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  • English is my third language. This sounds impressive, but I will explain briefly. Like 99% of my written communication, including creative work, is English. Obviously I am not claiming full mastery, but it is my most fluent language. I will have one full conversation spoken aloud in English maybe once a month. It is certainly not a unique experience… Just another thing of life’s weirdness.

    Tagalog is my second language. I don’t write in Tagalog, but I speak decently. In fact, I am most comfortable speaking Tagalog, and thank goodness for that. Pero pwede pang pag-aralan kasi hindi ko alam yung malalim na salita. Yung pang araw araw lang. It’s crazy, growing up in the Philippines, I was enrolled in one of those Christian schools that were pushing English so hard, they banned their students from speaking Tagalog. Punishment was a fine of one peso per Tagalog word spoken. (Interestingly, I heard something similar happened in Taiwan during the White Terror–the government was pushing Mandarin Chinese so hard, students were fined for speaking any of the local and indigenous languages.)

    In between my second and first languages, there is Hokkien. I am saying “in between,” because the situation was very strange. In my school, afternoon classes were times when the elderly Chinese teachers spoke at you. They spoke Philippine Hokkien, and told students to memorize Chinese translations of Bible verses. Kids were never formally taught Hokkien, but it was assumed Hokkien was the primary language in those Chinese-Filipino households. That was not the case in my family, but I learned a smidge of Philippine Hokkien, via osmosis. Now, that meant I could understand a smidget of Taiwanese Hokkien as well. Not enough for any of it to be practical, but oh well!

    What’s left? My first language. I must have lost it by age six. All I can say now is, my Mandarin is absolutely fucked! Possibly, it is fucked beyond all hope because I don’t even want to learn it anymore, despite current living in Taiwan. I would want to learn Hokkien, however.

    Would Yuji Beleza learn Hokkien? He’s an Irish-Japanese polyglot who travels the world talking to as many people as humanly possible. That’s nuts めちゃめちゃヤバい he’s like if Mr. Rogers was a polyglot vlogger who traveled the world talking to literally every person on the streets. I think he should learn 台語 .


    My new poem “love note from my guardian angel” is releasing July 17th for Patreon subscribers of Spec Colorways In Verse. I’m doing audio for it too! Happy pride, spread the word, support queer and BIPOC poetry 🫵🌈

  • The video opens to a man hovering in the air, weightless as a ghost, a soul untethered from its body. Thirty seconds in, he watches his own brutal execution within a secluded forest, draped by the sky, blinding blue. Around the fifty-second mark, the military men take aim with their rifles, bullets firing one by one as the dead fall into murky waters. Shot from behind with his hands tied in rope, and yet the man’s lifeless body floats face up on the water’s surface. A minute and fifty seconds. The camera pans over one wrist; the rope has unraveled and drifts aimlessly. The man is a ghost that gazes upon his corpse.

    Two and a half minutes. The woman in red emerges from the brush. Red as in the color of blood. Not red as in the color of good fortune, wealth, happiness. The woman is in mourning. She reaches for the dead with her tender hands, though the dead must feel cold to the touch.

    Approaching the three-minute mark, the scene flips into the future–the same world amidst a new era. The man is a ghost. His soul becomes witness to a frenzied crowd, strobe lights, the beating drums and screeching guitars and utter chaos. Four minutes and twenty-six seconds. The woman in red is in mourning; she too is a ghost. She is a voice of rage that reverberates across time and space, piercing the ear.

    It sounds incredible.

    From Wikipedia: “CHTHONIC閃靈 is a Taiwanese heavy metal band, formed in 1995 in Taipei ... The group incorporates influences from traditional Taiwanese music, including adaptations of folk songs and the use of traditional instruments, most notably the erhu (often called the hiân-á [絃仔] in the band’s native Taiwanese Hokkien). Their stated goal is to use their music to bring ancient history and mythology into the modern era especially to build awareness of the myths of Taiwan and tragic events in that country’s history.

  • It’s a beautiful sunny day and I was almost flattened like a pancake AGAIN!

    It’s not that the streets in Taiwan are dangerous. For all the griping I hear from locals, I still say the road safety here is decent. Because road safety is much MUCH worse in the Philippines, it’s practically nonexistent. I lived for decades in the chaos of Manila, making daily commutes through smoke belching engine screeching jeepneys, the rickety tricycles, the stray dogs and catcallers, pickpockets, holdapper, the fucking sidewalk gun assassin, the dog shit and trash colonies baking at tropical temps, so on and so forth. Like that’s just Tuesday in Manila. Borrowing words of the Wise One, I say the pedestrians of Taiwan “couldn’t last a day in the asylum where I was raised.”

