Directed by: David Fincher
Cinematography by: Erik Messerschmidt
Edited by: Kirk Baxter
Editing System: Adobe Premiere Editing System
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Directed by: David Fincher
Cinematography by: Erik Messerschmidt
Edited by: Kirk Baxter
Cameras: Red Digital Cinema Cameras
Lenses: Leitz Summilux-C Series Lenses
Directed by: Carl Franklin
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Directed by: Carl Franklin
Cinematography by: Erik Messerschmidt
Edited by: Grant Surmi
Directed by: David Fincher
Cinematography by: Erik Messerschmidt
Edited by: Kirk Baxter
Directed by: David Fincher
Cinematography by: Erik Messerschmidt
Directed by: David Fincher
Cinematography by: Erik Messerschmidt
Edited by: Kirk Baxter
Directed by: Andrew Dominik
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Directed by: Andrew Dominik
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Directed by: Carl Franklin
Cinematography by: Erik Messerschmidt
Edited by: Grant Surmi
Directed by: Robin Wright
Cinematography by: Tim Norman
Directed by: Alik Sakharov
Cinematography by: David M. Dunlap
Edited by: Grant Surmi
Directed by: Louise Friedberg
Cinematography by: Tim Norman
Edited by: Yuka Shirasuna
Directed by: Thomas Schlamme
Cinematography by: David M. Dunlap
Directed by: Ernest R. Dickerson
Cinematography by: Tim Norman
Edited by: Kyle Traynor
Directed by: Stacie Passon
Cinematography by: David M. Dunlap
Edited by: Yuka Shirasuna
Directed by: Ami Canaan Mann
Cinematography by: Tim Norman
Directed by: Alik Sakharov
Cinematography by: David M. Dunlap
Edited by: Josh Beal
Directed by: Daniel Minahan
Cinematography by: David M. Dunlap
Edited by: Lisa Bromwell
Directed by: Robin Wright
Cinematography by: David M. Dunlap
Edited by: Michael Ruscio
Directed by: Robin Wright
Cinematography by: David M. Dunlap
Edited by: Michael Ruscio
Directed by: Agnieszka Holland
Cinematography by: Tim Norman
Edited by: Lisa Bromwell
Directed by: Agnieszka Holland
Cinematography by: Tim Norman
Edited by: Lisa Bromwell
Directed by: Roxann Dawson
Cinematography by: David M. Dunlap
Edited by: Katherine Skjerping
Directed by: Roxann Dawson
Cinematography by: David M. Dunlap
Edited by: Katherine Skjerping
Directed by: Alik Sakharov
Cinematography by: Tim Norman
Edited by: Yuka Shirasuna
Directed by: Michael Morris
Cinematography by: David M. Dunlap
Edited by: Lisa Bromwell
Directed by: Michael Morris
Cinematography by: David M. Dunlap
Edited by: Lisa Bromwell
Directed by: Alik Sakharov
Cinematography by: Tim Norman
Edited by: Byron Smith
Directed by: Alik Sakharov
Cinematography by: Tim Norman
Edited by: Byron Smith
Directed by: Daniel Minahan
Cinematography by: David M. Dunlap
Edited by: Lisa Bromwell
Directed by: David Fincher, Carl Franklin, Andrew Douglas, Asif Kapadia, Tobias Lindholm, Andrew Dominik
Cameras: Red Xenomorph Camera
Lenses: Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Fujinon Premier Lenses, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens
Editing System: Adobe Premiere Editing System
Directed by: David Fincher
Cinematography by: Erik Messerschmidt
Edited by: Kirk Baxter
Directed by: David Fincher
Cinematography by: Erik Messerschmidt
Edited by: Kirk Baxter
Directed by: Andrew Douglas
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Directed by: Andrew Douglas
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Directed by: Tobias Lindholm
Cinematography by: Erik Messerschmidt
Directed by: Tobias Lindholm
Cinematography by: Erik Messerschmidt
Directed by: David Fincher
Cinematography by: Christopher Probst
Edited by: Kirk Baxter
Directed by: Asif Kapadia
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Directed by: Asif Kapadia
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Directed by: David Fincher
Cinematography by: Christopher Probst
Edited by: Kirk Baxter
Directed by: Tucker Gates
Edited by: Lisa Bromwell
Directed by: Tucker Gates
Edited by: Lisa Bromwell
Directed by: Robin Wright
