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Archive for 2024

Gotta Go

This is a reprise of a 2012 post. Thanksgiving got me thinking of relatives no longer at the table. Here’s to you, Uncle Harry!

The uncles are all dead. They were a hearty lot, the Paulsons. Lived into their nineties most of them, as did their sister, my mom. The last of them died recently and it got me thinking about my favorite, Uncle Harry, who passed on several years ago.

I lost my own dad when I was five. I probably know him best from family stories; sometimes I don’t know if my memories are of the stories told about him or are actually memories of him. My favorite story/memory is of us both sick, me in one bedroom and him across the hallway in another. My mom set up a series of mirrors opposite our beds reflecting off a common mirror in the hallway so that we could look at one another. My dad had these wonderful big ears. I remember him waving at me one morning, his ears seeming to hover around his head like a lopsided halo.

He died not long after that.

And then, after we moved West, my Uncle Harry filled a bit of the void created by that loss. Harry’s life had been changed by an incident that was straight out of a magical realist’s novel. As a young man living on the Oregon coast, he was fond of his drink. He and friends would hop in jalopies and drive to Astoria, exchange drink for drink with the Finnish fishermen there, and then make their way back down the coast to Seaside. I do not find such behavior more acceptable simply because it was in the past, but the one thing in their favor  was that there were far fewer cars on the roads then than now.

Enough cars, however, to tempt gardeners along the coast highway to put out flower stands. The honor system: a quarter per bouquet into the Mason jar.

One inebriated night, my uncle and fellow revelers raided every flower stand between Astoria and Seaside. Awakening in the morning to a pounding in his temples and a mouth that tasted like a cat’s bottom, my uncle discovered his body covered in flowers from head to foot: a friendly prank from his posse.

Harry was a literalist. He sat bolt upright in his single bed, day lilies flying about the room like damp Roman candles.

“Jesus Christ, I’m dead!” he shouted loud enough to awaken same.

He never touched a drop of liquor after that night, but it did turn him into a very impatient man. “Gotta go,” was his usual tag line pronounced shortly after arriving at any social function.

Harry was made momentarily famous by a writer for the Saturday Evening Post who used his barber shop as the setting for a number of short stories. Harry’s shop was the clearing house for local gossip–a sort of informal men’s club with three chairs and a cavernous backroom which Harry had adapted as an indoor driving range–a surefire attraction on the wet Oregon coast.

By the time I came to Seaside, Harry’s shop had shrunk to a one-man show, but he still had the driving range in back. These were the years of the crew cut, and the fellows who came to Harry’s shop–my brother and me included out of family caveat–did not have much hair to cut. The men’s club was getting aged; I remember Harry passing those electric clippers about half an inch above the cowering stubble left atop some of these old timers.

They were there for what the Irish call good crack, and not for cosmetics.

The driving range was no accident. Harry was an inveterate golfer. He had one of the sweetest swings I’ve ever seen, and he taught that swing to me and my brother; one of his truly wonderful gifts. For a decade or so as a kid golf was everything to me–until a shank broke the fragile truce between me and my temper.

Harry would come over to our house on occasion, sometimes dragged there by his wife, at other times looking for someone to play nine holes with. He would get in the door, never sit, just prowl the precincts of the living room that was so cluttered with chairs and doodads that you would bark your shins as likely as not. And then he’d say it, the words we all knew were coming:

“Gotta go.”

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My latest thriller, Bigot List: A Reckoning, is featured for a Goodreads ebook giveaway, starting the first of November and going the full month. There are a hundred ebooks available, so get on board.

Bigot List was dubbed a “rollercoaster ride of espionage, mystery, betrayal, and murder,” by a Reader’s Favorite reviewer, who added: “It was a page-turner, and I was hooked from the start.”

Bigot List has also just been sold to a major audiobook house.

Giveaway is only available in the U.S. Click on the Enter Giveaway tab below, beginning November 1. Good luck and happy reading.

Goodreads Book Giveaway

Bigot List by J. Sydney Jones

Bigot List

by J. Sydney Jones

Giveaway ends November 28, 2024.

See the giveaway details at Goodreads.

Enter Giveaway

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We continue with my personal reminiscences of Cold War Vienna with a look back at one of my favorite posts ,first published on May 29, 2010

Vienna Rathaus or City Hall

Vienna was my Paris. From the late 1960s through the 1980s I made it my home, my workshop, my personal museum. I became a writer there coasting on the strong dollar: a krügel, or pint of beer was a quarter; dinner, a schnitzel so big it hung over the sides of a large porcelain plate, was a couple of bucks; rent a room for thirty dollars, a studio apartment for sixty. The Vienna Woods was a tram ride away, another quarter.