    And that’s the thing, isn’t it, I’m out of my element. I’ve got my guard down for real, so spoiled now by these freshly painted pedestrian lanes and abundance of stoplights counting down as if to tell your slow ass to hurry the fuck up.

    Twice now!!! Nearly flattened like Denji Chainsawman!!!

    I didn’t play fucking patintero with the jeepneys along Avenida just to get pancaked by a little bitch Honda going 50 downhill at a goddamn parking lot in Taichung.

    No place is ever safe.


    Because I haven’t embarrassed myself enough, I’m sharing some of the poetry I clobbered together over this wretched month! It really is such fun to be rotting fooling around instead of working. Prompts come from the official napowrimo site, which I read with eyes half-closed. I started with the early bird prompt for the first day.

    “april one haiku”1
    how to shuck oyster
    break fingers and swallow salt
    walk into the sea

    “april five go girl give us nothing”
    snow burns at your feet
    plum skies cry upon angel wings
    the sun is cold without your lips2
    crowning halo of a harvest moon

    “april eight normal poem”
    my super sexy angel hunny
    ass so fat and biceps juicy
    biceps triceps trapezius thicc
    flex that belly feed it jelly

    “the twin you ate in the womb”3
    you were so hungry
    tasting sun-ripe tomato
    must be delicious.

    “april seventeen FML”4
    dead thing
    bone dry, crusted
    gossamer wings shattered
    this is what it means to be small
    dragonfly for a day
    crushed underfoot
    to ash

    1. I fell back on a lot of haiku for the month ↩︎
    2. Huh? ↩︎
    3. “beloved relative” prompt for day twelve ↩︎
    4. The eintou, from African American poetry, is supposed to contain a “pearl of wisdom” but I have none!!! ↩︎

    NGL I didn’t think I’d stick through napowrimo for this long. Still haven’t missed a day too. The talented folks at the Taipei Poetry Collective are really nice.

  • I was about to type “Happy March” then realized it’s April. Haha. Happy April.

    Preorders have begun for the print edition of It Was Paradise from Reckoning Press. It features art and creative writing on the topics of war, conflict, and environmental justice. An ebook edition is also available. I am just so honored to have contributed a reprint of my short story “Adobo Sky” and I hope a lot of people can read the incredible works included in the issue. They hit hard. Read this poem by Bahar Davoudi, “In the Video: A Woman with Her Newborn [Content Warning]”.

    Speaking of poem, I’ve just learned that April is National Poem Writing Month, or #NaPoWriMo for short. So I’ve joined some folks at the Taipei Poetry Collective in undertaking the challenge of writing one poem a day for the whole month of April. I haven’t started but I will, I’ll do it, I swear! It’s been difficult to do absolutely anything at all but I’ll give it a try!

    I’m also happy to share that a new installment of my poem series “where is Ligaya” will appear in the fifth issue of Splinter Journal, releasing in September. I am very grateful to Writers SA for accepting my work. Ligaya is a very special girl and I love her so much, I’ll keep her alive for as long as I can.

    I hope to have exciting news again next time. xo

  • “Art should comfort the disturbed and disturb the comfortable.”—Dr. César Cruz

    “Comfort the afflicted and afflict the comfortable.”—Finley Dunne


    I am not an avid podcast or radio listener, but I somehow stumbled across a brief snippet of a radio episode featuring Japanese voice actors. It was between Enoki Junya and Koyasu Takehito, and they were talking about auditions, and how they lose more times than they win. That was roughly how the translated subtitles went. They said it so simply, like one might comment on the weather, because it really is simple fact and obvious to anyone who maybe thinks about it even just a little. “…You lose more than you win.” It’s true. I have a flood of rejections for every win; I should know this, I have known this, but it’s not quite the same—to know something versus to hear it spoken aloud on a random weekday afternoon by famous professionals in a non-writing, non-publishing industry. Koyasu-san truly does such a sexy, sultry voice for his roles.


