Bruce Moriarty » ShotOnWhat? Movies & Television

Bruce Moriarty 42 Titles

Is this you? Add a Profile

Batman v Superman: Dawn of Justice | ShotOnWhat?

Associate Producer, First Assistant Director Batman v Superman: Dawn of Justice (2016)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: David Brenner

Cameras: ARRI ALEXA Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Amazing Spider-Man 2 | ShotOnWhat?

First Assistant Director: Second Unit The Amazing Spider-Man 2 (2014)

Directed by: Marc Webb

Cinematography by: Dan Mindel

Edited by: Pietro Scalia

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Host | ShotOnWhat?

First Assistant Director: Los Angeles The Host (2013)

Directed by: Andrew Niccol

Cinematography by: Roberto Schaefer

Edited by: Thomas J. Nordberg

Cameras: ARRI ALEXA Camera

Man of Steel | ShotOnWhat?

First Assistant Director Man of Steel (2013)

Directed by: Zack Snyder

Cinematography by: Amir Mokri

Edited by: David Brenner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Green Lantern | ShotOnWhat?

First Assistant Director Green Lantern (2011)

Directed by: Martin Campbell

Cinematography by: Dion Beebe

Edited by: Stuart Baird

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

Edge of Darkness | ShotOnWhat?

First Assistant Director: Additional Photography Edge of Darkness (2010)

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Stuart Baird

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Classic Spherical Lenses

Transformers: Revenge of the Fallen | ShotOnWhat?

First Assistant Director Transformers: Revenge of the Fallen (2009)

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Inglourious Basterds | ShotOnWhat?

Associate Producer Inglourious Basterds (2009)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera

Lenses: Cooke Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Casino Royale | ShotOnWhat?

First Assistant Director Casino Royale (2006)

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Stuart Baird

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

Hoot | ShotOnWhat?

First Assistant Director Hoot (2006)

Directed by: Wil Shriner

Cinematography by: Michael Chapman

Edited by: Alan Edward Bell

The Legend of Zorro | ShotOnWhat?

First Assistant Director The Legend of Zorro (2005)

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Stuart Baird

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

King Arthur | ShotOnWhat?

Associate Producer, First Assistant Director King Arthur (2004)

Directed by: Antoine Fuqua

Cinematography by: Slawomir Idziak

Edited by: Conrad Buff IV, Jamie Pearson

Terminator 3: Rise of the Machines | ShotOnWhat?

First Assistant Director Terminator 3: Rise of the Machines (2003)

Directed by: Jonathan Mostow

Cinematography by: Don Burgess

Edited by: Nicolas De Toth, Neil Travis

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Ring | ShotOnWhat?

First Assistant Director: Second Unit The Ring (2002)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: Craig Wood

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Super Speed Lenses

Editing System: Final Cut Pro Editing System

Reign of Fire | ShotOnWhat?

Associate Producer, First Assistant Director Reign of Fire (2002)

Directed by: Rob Bowman

Cinematography by: Adrian Biddle

Edited by: Thom Noble, Declan McGrath

Cameras: Panavision Cameras

Pearl Harbor | ShotOnWhat?

First Assistant Director: Second Unit Pearl Harbor (2001)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Roger Barton, Mark Goldblatt, Chris Lebenzon, Steven Rosenblum

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Shanghai Noon | ShotOnWhat?

Associate Producer, First Assistant Director Shanghai Noon (2000)

Directed by: Tom Dey

Cinematography by: Dan Mindel

Edited by: Richard Chew

The Thomas Crown Affair | ShotOnWhat?

Associate Producer, First Assistant Director The Thomas Crown Affair (1999)

Directed by: John McTiernan

Cinematography by: Tom Priestley Jr.

Edited by: John Wright

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The 13th Warrior | ShotOnWhat?

First Assistant Director The 13th Warrior (1999)

Directed by: John McTiernan, Michael Crichton

Cinematography by: Peter Menzies Jr.

Edited by: John Wright

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Contact | ShotOnWhat?

First Assistant Director Contact (1997)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses

Larger Than Life | ShotOnWhat?

First Assistant Director: Second Unit Larger Than Life (1996)

Directed by: Howard Franklin

Cinematography by: Elliot Davis

Edited by: Sidney Levin

The Long Kiss Goodnight | ShotOnWhat?

First Assistant Director The Long Kiss Goodnight (1996)

Directed by: Renny Harlin

Cinematography by: Guillermo Navarro

Edited by: William Goldenberg

Grumpier Old Men | ShotOnWhat?

