Directed by: George C. Wolfe
Cinematography by: Tobias A. Schliessler
Edited by: Andrew Mondshein
Cameras: ARRI ALEXA Mini LF Camera
Lenses: ARRI Rental DNA LF Lenses
Cinematography by: Claudio Miranda
Edited by: Christopher Tellefsen
Lenses: Fujinon Lenses, Zeiss Master Prime Lenses
Directed by: Todd Field
Cinematography by: Florian Hoffmeister
Edited by: Monika Willi
Lenses: ARRI Signature Prime Lenses
Directed by: Colin Bucksey
Cinematography by: Giorgio Scali
Edited by: Marnee Meyer
Directed by: Matthew McLoota
Cinematography by: Joseph E. Gallagher
Edited by: Naomi Geraghty
Directed by: Adam Bernstein
Cinematography by: Giorgio Scali
Directed by: Naomi Geraghty
Cinematography by: Giorgio Scali
Edited by: Marnee Meyer
Directed by: Colin Bucksey
Cinematography by: Giorgio Scali
Directed by: Laurie Collyer
Cinematography by: Alexander Dynan
Edited by: Joe Hobeck
Directed by: Jessica Yu
Cinematography by: Giorgio Scali
Directed by: Matthew McLoota
Cinematography by: Alexander Dynan
Edited by: David Ray
Directed by: Clement Virgo
Cinematography by: Giorgio Scali
Edited by: Joe Hobeck
Directed by: Neil Burger
Cinematography by: Alexander Dynan
Edited by: Marnee Meyer
Directed by: Adam Bernstein
Cinematography by: Giorgio Scali
Edited by: David Ray
Directed by: Colin Bucksey
Cinematography by: Alexander Dynan
Edited by: Joe Hobeck
Directed by: Ang Lee
Cinematography by: Dion Beebe
Edited by: Tim Squyres
Cameras: ARRI ALEXA XT M Camera, Phantom Flex4K Camera
Lenses: Leitz Summilux-C Series Lenses
Directed by: Marielle Heller
Cinematography by: Jody Lee Lipes
Edited by: Anne McCabe
Directed by: Brian Kirk
Cinematography by: Paul Cameron
Edited by: Tim Murrell
Directed by: Trey Edward Shults
Cinematography by: Drew Daniels
Cameras: ARRI ALEXA Mini Camera
Directed by: Ry Russo-Young
Cinematography by: Autumn Durald Arkapaw
Edited by: Joe Landauer
Cameras: ARRI ALEXA Mini Camera
Directed by: Colin Bucksey
Cinematography by: Jake Polonsky
Edited by: Marnee Meyer
Directed by: Jessica Yu
Cinematography by: Radium Cheung
Edited by: Joel Plotch
Directed by: Jake Polonsky
Cinematography by: Radium Cheung
Directed by: Stacie Passon
Cinematography by: Radium Cheung
Directed by: Mike Binder
Cinematography by: Radium Cheung
Edited by: Naomi Geraghty
Directed by: Michael Morris
Cinematography by: Jake Polonsky
Directed by: John Dahl
Cinematography by: Jake Polonsky
Edited by: Marnee Meyer
Directed by: Matt Shakman
Cinematography by: Radium Cheung
Edited by: Nick Houy
Directed by: John Dahl
Cinematography by: Radium Cheung
Directed by: Colin Bucksey
Cinematography by: Jake Polonsky
Edited by: Marnee Meyer
Directed by: Colin Bucksey
Cinematography by: Jake Polonsky
Edited by: Nick Houy
Directed by: Noah Emmerich
Cinematography by: Jake Polonsky
Edited by: Aaron Kuhn
Directed by: Anthony Mandler
Cinematography by: David Devlin
Edited by: Joe Klotz
Cameras: Red Epic Dragon Camera
Directed by: Cary Joji Fukunaga
Cinematography by: Darren Lew
Cameras: Panavision Millennium DXL Camera
Directed by: Jeremy Saulnier
Cinematography by: Magnus Nordenhof Jønck
Edited by: Julia Bloch
Cameras: Red Epic Dragon Camera
Lenses: Hawk V-Plus Lenses
Directed by: Luca Guadagnino
Cinematography by: Sayombhu Mukdeeprom
Edited by: Walter Fasano
Directed by: Bart Layton
Cinematography by: Ole Bratt Birkeland
Cinematography by: Jake Polonsky
Edited by: Marnee Meyer
Directed by: Karyn Kusama
Cinematography by: Jake Polonsky
Edited by: Nick Houy
Directed by: Ed Bianchi
Cinematography by: Radium Cheung
Edited by: Naomi Geraghty
Directed by: Colin Bucksey
Cinematography by: Jake Polonsky
Edited by: Marnee Meyer
Directed by: Oliver Hirschbiegel
Cinematography by: Jake Polonsky
Edited by: Nick Houy
Directed by: Adam Arkin
Cinematography by: Jake Polonsky
Edited by: Marnee Meyer
Directed by: John Singleton
Cinematography by: Jake Polonsky
Edited by: Naomi Geraghty
Directed by: Steph Green
Cinematography by: Radium Cheung
Edited by: Nick Houy
Directed by: Noah Emmerich
Cinematography by: Radium Cheung
Edited by: Naomi Geraghty
Directed by: Alex Gibney
Cinematography by: Jake Polonsky
Edited by: Marnee Meyer
Cinematography by: Jake Polonsky
Directed by: Baran bo Odar
Cinematography by: Mihai Malaimare Jr.