    To celebrate the Lunar New Year—Horse Year, as I’ve been saying—I am once again sharing my flash fiction story RAIN FIRE CLOUD, published in 2024 by khōréō magazine. I say it’s a horse story, but more accurately, it’s my twisted take on a mythical creature, the qilin. I owe a lot to khōréō’s editor-in-chief, Zhui Ning Chang, for taking a chance on me all those years ago. For her expertise, for their kind and thorough approach to editing. For helping me figure out the writer I want to be. RAIN FIRE CLOUD was one of my first acceptances into a speculative fiction magazine. But thinking back, it was through the encouragement of one Lowry Poletti that had gotten me to submit to khōréō in the first place. They probably don’t remember that brief interaction, but Ferret if you’re somehow here reading this, thank you!


    I have been looping one song for the past two days, nonstop. That song is Jamie Clayton’s guitar cover of Judas by Lady Gaga, in slowed and reverb. Streets are saying it’s Gojo-core or whatever. I’m not sure I agree with that, honestly. I have a new novel WIP (again) so that should keep me busy for the time being. Happy horsing.

  • Just for funsies, I picked out an “art name” (號) for myself. To mark the occasion, I made an IG account and put up some random photos to seem human. Well… I said it was for funsies but really, if I’m going to apply for a writer residency in Taipei, I’ll need a pronounceable name for my application form.

    So, I found out that native speakers of Mandarin Chinese pronounce “Caroline” as Kǎluòlín. What? Kǎluòlín? Who is that? I don’t know her. Doesn’t feel like me at all. Even my Taiwanese relatives don’t call me that. I bet they’d be mildly amused, though, if they found out I chose 紅蘿蔔, pronounced Hóng Luóbo. It’s the Mandarin word for “carrot”. There is one other translation for “carrot”, though it’s less used in Taiwan. Just more of those regional language differences, like the way we say Good morning is Zǎo ān, and not the Zǎoshang hǎo used in China.

    And Hóng Luóbo 紅蘿蔔 is doubly great for me because the Hung in my English name is supposed to be pronounced as Hong, anyway. We can thank Wade–Giles for that spelling, by the way.

    I’m glad I managed to think of a good one. My friends say so too.

    Back to the IG thing, my first time using it and the vibe is very agreeable, I’m surprised. Somehow the reels don’t rot my brain in the way other apps do? I haven’t caught myself doomscrolling on it, at least. So far, the algorithm’s been showing me writers, poets, reviewers, eco-activists and… it’s great learning from them. I’d feel curious and motivated afterwards, not at all hopeless. Very anti-doomscroll for me. Also I’m obsessed with Maureen Onwunali‘s poetry.

    Lunar New Year is in a couple weeks; I’m usually chill about any holiday but it’s a bigger deal to me this year for reasons that will soon become clear. 🐎🔥

    What else, what else? More crumbs to share, but I’ll save them for next time. x

  • For the whole of December, I was thinking about ideas for this blog—crumblings, if you will—and writing the blog posts in my brain only. For some inexplicable reason, I ended up not writing any actual blogs until this one here. Now that I’ve typed out ‘blog’ three or five times in a single paragraph, the word suddenly looks fake to me.

    I can’t begin to say what those crumblings were even about. They might have been sad and miserable crumblets. Feels like reaching round the back of my mind, not quite grasping the edge of a fuzzy thought. Oh, they’ve scattered to the floor.

    By the way, today’s laundry was super heavy. I never needed these thick blankets in the tropical hell of Manila. Taiwan’s ‘winter’ isn’t terribly cold, but we don’t have indoor heating so I’m struggling a little during the night. And the air feels so damp. Most Taiwanese houses aren’t built for cold, just like how UK homes aren’t built for the heat, or so I’ve heard.

    The new year is soon. Another stressful one, no doubt, and plenty of misery in my foreseeable future. But I won’t talk about all that depressing stuff this time. Guillermo del Toro once said life gets better after the age of thirty. I might be misunderstanding him.

    Writing-wise, I’ll be focusing on long-form, novel WIPs. Maybe a little poem—I have one coming out in the Winter 2026 issue of Star*Line, my spooky love letter to Guanyin. Sometime in April I want to apply for the Writers-in-Residence program by the National Museum of Taiwan Literature. Not sure if I can get in, but like everything in writing career the most important thing is I tried! Am trying. The slush pile is a formidable realm, full of mystery and intrigue… I should really stop checking on my submission queue numbers in Moksha.