Cinematography by: Peter Konczal
Edited by: Cindy Mollo
Directed by: Robin Wright
Cinematography by: Peter Konczal
Edited by: Cindy Mollo
Directed by: Tom Shankland
Cinematography by: David M. Dunlap
Edited by: Byron Smith
Directed by: Tom Shankland
Cinematography by: David M. Dunlap
Edited by: Byron Smith
Directed by: Tom Shankland
Cinematography by: Peter Konczal
Edited by: Lisa Bromwell
Directed by: Alex Graves
Cinematography by: David M. Dunlap
Edited by: Cindy Mollo
Directed by: Robin Wright
Cinematography by: Peter Konczal
Edited by: Byron Smith
Directed by: Robin Wright
Cinematography by: Peter Konczal
Edited by: Byron Smith
Directed by: Kari Skogland
Cinematography by: David M. Dunlap
Edited by: Lisa Bromwell
Directed by: Jakob Verbruggen
Cinematography by: Peter Konczal
Edited by: Cindy Mollo
Directed by: Jakob Verbruggen
Cinematography by: Peter Konczal
Edited by: Byron Smith
Cinematography by: Renato Falcão
Directed by: John Dahl
Cinematography by: Martin Ahlgren
Edited by: Lisa Bromwell
Directed by: James Foley
Cinematography by: Martin Ahlgren
Directed by: John David Coles
Cinematography by: Martin Ahlgren
Edited by: Lisa Bromwell
Directed by: Tucker Gates
Cinematography by: Martin Ahlgren
Edited by: Byron Smith
Directed by: James Foley
Cinematography by: Martin Ahlgren
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Avid Editing System
Directed by: John David Coles
Cinematography by: Martin Ahlgren
Edited by: Lisa Bromwell
Directed by: Tucker Gates
Cinematography by: Martin Ahlgren
Edited by: Byron Smith
Directed by: John Dahl
Cinematography by: Martin Ahlgren
Edited by: Lisa Bromwell
Directed by: Robin Wright
Cinematography by: Peter Konczal
Edited by: Byron Smith
Directed by: Agnieszka Holland
Cinematography by: Martin Ahlgren
Directed by: Agnieszka Holland
Cinematography by: Martin Ahlgren
Directed by: Robin Wright
Cinematography by: Peter Konczal
Edited by: Byron Smith
Directed by: James Foley
Edited by: Lisa Bromwell
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: Kirk Baxter
Cameras: Red Epic Dragon Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Adobe Premiere Editing System
Cinematography by: John Ashlee Prat
Edited by: Edie Ichioka
Cameras: Canon EOS-5D Mark III Camera
Directed by: Carl Franklin
Cinematography by: Igor Martinovic
Edited by: Byron Smith
Directed by: Carl Franklin
Cinematography by: Igor Martinovic
Directed by: James Foley
Cinematography by: Igor Martinovic
Edited by: Cindy Mollo
Directed by: James Foley
Cinematography by: Igor Martinovic
Edited by: Cindy Mollo
Directed by: John David Coles
Cinematography by: Igor Martinovic
Edited by: Lisa Bromwell
Directed by: John David Coles
Cinematography by: Igor Martinovic
Edited by: Lisa Bromwell
Directed by: James Foley
Cinematography by: Igor Martinovic
Edited by: Byron Smith
Directed by: James Foley
Cinematography by: Igor Martinovic
Edited by: Byron Smith
Directed by: Jodie Foster
Cinematography by: Igor Martinovic
Edited by: Lisa Bromwell
Directed by: Robin Wright
Cinematography by: Igor Martinovic
Edited by: Cindy Mollo
Directed by: John David Coles
Cinematography by: Igor Martinovic
Directed by: James Foley
Cinematography by: Igor Martinovic
Edited by: Cindy Mollo
Directed by: James Foley
Cinematography by: Igor Martinovic
Edited by: Cindy Mollo
Directed by: James Foley, Robin Wright, John David Coles, Alik Sakharov, Carl Franklin, Agnieszka Holland, Tucker Gates, Tom Shankland, Allen Coulter, David Fincher, Charles McDougall, Joel Schumacher, John Dahl, Jakob Verbruggen, Roxann Dawson, Daniel Minahan, Michael Morris, Jodie Foster, Alex Graves, Kari Skogland, Ernest R. Dickerson, Louise Friedberg, Ami Canaan Mann, Stacie Passon, Thomas Schlamme
Cinematography by: David M. Dunlap, Igor Martinovic, Eigil Bryld, Peter Konczal, Martin Ahlgren, Tim Norman, Paul Elliott, Tim Ives
Directed by: Louis Leterrier
Directed by: Spike Jonze
Cinematography by: Hoyte Van Hoytema
Directed by: David Fincher
Cinematography by: Eigil Bryld
Edited by: Kirk Baxter