I was, in short, an elective ex-pat.

But there were others who were in Vienna out of pure raw necessity.

Ubhani was one of these. They called him the man in the tower.

I met him when I was working for the International Atomic Energy Agency (IAEA)–pure grunt work of getting documents filed and boxed for the annual conference at the Hofburg. It was a good gig: tax-free dollar payment and commissary privileges. I worked the conference every summer, saved up the money, and could go to Venice for part of the fall, the mountains of Styria for the winter.

We usually worked out of the cellars in the Hofburg, but one summer I got a different assignment.

It was the Rathaus, City Hall, for me. The rabbit warrens we called it, where document overflow from IAEA headquarters on the Ring (no ultra-modern U.N. City across the Danube in those days) were stored. The U.N. rented the space from city hall officials; Vienna was happy to take the extra money.

And the man in the tower was in charge of that tinderbox. I hated the Rathaus detail; it scared the crap out of me. The docs section was on the top floor up a long and winding staircase. One way up, one way down. No fire escape. And the place was filled floor to ceiling with dusty, yellowing paper documents.

I got to know Ubhani that summer.

The first time I met him, the burn scars on his face–tight and smooth like oil on water–made me wince. But you couldn’t look at those scars long; something else drew your attention. It was the eyes. Blue, deep Alpine-lake blue.

Ubhani was African, a refugee from Biafra; he’d fought on the losing side.

We worked the first few days together in relative silence, gathering requested docs from a dizzying array of stacks, the organizational logic to which only Ubhani was privy. He’d been in charge of the Rathaus docs for several years now–no one else could tolerate that claustrophobic, dusty, windowless environment.

Finally he opened to me, mostly I guess because I did not ask questions or stare at his scars and startling blue eyes.

And this is what he told me.

Ubhani had been in the Nigerian military for years, a tank commander. He retired for a time, became a mercenary fighting in brush wars in Africa. In one such conflict he was able to liberate (his word) several gold bars from a bank. He was set. He returned to his village in southeastern Nigeria, married his childhood sweetheart, built the biggest damn house for miles around, and had a family.

Hofburg

Then came the Nigerian Civil War. The region where Ubhani lived was part of the state of Biafra, which seceded from Nigeria in 1967, prompting all-out conflict. Ubhani, an Igbo, felt compelled to come to the aid of his people. He led a tank battalion for the Biafran army. But the Biafrans stood little chance from the start. Encircled, the fledgling state held out for several years of fierce fighting. He lost his home; his family was killed by national troops. He and his men had little to eat; he had to drink his own urine at time for want of water. Finally, surrounded in a battle, his tank was hit and he was badly burned before he could get out, blinded by the fire.

But he was saved. The Red Cross airlifted him out to neutral Austria, where he was cared for. A blue-eyed teen from Klagenfurt died in a motorcycle accident, and Ubhani inherited his vision, having a corneal transplant that kept him totally immobilized for several months until the transplant set.

Slowly, slowly, he recovered, trying all the while not to think of the family and way of life he had lost forever in Biafra. Then, after six months in the Viennese hospital, Ubhani was declared healed. He was given the burned and ragged fatigues he wore upon arrival and also a one-way air ticket to Lagos.

Austria had done its job. Ubhani was going home.

Except that he couldn’t. A firing squad awaited him there. So he cashed in the ticket and stayed on in Vienna illegally. The Americans, he thought, might give him refugee status. But at the American embassy he was only offered a free pass to Vietnam: fight for two tours and you get citizenship, they told him. Problem was, Ubhani had to wear glasses with his new eyes. Glasses spell death for a front line soldier–snipers can spot you from the glint. He drank the proffered glass of Johnny Walker and left the embassy.

The Brits, French, and Swiss embassies were no help, either. It was late fall now, and Ubhani was still in his summer

The Modern UN City

fatigues. Being black in Vienna in the early 1970s was hard: you were a rarity, someone to be stared at. But being black in ragged clothes and living on the streets, Ubhani became an object of hatred. Kids spat at him; old ladies thwacked him with their black umbrellas.