    OH yeah I was gonna say, super late to realize the vocal style by hyde (L’Arc-en-Ciel’s vocalist) is literally enka. Just like Gackt and abingdon boys school. They’re traditional Japanese Enka voices singing modern Jrock, glam rock, Jpop. Nice.

  • This was somewhere in Taichung, still. It was a very polite, well-mannered goose wearing colorful bijouterie (did I spell that right) around its neck. Green, custom-embroidered slippers too. I have immortalized the memory through my phone’s camera, but to protect the goose’s identity here, I will refrain from posting photographic evidence.

    Said goose took one brief stroll around the shop and left without buying anything. I ended up getting a giant baguette.

    I did some other stuff besides goose-spotting. Like the biking trail at Sun Moon Lake. It’s very nice.

    A small view of the biking trail at Sun Moon Lake. With a rented e-bicycle.
    Another view of the biking trail along Sun Moon Lake, with all trees on one side. A nice, sunny day.

    (Is the alt text working? I’m not sure..)

    I am hard at work developing a new novel manuscript. It will be dark and surreal and Romantic. I just need a nap sometimes but 2026 will be my year! Anyway, I love setting unrealistic goals, it’s one of my favorite things to do and that’s totally normal.

    I’m going to make coffee and write lots. x

  • The weather has cooled down and the air smells like the mountain. Just two days ago it was scorching hot. The chilly winds are a nice change of pace. I think an angry ghost or perhaps a mysterious creature has possessed me.


    It had been a long while since I scrolled through the depths of anitwt but I’ve forgotten exactly how unhinged and disarming and ridiculous these posts can be. Fellow authors and readers may recall the bigolas dickolas wolfwood phenomenon. Such good times! For the record, I’m not saying something similar has happened as of late. Just pointing out the type of humor in anitwt. But honestly, I wish a new bigolas dickolas would show up and somehow become that hero to SFF magazines (and to me also) (of course). What if the world was made of pudding?

    I’ve been trying to work on some other novella-length projects for October. The work has not gone well at all! At least I’ll have some things ready for a few submission deadlines at the end of the month.

    Thinking a lot about -punk subgenres in literature, especially dieselpunk. Maybe plasticpunk too, which might be even more niche, just the social, environmental, and philosophical implications of a plastic-obsessed world dialed way up. But I once tried to do something with diesel/deco just because I like art deco. I grew up in Manila where there are tons of art deco buildings, though a lot of them aren’t in great condition.

    Also sharing my favorite from the drabbles I wrote for #Peacetober2025. Peacetober is a daily artivism challenge run by Coffees For Gaza to help 25 Palestinian families survive genocide.

    Pots! You’re going to need three. One over your head, worn like a helmet, of course. One over your back—a big pot, preferably, so you can do like a turtle and pull your limbs in to safety. That much should about cover your bases. Why the third pot, you ask? Well, there’s no easy way to say this, kid. Better if you never need a third pot, better if you never know what to use it for. But look, you have to catch the rainwater when it falls from the skies. Just think about the rain. Only the rain.

    It’s mostly artists participating on IG, but I wanted to leave something on Bluesky too.


    These sets by Macroblank are always great.

  • It felt like a waste to not share my earlier drabbles that I was initially posting on bluesky. Each entry in #1000DaysOfDrabble is meant to be super fresh, 100% organic grown, free-range, corn-fed, you name it! Still, I really do like how some of these turned out. Someday I’ll talk about the non-depressing inspiration behind this project!

    As a reminder, all these drabbles are written around one theme only!

    1. “They won’t kill me,” I say, standing at the edge of the precipice, not really a cliff, but the top of skyscraper. All concrete. The light burns from above. “They won’t kill me,” I say, because they’re afraid of the sun. Like burning hot wax, the light drips onto my head, and arms, and fingers…

    “Yes, they will.”

    “Who said that?” I ask, then a hand presses on my back and shoves me right off the edge. A warm hand, five fingers. Long and bony.

    So, it wasn’t a joke after all. They want me dead, and also, I’m not supposed to be standing over tall ledges.

    But this is my house. I built my nest up high in the clouds, out of sight and out of reach. The wind serves me, when the shell on my back bursts and glassine wings beat a million times per second. Flying higher, I look back down to the mound upon which I once stood. And there, I see them. Murderer, smiling. Out to get me.

    They cannot kill me. They will try again. Hot wax drips from the sky. The chase begins.

    (more…)
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