Edited by: Robert Rzesacz
Directed by: Colin Bucksey, Neil Burger, John Dahl, Anna Boden, Ryan Fleck, Karyn Kusama, James Foley, Noah Emmerich, Jessica Yu, Adam Bernstein, Matthew McLoota, Michael Cuesta, Stephen Gyllenhaal, Scott Hornbacher, Neil LaBute, Susanna White, Adam Arkin, Ed Bianchi, Alex Gibney, Steph Green, Oliver Hirschbiegel, Reed Morano, John Singleton, Mike Binder, Michael Morris, Stacie Passon, Jake Polonsky, Matt Shakman, Laurie Collyer, Naomi Geraghty, Clement Virgo
Cinematography by: Jake Polonsky, Radium Cheung, Giorgio Scali, Alexander Dynan, Eric Steelberg, Joseph E. Gallagher
Directed by: Christian Ditter
Cinematography by: Christian Rein
Edited by: Tia Nolan
Directed by: Michael Cuesta
Cinematography by: Jake Polonsky
Edited by: Naomi Geraghty
Cinematography by: Jake Polonsky
Edited by: Marnee Meyer
Directed by: Karyn Kusama
Cinematography by: Radium Cheung
Edited by: Susan E. Morse
Directed by: John Dahl
Cinematography by: Jake Polonsky
Edited by: Marnee Meyer
Directed by: James Foley
Cinematography by: Jake Polonsky
Edited by: Naomi Geraghty
Directed by: Stephen Gyllenhaal
Cinematography by: Jake Polonsky
Edited by: Susan E. Morse
Directed by: Neil LaBute
Cinematography by: Jake Polonsky
Edited by: Marnee Meyer
Directed by: Neil Burger
Cinematography by: Eric Steelberg
Edited by: Naomi Geraghty
Directed by: Ira Sachs
Cinematography by: Óscar Durán
Directed by: Jeremy Saulnier
Cinematography by: Sean Porter
Edited by: Julia Bloch
Cameras: ARRI ALEXA Camera
Lenses: Cooke Lenses, Cooke Speed Panchro Lenses
Directed by: Pascale Ferran
Cinematography by: Julien Hirsch
Edited by: Mathilde Muyard
Cameras: ARRI ALEXA Camera
Directed by: Shawn Christensen
Cinematography by: Daniel Katz
Cameras: ARRI ALEXA Series Cameras
Lenses: Hawk V-Lite Lenses
Editing System: Final Cut Pro Editing System
Directed by: Ira Sachs
Cinematography by: Christos Voudouris
Directed by: Scott Frank
Cinematography by: Mihai Malaimare Jr.