Fall turned to early winter and Ubhani could no longer sleep rough in the Prater. His last ditch effort was a visit to the IAEA. The guard on duty by the main door did not allow him to enter at first, but he was a fellow ex-military guy and Ubhani told him his sorry tale. The guard allowed him to clean up in the basement restrooms and then got him in to see personnel.

It turns out, just that day the Rathaus docs section had been approved. It needed someone to organize it; someone desperate enough to take a job in miserable airless conditions.

That was Ubhani.

I always wondered how he managed to climb those narrow stairs to work each day after having been trapped in a burning tank.

I never asked him though. Ubhani was not the sort of man you asked questions of.

So we worked together that summer, the ex-pat and the blue-eyed refugee–the man in the tower.

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The Word

A bit of a summer break for me. So, here’s another reprise from Cold War Vienna, orignally published in 2010. 

In the beginning was the word.

Well, one cent a word, to be exact. Or sometimes twenty-five cents for a column-inch of them.

And we all know that a picture is worth a thousand words. But with my newspapers that was literally true: ten dollars per each 5×7 black and white shot.

Hemingway developed his terse, adjective-free style writing cable dispatches from the front lines of the early twentieth century. I developed a flatulent, baroque style on the front lines of padded per-word journalism. I was a budding feuilletonist even before I knew what that word meant.

My life in crime began with travel articles for the local newspaper back in my small hometown in Oregon. What did the folks back home make of my stories about the bird lady of Stadt Park, or the vintner down the street from my Viennese lodgings who was stuck with a 20,000 liter vat full of 1942 Muller Thurgau which had turned to pickle juice, or the ennui of thirty-two hours on the Orient Express?

My mom loved them. I earned twenty-five bucks a pop with a photo. That money went a long way in Vienna at the time. And I could actually, in all honesty, write Freiwilliger Journalist on my Austrian registry card instead of Student. A freelance journalist was almost a writer.

Soon I came up with a journalistic pyramid scheme: If my hometown paper was willing to fork over that kind of money for a local-boy-abroad story, why couldn’t I take advantage of that same public-minded spirit with every small-town newspaper in the States?

These were the days before 24-7 cable news, before the Internet offered snippets of news lifted from every reputable newspaper, thereby destroying said newspapers’ reader base. These were the days of flourishing independent dailies and weeklies all over America. Mom and pop journalism in a country otherwise run by Safeway.

The plan: Europe was full of American tourists. Even my tiny corner of it in Austria was bristling with Kodak-toting couples and families from every state in the union. You always knew the Americans. An Austrian friend once told me he knew at once I was an Ami simply because of my loose gait. Europeans never saunter–well, at least back then they did not. Europeans back then were also rarely over six foot. And there was that nagging issue of volume and volubility.

Back to the plan: I determined to interview Americans I encountered, write up a little story of their travels, get a picture or two, and then send said unsolicited article to their local paper. At twenty-five bucks a pop, I would be living fat in no time.

I was only twenty-two. Sweet innocence.

In fact, a number of newspapers did respond with checks, which, once taken to my local Laenderbank, would be cleared in a matter of days and exchanged for hard schillings. But there were never enough checks to really live on. The emphasis is on free in freelance.

Soon I found work as an in-house mailman at one of the UN offices in town. Between rounds I would work on my first novel. Occasionally checks came in from Modesto or Cherry Hills. Largely I forgot about my scheme, though, caught up in work and new friends. One of the latter hailed from a small town in Ohio. He wore a blue uniform; I wore a white lab coat. That meant I was one grade higher.

George and his singer wife had just arrived in Vienna. She was a coloratura, he played bass. It was a good friendship–still is, in fact.

I mentioned that small town in Ohio. That is called foreshadowing. Calling your attention to it is called postmodernism. I footnote it, I get more critical kudos.

Turns out George’s mother is an avid reader of the local newspaper and one day she spots a story about the local librarian who was traveling in Vienna. Written by a fellow called Jones who lives in Vienna. Next time she writes to her son, George’s mom asks, “Ever heard of this Jones?”

I never took greater pleasure in writing a letter than I did that one to the small town Ohio newspaper. Turns out they never paid me for that story they ran. It was grand fun describing to them the duties of the fourth estate, how they are the beacon of truth and objectivity, how they are the very glue of a democracy.

Two weeks later a check for fifty dollars appeared in my letterbox in the foyer.

The WORD had just gone up in value.

