2026-02-24
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2026-02-23
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Images from the Milano Cortina 2026 games, via The Atlantic’s pictorial, Different Views of the Winter Olympics, curated by Alan Taylor. (Strictly, since the photographer is from the 14th and the drone from the 9th, this isn’t his drone, but I couldn’t resist the title.)
Photographs credited to Dustin Satloff / Getty and Alex Pantling / Getty.
(Source: The Atlantic)
2026-02-15
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Photographs of Chicago by Weston Colton.
2026-01-11
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Soph, uniform experiment map-out 3layer mountain parka:
MAP-OUT 3LAYER MOUNTAIN PARKA
This mountain parka is a witty approach to designing the design before the garment is made, and then applying the pattern directly to the textile.
(via neondust)
2026-01-04
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Wollman Rink, Central Park, New York; Empire State Bldg., N.Y.C., by Ed Pfizenmaier, 1954 (printed 1958).
Pfizenmaier is better known for his fashion photography, notably his behind the scenes work on Cecil Beaton’s only Marilyn Monroe shoot, but I like this landscape, which I think must be manipulated with doubled images from the rink at the bottom half, or the snow wouldn’t be so clear. Except maybe it would? Anyway.
2026-01-03
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Germaine Krull, Paris, Photo by Eli Lotar, 1930
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/ Germaine Krull, Self-Portrait with Ikarette, 1925
2026-01-02
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The cover of Métal by Germaine Krull at Artsy.
The Getty Museum describes the work as “64 photomechanical illustrations contained in a portfolio with a black cloth binding.”
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Her work was a combination of “offensive” nudes, fashion, advertising and portrait photography, social photography, and avant-garde portraits of technology.
Germaine Krull described by an unnamed author at Lost Woman Art.