Directed by: David Fincher
Cinematography by: Eigil Bryld
Edited by: Kirk Baxter
Directed by: James Foley
Cinematography by: Eigil Bryld
Edited by: Sidney Wolinsky
Directed by: James Foley
Cinematography by: Eigil Bryld
Edited by: Sidney Wolinsky
Directed by: Joel Schumacher
Cinematography by: Eigil Bryld
Edited by: Michelle Tesoro
Directed by: Joel Schumacher
Cinematography by: Eigil Bryld
Edited by: Michelle Tesoro
Directed by: Charles McDougall
Cinematography by: Eigil Bryld
Directed by: Charles McDougall
Cinematography by: Eigil Bryld
Edited by: Sidney Wolinsky
Directed by: James Foley
Cinematography by: Eigil Bryld
Edited by: Byron Smith
Directed by: Carl Franklin
Cinematography by: Eigil Bryld
Edited by: Michelle Tesoro
Directed by: Carl Franklin
Cinematography by: Eigil Bryld
Edited by: Michelle Tesoro
Directed by: Allen Coulter
Cinematography by: Tim Ives
Edited by: Sidney Wolinsky
Directed by: Allen Coulter
Cinematography by: Tim Ives
Edited by: Sidney Wolinsky
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Edited by: Nick Fletcher
Editing System: Avid Editing System
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Avid Editing System
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Cameras: Red Epic Camera, Red One MX Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System, Sony Vegas Editing System
Directed by: Patrick Lussier
Cinematography by: Brian Pearson
Directed by: J.J. Abrams
Cinematography by: Larry Fong
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
Editing System: Avid Editing System
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Editing System: Avid Editing System
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Cameras: Red One MX Camera
Editing System: Adobe Premiere Editing System
Directed by: M. Night Shyamalan
Cinematography by: Andrew Lesnie
Edited by: Conrad Buff IV
Directed by: Chris Columbus
Cinematography by: Phil Abraham
Edited by: Peter Honess
Directed by: Spike Jonze
Cinematography by: Lance Acord
Editing System: Final Cut Pro Editing System
Directed by: David Fincher
Cinematography by: Claudio Miranda
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Directed by: Robert Redford
Cinematography by: Philippe Rousselot
Edited by: Joe Hutshing
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Robert Benton
Cinematography by: Kramer Morgenthau
Edited by: Andrew Mondshein
Directed by: David Fincher
Cinematography by: Harris Savides
Edited by: Angus Wall
Cameras: Thomson Viper Camera
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Walter Murch
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDC-F950 Camera
Directed by: Spike Jonze
Cinematography by: Lance Acord
Edited by: Eric Zumbrunnen
Directed by: Wayne Wang
Cinematography by: Karl Walter Lindenlaub
Edited by: Craig McKay
Directed by: Roman Coppola
Cinematography by: Robert D. Yeoman
Edited by: Leslie Jones
Directed by: Lasse Hallström
Cinematography by: Oliver Stapleton
Edited by: Andrew Mondshein
Directed by: Lasse Hallström
Cinematography by: Roger Pratt
Edited by: Andrew Mondshein
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Andrew Mondshein
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Cameras: Panavision Panaflex Platinum Camera
Directed by: Barbara Sonneborn
Directed by: Francis Ford Coppola
Cinematography by: John Toll
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Directed by: Carroll Ballard
Cinematography by: Caleb Deschanel
Edited by: Nicholas C. Smith
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Edited by: Conrad Buff IV
Directed by: David Fincher
Cinematography by: Darius Khondji
Edited by: Richard Francis-Bruce
Directed by: Herbert Ross
Cinematography by: Donald E. Thorin
Edited by: Michael R. Miller
Cameras: Panavision Cameras
Directed by: Francis Ford Coppola
Cinematography by: Stephen H. Burum
Directed by: Francis Ford Coppola
Cinematography by: Vittorio Storaro
Lenses: Technovision Lenses, Todd-AO Lenses
Editing System: K.E.M. Editing System, Moviola Editing System