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Bigot List: A Reckoning has just been released to good reviews, such as this 5-star from a Readers’ Favorite critic who called it a “rollercoaster ride of espionage, mystery, betrayal, and murder. … a page-turner, I was hooked from the start...”

This international thriller is also the subject an interview on The Big Thrill, the online magazine of the Inernational Thriller Writers.

And for the month of July, you can get this ebook, or the ebook for my previously published The Cry of Cicadas: A Byrns on the Homefront Mystery, for just over a dollar at Smashwords.

AND–here are links to extended previews of both Bigot List and The Cry of Cicadas.

https://preview.jsydneyjones.com/bigot-list/
https://preview.jsydneyjones.com/the-cry-of-cicadas/

Happy summer reading!

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David Bell is the New York Times bestselling author of a number of suspense novels. His latest, Storm Warning, is released on June 25, 2024. Bell is a professor of English at Western Kentucky University in Bowling Green. His other novels include Try Not to Breathe, She’s Gone, The Finalists, Kill All Your Darlings, The RequestLayoverSomebody’s DaughterBring Her HomeSince She Went AwaySomebody I Used to KnowThe Forgotten GirlNever Come BackThe Hiding Place, and Cemetery Girl.

Storm Warning, is one of those edge-of-the-seat novels where a group of folks are semi-stranded and bodies start dropping. Someone among the group is obsviously a stone killer, and who is going to be the next victim? This one is set on a Florida barrier island with a hurricane approaching and a rising body count. The novel has deservedly earned some great reviews. The bestselling author Lisa Ungar called it a “compulsive, twisty, race-against-the-clock thriller…[a] smart and unrelenting page-turner!”

David, it is a real pleasure to have you on Scene of the Crime. Got to admit, Storm Warning kept me up late a few nights, turning the pages. Great book. So, let’s start things off, if we could, with a description of your connection to the Florida barrier islands and your interest in hurricanes or other extreme weather events.

Storm Warning is set on a barrier island during a hurricane. There are a couple of reasons why and how I chose this setting and these events. For one, my in-laws live on a similar—but nicer—barrier island in Florida, and they have been forced to evacuate—and suffered damage—as a result of hurricanes. Most relevant, my street in Kentucky was hit by a tornado in late 2021, so I used my experiences living through a storm and its aftermath to write the book.

What things about this time/place make it unique and a good physical setting in your book?

The book deals with our changing climate, something we’re all having to reckon with.

Did you consciously set out to use your time or location as a “character” in your books, or did this grow naturally out of the initial story or stories?

I’ve always wanted to set a book in Florida because I’ve spent so much time there visiting my family. For a long time, Florida felt like a second home to us. It’s a unique place and a rich locale for an interesting story.

How does your protagonist interact with his surroundings? Is he a native, a blow-in, a reluctant or enthusiastic inhabitant, cynical about it, a booster? And conversely, how does the setting affect your protagonist?

My protagonist, Jake Powell, is a temporary resident of Florida when the story unfolds. He plans to be there for a short time but ends up forming ties to the people and the places there. He risks his life for the new friends he’s made.

Can you let us into the writing process for this novel?

I hesitate to say I enjoyed writing about the destruction of the storm, but it was a unique challenge, unlike anything else I’ve ever written. From a writer’s point of view, it was the kind of challenge I relished. But I drew on a lot of unpleasant memories to make it happen.

Who are your favorite writers, and do you feel that other writers influenced you in your use of the spirit of place in your novels?

I just read Wolf Hall by Hilary Mantel. She brings the past to life with the sparest of details. It’s an impressive feat of concision and character development.

If you could live anywhere or anytime, where would it be and why?

I’m a creature of habit so I’d struggle to learn a new time and place. I do feel compelled to live in a world without cell phones, computers, and social media. I would, however, like to stream movies and television.

What’s next for your protagonist, or if this is the swan song—why end it?

I think this is it for Jake. But I enjoyed getting to know him.

David, thanks again for joining us on Scene of the Crime, and good luck with Storm Warning.

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I am super excited to get this book out to folks. Loved writing it, and as I reported earlier, if you like a good old-fashioned espionage thriller with black hats (except who is a black hat?) vs white hats (ditto), suspense, and hard-hitting action blended with a stop-your-heart love story, an unlikely comradery, and foreign destinations, then, yeah, I think you’ll like this one.