Edited by: Jill Savitt
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Directed by: Andrew Niccol
Cinematography by: Amir Mokri
Edited by: Zach Staenberg
Directed by: Kristian Levring
Cinematography by: Jens Schlosser
Edited by: Pernille Bech Christensen
Cameras: ARRI ALEXA Plus Camera
Directed by: Kimberly Peirce
Cinematography by: Steve Yedlin
Cameras: ARRI ALEXA Camera
Directed by: David Lowery
Cinematography by: Bradford Young
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: Red Epic Camera
Directed by: Guillaume Canet
Cinematography by: Christophe Offenstein
Edited by: Hervé de Luze
Cameras: ARRI ALEXA Plus Camera
Directed by: Arnaud Desplechin
Cinematography by: Stéphane Fontaine
Edited by: Laurence Briaud
Directed by: Stuart Blumberg
Cinematography by: Yaron Orbach
Edited by: Anne McCabe
Cameras: ARRI ALEXA Camera
Directed by: Ira Sachs
Cinematography by: Thimios Bakatakis
Edited by: Affonso Gonçalves
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: ARRI ALEXA Camera, Red Epic Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Directed by: Ang Lee
Cinematography by: Claudio Miranda
Edited by: Tim Squyres
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Avid Editing System
Directed by: Robert Redford
Cinematography by: Adriano Goldman
Edited by: Mark Day
Cameras: ARRICAM Lite (LT) Camera
Directed by: Wes Craven
Cinematography by: Peter Deming
Edited by: Peter McNulty
Cameras: Panavision Cameras
Directed by: Jodie Foster
Cinematography by: Hagen Bogdanski
Edited by: Lynzee Klingman
Directed by: Gonzalo López-Gallego
Cinematography by: José David Montero
Edited by: Patrick Lussier
Cameras: ARRIFLEX 16SR Camera, Sony CineAlta F23 Camera
Lenses: Panavision Primo Digital Lenses
Directed by: Jim Sheridan
Cinematography by: Caleb Deschanel
Directed by: Roberto Faenza
Cinematography by: Maurizio Calvesi
Edited by: Massimo Fiocchi
Directed by: Steve McQueen
Cinematography by: Sean Bobbitt
Edited by: Joe Walker
Cameras: ARRICAM Lite (LT) Camera
Lenses: Cooke S4 Lenses
Directed by: Phillip Noyce
Cinematography by: Robert Elswit
Directed by: Jake Scott
Cinematography by: Christopher Soos
Edited by: Nicolas Gaster
Directed by: Sanaa Hamri
Cinematography by: Terry Stacey
Edited by: Melissa Kent
Directed by: Mikael Håfström
Cinematography by: Benoît Delhomme
Directed by: Robert Redford
Cinematography by: Newton Thomas Sigel
Edited by: Craig McKay
Directed by: Matt Reeves
Cinematography by: Greig Fraser
Edited by: Stan Salfas
Directed by: Philip Seymour Hoffman
Cinematography by: W. Mott Hupfel III
Edited by: Brian A. Kates
Lenses: Cooke S4 Lenses
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Directed by: Mira Nair
Cinematography by: Stuart Dryburgh
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Directed by: Kevin Macdonald
Cinematography by: Rodrigo Prieto
Edited by: Justine Wright
Directed by: Brad Silberling
Cinematography by: Dion Beebe
Edited by: Peter Teschner
Cameras: Panavision Cameras
Directed by: Ang Lee
Cinematography by: Eric Gautier
Edited by: Tim Squyres
Directed by: Lukas Moodysson
Cinematography by: Marcel Zyskind
Edited by: Michal Leszczylowski
Directed by: Tim Blake Nelson
Cinematography by: Roberto Schaefer
Edited by: Michelle Botticelli
Cameras: Red One Camera
Directed by: Tom Vaughan
Cinematography by: Matthew F. Leonetti
Edited by: Matt Friedman
Cameras: Panavision Cameras
Directed by: Jodie Markell
Cinematography by: Giles Nuttgens
Cameras: Panavision Panaflex Platinum Camera
Directed by: Christine Jeffs
Cinematography by: John Toon
Edited by: Heather Persons
Directed by: Michael McCullers
Cinematography by: Daryn Okada
Cameras: Panavision Cameras
Directed by: Ridley Scott
Cinematography by: Alexander Witt
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Directed by: Kimberly Peirce
Cinematography by: Chris Menges
Edited by: Claire Simpson
Directed by: Kar-Wai Wong
Edited by: William Chang
Directed by: Ira Sachs
Cinematography by: Peter Deming
Edited by: Affonso Gonçalves
Directed by: Robert Redford
Cinematography by: Philippe Rousselot
Edited by: Joe Hutshing
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Ridley Scott
Cinematography by: Harris Savides
Edited by: Pietro Scalia
Editing System: Avid Editing System
Directed by: Joby Harold
Cinematography by: Russell Carpenter
Edited by: Craig McKay
Directed by: Asif Kapadia
Cinematography by: Roman Osin
Edited by: Ewa J. Lind
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Directed by: Christopher N. Rowley
Cinematography by: Jeffrey L. Kimball
Directed by: Dito Montiel
Cinematography by: Eric Gautier
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses: Zeiss Master Prime Lenses