First Assistant Director Grumpier Old Men (1995)

Directed by: Howard Deutch

Cinematography by: Tak Fujimoto

Edited by: Maryann Brandon, Seth Flaum, Billy Weber

Bad Boys | ShotOnWhat?

First Assistant Director Bad Boys (1995)

Directed by: Michael Bay

Cinematography by: Howard Atherton

Edited by: Christian Wagner

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Apollo 13 | ShotOnWhat?

First Assistant Director: Second Unit/KC-135 Weightless Unit Apollo 13 (1995)

Directed by: Ron Howard

Cinematography by: Dean Cundey

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Panavision Primo Primes Spherical Lenses

Forrest Gump | ShotOnWhat?

First Assistant Director Forrest Gump (1994)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

The Getaway | ShotOnWhat?

First Assistant Director: Second Unit The Getaway (1994)

Directed by: Roger Donaldson

Cinematography by: Peter Menzies Jr.

Edited by: Conrad Buff IV

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Striking Distance | ShotOnWhat?

First Assistant Director: Second Unit Striking Distance (1993)

Directed by: Rowdy Herrington

Cinematography by: Mac Ahlberg

Edited by: Pasquale Buba, Mark Helfrich

Last Action Hero | ShotOnWhat?

First Assistant Director: Second Unit Last Action Hero (1993)

Directed by: John McTiernan

Cinematography by: Dean Semler

Edited by: Richard A. Harris, John Wright

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Cop & ½ | ShotOnWhat?

First Assistant Director Cop & ½ (1993)

Directed by: Henry Winkler

Cinematography by: Bill Butler

Edited by: Daniel P. Hanley, Carroll Timothy O'Meara, Roger Tweten

Death Becomes Her | ShotOnWhat?

First Assistant Director: Second Unit Death Becomes Her (1992)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Arthur Schmidt

Backdraft | ShotOnWhat?

First Assistant Director: Second Unit Backdraft (1991)

Directed by: Ron Howard

Cinematography by: Mikael Salomon

Edited by: Daniel P. Hanley, Mike Hill

Back to the Future Part III | ShotOnWhat?

First Assistant Director: Second Unit Back to the Future Part III (1990)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Harry Keramidas, Arthur Schmidt

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Next of Kin | ShotOnWhat?

First Assistant Director Next of Kin (1989)

Directed by: John Irvin

Cinematography by: Steven Poster

Edited by: Peter Honess

Back to the Future Part II | ShotOnWhat?

First Assistant Director: Second Unit Back to the Future Part II (1989)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Harry Keramidas, Arthur Schmidt

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, VistaVision Cameras

Lenses: Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Winter People | ShotOnWhat?

First Assistant Director Winter People (1989)

Directed by: Ted Kotcheff

Cinematography by: François Protat

Edited by: Thom Noble

Cameras: Panavision Cameras

Raw Deal | ShotOnWhat?

Second Assistant Director Raw Deal (1986)

Directed by: John Irvin

Cinematography by: Alex Thomson

Edited by: Anne V. Coates

Cameras: ARRIFLEX 35 BL3 Camera

Lenses: Cooke Xtal Express Lenses

Maximum Overdrive | ShotOnWhat?

Dead Man On Porch Swing, Stunt Performer Maximum Overdrive (1986)

Directed by: Stephen King

Cinematography by: Armando Nannuzzi

Edited by: Evan A. Lottman

The Jewel of the Nile | ShotOnWhat?

Second Assistant Director The Jewel of the Nile (1985)

Directed by: Lewis Teague

Cinematography by: Jan de Bont

Edited by: Peter Boita, Michael Ellis

Silver Bullet | ShotOnWhat?

Second Assistant Director Silver Bullet (1985)

Directed by: Daniel Attias

Cinematography by: Armando Nannuzzi

Edited by: Daniel Loewenthal

Harry Tracy: The Last of the Wild Bunch | ShotOnWhat?

Second Assistant Director, Stunts Harry Tracy: The Last of the Wild Bunch (1982)

Directed by: William A. Graham

Cinematography by: Allen Daviau

Edited by: Ron Wisman

Cameras: Panavision Cameras

Equus | ShotOnWhat?

Horse Wrangler Equus (1977)

Directed by: Sidney Lumet

Cinematography by: Oswald Morris

Edited by: John Victor Smith

©2012 - 2026 ShotOnWhat?

20254.20