Bigot List: A Reckoning is a rollercoaster ride of espionage, mystery, betrayal, and murder. … It was a page-turner, and I was hooked from the start…. I could not put it down. … The story was well-written, and the ending was a big surprise; I did not see it coming.–Readers’ Favorite

BIGOT LIST comes out June 25, 2024 at its normal price of $5.99, but until then you can now pre-order the e-book at Bigot List: A Reckoning for just $2.99 (about the price of a fast food taco or burger and I guarantee you it’ll stick with you longer).

Here’s a quickie intro to the book:

Would you rather be the hunter or the hunted?

That is the choice ex-CIA operative Jake Jacobs must make. Jacobs happily put the wasted years of his CIA service behind him two decades ago. A history professor in Oregon, he is writing a book about a Cold War mole in the Agency who was never outed. But now Jake is pulled back into the secret world first hand when his name and photo, along with those of four others, appears on a revenge site, Reckoning. The site promises vengeance for an op Jake ran that went sideways in Vienna during the final days of the Cold War.

Jake figures he is being trolled, until a black X appears over the faces of two of those on the list, and he soon learns that these two have been murdered. Jake would rather be the hunter than the hunted and teams up with his old nemesis, former KGB officer Yuri Vosenko, who is also on the hitlist, to track down the Reckoning site and whoever is behind it. This takes Jake from the West Coast of the U.S. to the moors of Ireland, to the arms of a former lover in Vienna, and to the Alpine passes of Austria in an explosive and emotional journey into an all too real wilderness of mirrors.

And if you feel so inclined, please leave a short review to let others know what you think of the book and help me fill up that very naked Amazon page.

Cheers!

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From April 4, 2011 by Scene of the Crime | Edit

I have been writing this blog for fourteen years and there are now a couple hundred posts of author interviews and personal reminiscenses. From time to time I want to share some of the older posts. Here is one of my personal favorites.

I was listening to NPR the other day, huffing away on my elliptical, and there was a short review of a new edition of C.P. Snow’s classic, The Masters, part of his Strangers and Brothers sequence of novels.

God, how I loved those books when I first read them. However, I was so callow at the time as to figure, when confronted with them on the shelf of the library, that they must be okay having been written by the author of the Screwtape Letters. A bit of confusion and conflation: C.S. Lewis for C.P. Snow (and how was I to know that the protagonist of Snow’s series was named Lewis, further adding to my dithering confusion?).

Brit lit was not my major. And after all, I had only really started to love books after I determined to be a writer. Go figure.

I remember sitting down with the first in that series and being lost in the lives of those characters just as I had in those inhabitants of Alexandria created by Durrell (accent on the first syllable, please, “Durl”–I met him once, Lawrence, not Gerald, at a reading in Vienna and he was as marvelous a human as are his books). Immersed in Snow’s characters not in the same way of course, not with the passion and fury and what-the-hell-is-going-on-here in medias res manner of Durrell, but lost in a leisurely, bookish, God-I’m-happy-there-are-eleven-books-in-this-series way.

Lawrence Durrell

I was introduced to Snow and Durrel and D. H. Lawrence, Graham Green, J.B. Priestley (so many double-initialed names), John Fowles (another tricky one to say, pronounced Foles), Thomas Hardy, Joseph Conrad, Trollope–the list goes on and on–at the British Council Library in Vienna. If you could fall in love with a space, I did with that library.

When I was first in Vienna it was located in the rather down-at-heel Palais Harrach on the Freyung. It was on the mezzanine, as I recall, which in the peculiar European floor-numbering system, means the second floor. High enough for bountiful light to pour through the tall windows of the reading room. It was the cozy reading section I remember best about that library: overstuffed armchairs forming a horseshoe around a ceramic stove that purred invitingly with warmth in the winter months. The books were stored in a warren of smaller rooms that meandered through the old palace. There was a modest membership fee for non-nationals, even for callow Americans, and for those few schillings you could take up to four books out at a time.

Joseph Conrad

Nostromo accompanied me about Vienna for weeks, dogging me on lunch breaks in the gardens betweenthe twin museum across from the Heldenplatz; Lord Jim was my mate on hikes in the woods. (I renewed the former novel three times; I could not get enough of Conrad. Hemingway once remarked on how lucky an acquaintance was who had not yet read all of Conrad. Hemingway saved the novels over many years, parceling them out like water on a life raft.)

D. H. Lawrence

Lawrence I loved as well, and wished only that he had had a more ruthless editor. Then for months on end I imagined a tune for the catchy ditty “Slipping ‘Round the Corner” from Priestley’s Good Companions, and whistled it most manfully as I walked to work at the International Atomic Energy Agency on the Ring.