Directed by: Steven Zaillian
Cinematography by: Pawel Edelman
Edited by: Wayne Wahrman
Directed by: Matt Tauber
Cinematography by: John Bailey
Edited by: Tom McArdle
Directed by: Lars von Trier
Cinematography by: Anthony Dod Mantle
Edited by: Molly Malene Stensgaard
Directed by: Ang Lee
Cinematography by: Rodrigo Prieto
Lenses: Cooke S4 Lenses
Directed by: Bennett Miller
Cinematography by: Adam Kimmel
Edited by: Christopher Tellefsen
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Directed by: Liev Schreiber
Cinematography by: Matthew Libatique
Directed by: Raoul Peck
Cinematography by: Éric Guichard
Edited by: Jacques Comets
Directed by: Thomas Vinterberg
Cinematography by: Anthony Dod Mantle
Edited by: Mikkel E.G. Nielsen
Directed by: Stephen Gaghan
Cinematography by: Robert Elswit
Edited by: Tim Squyres
Directed by: Jim Sheridan
Cinematography by: Declan Quinn
Cameras: Panavision Cameras
Directed by: Charles S. Dutton
Cinematography by: Jack N. Green
Edited by: Eric L. Beason
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Hans Petter Moland
Cinematography by: Stuart Dryburgh
Edited by: Wibecke Rønseth
Directed by: Brad Silberling
Cinematography by: Emmanuel Lubezki
Edited by: Michael Kahn
Cameras: Panavision Panaflex Platinum Camera
Directed by: Jon Turteltaub
Cinematography by: Caleb Deschanel
Edited by: William Goldenberg
Directed by: Zach Braff
Cinematography by: Lawrence Sher
Edited by: Myron Kerstein
Directed by: Frank Coraci
Cinematography by: Phil Meheux
Edited by: Tom Lewis
Cameras: Panavision Panaflex Gold II Camera
Directed by: Ang Lee
Cinematography by: Frederick Elmes
Edited by: Tim Squyres
Cameras: ARRIFLEX 535 B Camera
Directed by: Robert Benton
Cinematography by: Jean-Yves Escoffier
Edited by: Christopher Tellefsen
Directed by: Lars von Trier
Cinematography by: Anthony Dod Mantle
Edited by: Molly Malene Stensgaard
Directed by: Brad Silberling
Cinematography by: Phedon Papamichael
Edited by: Lisa Zeno Churgin
Cameras: Panavision Panaflex Camera
Directed by: Callie Khouri
Cinematography by: John Bailey
Edited by: Andrew Marcus
Cameras: Panavision Panaflex Platinum Camera
Directed by: Jim Sheridan
Cinematography by: Declan Quinn
Edited by: Naomi Geraghty
Editing System: Avid Editing System
Directed by: David Mamet
Cinematography by: Robert Elswit
Edited by: Barbara Tulliver
Directed by: Tim Blake Nelson
Cinematography by: Russell Lee Fine
Edited by: Kate Sanford
Directed by: Gary Fleder
Cinematography by: Amir Mokri
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Cameras
Lenses: ARRI / Zeiss Lenses
Directed by: Ted Demme
Cinematography by: Ellen Kuras
Edited by: Kevin Tent
Directed by: Lars von Trier
Cinematography by: Robby Müller
Cameras: Sony DSR-PD100 Camera, Sony DSR-PD150 Camera
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Andrew Mondshein
Directed by: Norman Jewison
Cinematography by: Roger Deakins
Edited by: Stephen E. Rivkin
Lenses: Cooke S4 Lenses
Directed by: Wes Craven
Cinematography by: Peter Deming
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Steven Zaillian
Cinematography by: Conrad L. Hall
Edited by: Wayne Wahrman
Cameras: Panavision Panaflex Platinum Camera
Directed by: John Hamburg
Cinematography by: Michael Barrett
Directed by: Alan Cohn
Cinematography by: John Thomas
Edited by: Debra Chiate
Directed by: John Dahl
Cinematography by: Jean-Yves Escoffier
Edited by: Scott Chestnut
Directed by: M. Night Shyamalan
Cinematography by: Adam Holender
Edited by: Andrew Mondshein
Cameras: Panavision Cameras
Directed by: Mina Shum
Cinematography by: Peter Wunstorf
Edited by: Michelle Floyd
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Vic Sarin
Cinematography by: Michael Storey
Edited by: Bill Goddard
Directed by: Ang Lee
Cinematography by: Frederick Elmes
Edited by: Tim Squyres
Directed by: Tom DiCillo
Cinematography by: Frank Prinzi
Directed by: John Sayles
Cinematography by: Stuart Dryburgh
Edited by: John Sayles
Directed by: Nicole Holofcener
Cinematography by: Michael Spiller
Edited by: Alisa Lepselter
Directed by: Jodie Foster
Cinematography by: Lajos Koltai
Edited by: Lynzee Klingman
Directed by: Scott Kalvert
Cinematography by: David Phillips
Edited by: Dana Congdon
Cameras: Panavision Cameras
Directed by: Robert Benton
Cinematography by: John Bailey
Edited by: John Bloom
Cameras: ARRI Cameras
Directed by: Steven Zaillian
Cinematography by: Conrad L. Hall
Edited by: Wayne Wahrman
Directed by: Rod Daniel
Cinematography by: Bruce Surtees
Edited by: Jack Hofstra
Directed by: Edward Zwick
Cinematography by: Freddie Francis
Edited by: Steven Rosenblum
Cameras: Panavision Panaflex Gold II Camera