Mark Livolsi
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses: Zeiss Ultra Prime Lenses
Directed by: Michael Mayer
Cinematography by: James M. Muro
Edited by: Andrew Marcus
Directed by: Stefen Fangmeier
Cinematography by: Hugh Johnson
Directed by: David Zucker
Cinematography by: Martin McGrath
Directed by: Joel Schumacher
Cinematography by: Matthew Libatique
Edited by: Mark Stevens
Directed by: P.J. Hogan
Cinematography by: Remi Adefarasin
Edited by: Robert C. Jones
Cameras: Panavision Cameras
Directed by: Danny Leiner
Cinematography by: Robert M. Stevens
Edited by: Kimberly Ray
Directed by: P.J. Hogan
Cinematography by: László Kovács
Cameras: Panavision Panaflex Camera
Directed by: Hart Bochner
Cinematography by: Vernon Layton
Edited by: James R. Symons
Directed by: Jerry Zucker
Cinematography by: Adam Greenberg
Edited by: Walter Murch
Directed by: Alfonso Arau
Cinematography by: Emmanuel Lubezki
Edited by: Don Zimmerman
Directed by: Peter Segal
Cinematography by: Robert M. Stevens
Edited by: James R. Symons
Cameras: Panavision Cameras
Directed by: Bruce Joel Rubin
Cinematography by: Peter James
Edited by: Richard Chew
Directed by: David Zucker
Cinematography by: Robert M. Stevens