We Americans had our own library, the Amerikahaus in the Rathaus quarter; I discovered the understated humor of Saroyan there, the high political drama of Warren’s All the King’s Men. But there was a desks-in-a-row utilitarian quality about the Amerikahaus that was not as inviting as the BC, as we called it. (Both have gone the way of the dodo in these days of budget cuts and security threats.)

However, it was in the British Council Library one blustery day in the mid-1970s when I discovered how truly unworldly I was, a lesson that has remained with me almost forty years. And it came about in the plummy pages of Punch, of all publications. There was a short fictional memoir of a Vietnam vet in the magazine one week, and I read it with real interest, for the writing was so immediate, so heart-rending as the author described the loss of his friends, the miasma of battle, the sorrow of betrayal. I found my heart racing as I read on, hoping against hope that the narrator would not die–how could he? He was, after all, the narrator.

But this was the 70s; narrative tricks were mightily afoot.

In the end, no, he did not die. But as many as a million of his countrymen did. Lieutenant Nguyen Ho was one of the lucky ones.

It was, of course the fact that our narrator was a North Vietnamese soldier and not some private from Iowa that was my revelation that wintry day. I read the entire story envisioning a young American high school graduate humping his rifle and pack through the paddies, this son of the heartland dodging bullets and trip wire.

Among the many other joys and revelations I owe to the British Council Library is this further one– the removal forever of my nationalistic blinders.

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After decades of publishing with mainstream houses in NYC, London, and Germany (incuding Penguin, Dutton, Holt, Macmillan, et al), I had it up to here with delays and double thinking and who should be telling what kind of story.

And for sure those publishers probably had it up to there also with this midlist author who never broke out of midlist.

So, onward into self-publishing.

Portrait of Johannes Gutenberg, 1400-1468, Inventor of the printing press
Mr. Gutenberg, who started it all

Such an easy bravura statement, but man, can it be a pain.

I had totally forgotten after all those decades of mainstream publishing how much I hate one aspect of the writing game: self-promotion.

And guess what. Self-publishing is often more about promotion than writing.

Some folks are incredibly good at this. They publish at least ten books a year. The more the better.

I write a book or two a year. Have done for half my life. I have written everything from bios to travel guides, mysteries, suspense novels, and thrillers, and have also always had a freelance work-for-hire gig going on the side.

Some projects have been more successful than others. And clearly not all of those manuscripts were actually sold to publishers. But just maybe they didn’t deserve to be, either.

So, I am truly in awe of some of my self-publishing cohort who are on top of any and all promotional gigs, from book competitions to finding myriads of citizen reviewers on Amazon and actually, actually making a damn living out of books. Good for them.

File:J. Howe & Co. printing press, 1830.svg

Publishing is a bottom-line business. Too often I mistook great reviews of my books for great sales. Those two do not necessarily go hand in hand. And as a self-publishing author you are confronted daily with your sales figures, good reviews or not.

However, this is not a white flag I am waving. Not giving up just yet. I’m new to this gig, but am learning. And along the way, some folks with different skills have been a big help.

I tried very unscuccessfully on my own to convert my books to epub format, grinding my teeth the whole time.

So, now I work with some folks who have been incredibly professional and have made that part of the journey way easier and at a reasonale price. My personal favorites are Jason and Vidya at ebookpbook or just email them– jason@ebookpbook.com. They turn your docx file into a handsome book interior for either ebook or paperback and are always quick to respond to queries and help out with those “oh my god” last minute corrections. Super folks to work with.

And for my book covers I work with the graphic artist Peter Ratcliffe. He has done several of my self-published books and always comes up with amazing solutions. Love his work. You might recognize his most recent artwork for the cover of my novel, The Cry of Cicadas.

So if any of you folks reading this are contemplating self-publishing or are engaged in it now, take heart. It is possible.

Though I am still struggling to find the balance between writing and promotion, the work goes on.

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My New Thriller Coming Soon

An ex-CIA operative, now a comfortable history professor, is drawn back into the old game and to a former lover when he discovers his name on an online hitlist.

If you are in the mood for a good old-fashioned international thriller with white hats vs. black hats, secret agendas and hidden conspiracies, then you will love this book.

Bigot List will be coming out in late May from Werthen Press.

Watch this space.

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