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rvss.eel
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rvss.eel Immediately captivating, and then, continuously. This manages to impress by at once sounding so simple - but more effortless than easy, more unembellished than showy - while also sounding so demanding, so focused. It fits the mood of a room meant to be kept upbeat, or of one winding down. It's a rare album that doesn't remind me much of any other. Except, I've now learned, of Ghosted (the first). But even now, having gong back to that, this trio sounds to be getting better and better.
Simon Layton
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Simon Layton Bought this album and Ghosted and they are both currently on repeat! Fantastic stuff! Favorite track: två.
holobiont
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holobiont Alchemical fuzz, distortions, manic rhythms, recurrent loops and almost painful insistence - just delightful. I am reminded of John Zorn and more recently Moritz von Oswald trio. Oh and gorgeously wistful at times…
John Cratchley
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John Cratchley Ghosted (the first album) was my album of the year when it came out…this album is in line for the same…it’s wonderful!
Insistent rhythmic intensity delivered with hypnotic caress…no brash bombast here…ethereal strings (treated or no) form warp and weft to bring it all together. Impossible not to put this on repeat play (again and again and again and…)
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  • Streaming + Download

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  • Record/Vinyl + Digital Album

    Includes unlimited streaming of Ghosted II via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Download available in 24-bit/44.1kHz.
    ships out within 7 days
    Purchasable with gift card

      $25 USD or more 

     

1.
en 09:32
2.
två 13:15 video
3.
tre 07:36 video
4.
fyra 09:42

about

An utterly unique guitar/bass/drums triad: the guitar sounds like anything but a guitar; bass and drums simultaneously insistent and relaxed. Telephathic group-think opens a window to fresh fields of fusion: funk-jazz heads, polyrhythmic skeletons, ambient pastorals, post-kraut drones and shimmering soundtrack reveries. A music of sustained tension and deep atmosphere, marked by subtle, shifting dynamics playing out in an open sound field.

credits

released April 26, 2024

Recorded June 12 & 13, 2023 by Daniel Bengtson at Rymden, Stockholm.
Mixed October 9 & 10, 2023 by Joe Talia and Oren Ambarchi at Good Mixture, Melbourne.
Mastered October 2023 by Joe Talia at Good Mixture, Melbourne.
Cover images by Pål Dybwik. Layout by Dan Osborn.

2024, Drag City Inc.

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Oren Ambarchi Australia

Oren Ambarchi is a composer and multi-instrumentalist with longstanding interests in transcending conventional instrumental approaches. His work focuses mainly on the exploration of the guitar, "re-routing the instrument into a zone of alien abstraction where it’s no longer easily identifiable as itself. Instead, it’s a laboratory for extended sonic investigation". (The Wire, UK). ... more

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