Directed by: Ang Lee
Cinematography by: Dion Beebe
Edited by: Tim Squyres
Cameras: ARRI ALEXA XT M Camera, Phantom Flex4K Camera
Lenses: Leitz Summilux-C Series Lenses
Directed by: Pierre Morel
Cinematography by: Flavio Martínez Labiano
Edited by: Frédéric Thoraval
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Lenses: Kowa Cine Prominar Spherical Lenses, Nippon Scope Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Directed by: Renny Harlin
Cinematography by: Sam McCurdy
Edited by: Vincent Tabaillon
Cameras: Red Epic Camera
Directed by: Sergei Bodrov
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA Camera
Directed by: James Gunn
Cinematography by: Ben Davis
Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Directed by: Akiva Goldsman
Cinematography by: Caleb Deschanel
Cameras: ARRI ALEXA Plus 4:3 Camera
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Directed by: Ang Lee
Cinematography by: Claudio Miranda
Edited by: Tim Squyres
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Directed by: Rupert Sanders
Cinematography by: Greig Fraser
Directed by: Josh Trank
Cinematography by: Matthew Jensen
Edited by: Elliot Greenberg
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Cara Silverman
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Directed by: Tim Hill
Cinematography by: Peter Lyons Collister
Directed by: Drew Goddard
Cinematography by: Peter Deming
Edited by: Lisa Lassek
Directed by: Mike Mitchell
Cinematography by: Thomas E. Ackerman
Edited by: Peter Amundson
Directed by: Matthew Vaughn
Cinematography by: John Mathieson
Directed by: Burr Steers
Cinematography by: Enrique Chediak
Edited by: Padraic McKinley
Lenses: Hawk V-Series Lenses
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Directed by: Paul Weitz
Cinematography by: Remi Adefarasin
Cameras: ARRI Cameras
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Directed by: Betty Thomas
Cinematography by: Anthony B. Richmond
Edited by: Matt Friedman
Lenses: Cooke S4 Lenses
Directed by: Shawn Levy
Cinematography by: John Schwartzman
Directed by: Paul Weitz
Cinematography by: James M. Muro
Edited by: Leslie Jones
Directed by: Brad Silberling
Cinematography by: Dion Beebe
Edited by: Peter Teschner
Cameras: Panavision Cameras
Directed by: John Schultz
Cinematography by: Don Burgess
Edited by: John Pace
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Editing System: Avid Editing System
Directed by: Rob Cohen
Cinematography by: Simon Duggan
Editing System: Avid Editing System
Directed by: Tom Shadyac
Cinematography by: Ian Baker
Edited by: Scott Hill
Cameras: Panavision Cameras
Editing System: Lightworks Editing System
Directed by: Peter Berg
Cinematography by: Mauro Fiore
Directed by: Chris Weitz
Cinematography by: Henry Braham
Directed by: Gary Winick
Cinematography by: Seamus McGarvey
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Don Zimmerman