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SHE’S CATCHING THE GREATEST CONCERTS OF ALL ACROSS TIME

Tina Tharpe doesn’t know how she can travel through time. All she knows is, a couple of edibles and some vintage vinyl on the turntable are her ticket to the great concerts of the past, from Woodstock to Budokan to Monterey, and she’s going to make the most of it.

It’s the perfect escape from the dark cloud hanging over her head at WWMA-FM, “Worcester’s rock masters.” Rumors are swirling that the station’s corporate owners might be ditching the classic rock format and changing to pop, country, or worst of all, Christian contemporary — and that would put Tina and her fellow DJs out of a job.

Eager to put her worries out of sight and out of mind, Tina dives headfirst into the past to soothe her soul with rock and roll. The problem is, her time trips might be having an unexpected effect on the future (or is it the present?) as she returns to find that pivotal events in rock history have radically changed — and not necessarily for the better.

The Great Rock & Roll Time-Trip Tour is the new contemporary fantasy novella by Michael C. Bailey, author of the award-winning fantasy series The Adventures of Strongarm & Lightfoot (BellaOnline Literary Review, Best Fantasy Novel), and the YA superhero series Action Figures, a #1 bestseller on Amazon.

Available now at Amazon for the Kindle and in print!

Art by Patricia Lupien.

Weekly Update – June 30, 2026

The worst thing about vacation is that they end.

My wife and I were off all last week, and for the most part, all we did was hang out at home making art, which is how we’d love to spend the rest of our lives, but, you know. Capitalism.

The upcoming July 4 holiday means it’s a short week back at the day jobs, and I plan to spend a chunk of the long weekend trying to get back into the groove on the next Adventures of Strongarm & Lightfoot book, which has been languishing for longer than I would have liked due to side-projects popping up and demanding my attention. In the meantime, once my cover artists Tricia is feeling recharged, I’m going to ask her to tackle at least one of my completed books so I can get it out to folks. My goal is to release something before the end of summer, and then something else before the end of the year. We’ll see how that goes and hope life doesn’t get in the way too much.

WRITING PROJECTS

Action Figures – Legacies: Finished, waiting on cover art. Tentative release date: 2026.

The Adventures of Strongarm & LightfootA Wanton Criminal: Edited, awaiting cover art. Tentatively set for 2026 release.

The Adventures of Strongarm & Lightfoot – untitled book nine: First draft underway.

Mystery Project #1: All I’ll say is, this is attached to the Action Figures universe, but no more. This probably won’t drop for quite a while, so don’t expect a lot of updates here.

Untitled horror novel: First draft underway.

YA horror novel, tentatively titled The Ashcroft High Monster Hunters Club: First draft completed, second draft underway.

APPEARANCES & EVENTS

Nothing currently scheduled.

If you’d like to keep on top of my projects and whatever nonsense I post here, you can follow the blog and receive notification emails whenever something goes up.

The Best of the Rest

If you enjoy Michael’s two series, Action Figures and The Adventures of Strongarm & Lightfoot, check out these anthologies, collections, and side-projects featuring his work. Available on Amazon, and signed print editions may be purchased directly from the author.

Beneath the Mask – A Superhero Romance Anthology features ten tantalizing tales of masked heroes saving the day and falling in love.

From sweet saviors to steamy angelic warriors, reluctant heroes to grumpy playboys, this anthology has something for everyone who’s ever fantasized about being a hero…or falling for one.

Do you dare to peek behind the mask and live out your sweetest, darkest, steamiest fantasies?

Each story includes superheroes and swoon-worthy happily-ever-afters!

Sorry, readers, this book is out of print, but my short story, Like a Knife in the Heart, appears as a backup story in Action Figures – Legacies.

Cheap Thrills Digest is a bargain-priced short story collection featuring tales from Action Figures and The Adventures of Strongarm & Lightfoot, the original horror short Lost Souls, and the essay Critiquing Critiques – How to Leave a Review.

Freedom Winds is a mini-comic written by me, illustrated by Luke Beatrice, and distributed by Underdog Comics and artist Luke Beatrice. The comic follows the adventures of a crew of renegade pirate women fighting the Triangle Trade.

You can go read it on Underdog Comics’ Facebook page now, as well as on Tapas and Tumblr. Please support this small press by liking the comic and sharing the link!

Copyright 2018 Tessa Beatrice/Underdog Comics

The Final Summons is the first anthology from the New England Speculative Writers. This collection of sci-fi and fantasy stories includes The Going Rate for Penance by me, a fantasy short set in the world of The Adventures of Strongarm & Lightfoot.

The Great Rock & Roll Time Trip Tour, a modern fantasy novella, follows Tina Tharpe as she time travels to the great rock shows of the past to avoid worrying about her uncertain future as a DJ at WWMA-FM.

Art by Patricia Lupien.

Well-Behaved Women is an urban fantasy trilogy with a historical twist. After surviving a near-fatal shooting, Rose Booker begins having flashbacks to a past life as legendary pirate queen Mary Read — and she’s not the only infamous figure who has apparently returned from the dead.

Weekly Update – June 23, 2026

Let’s look ahead to the future of Innsmouth Look Publishing.

This is NOT a bad post, I promise. I’ve simply been giving thought to where I want to go as a writer, that introspection prompted by my wrap-up of draft two of The Ashcroft High Monster Hunters Club. It was fun writing a standalone novel with no plans to write a sequel, or multiple sequels — no plans, and no pressure, which is something I’ve been feeling as I break away from my ongoing series to work on standalones like this. I know there are fans eagerly awaiting the next Action Figures – Legacies and The Adventures of Strongarm & Lightfoot books, both of which are finished and awaiting cover art. I appreciate your patience, and I will be working to get those out.

In the course of planning ahead on the next books in those respective series, I got to thinking just how much longer I want to keep those respective universes going, or if I even do, and if so, for how long. So, here’s where things stand…

Action Figures: The Action Figures Universe only has so much gas left in it. I love the characters and have the most fun writing them, but the main story I wanted to tell, featuring the Hero Squad/Protectorate, is done, and I don’t want to drag their story out beyond its reasonable life span. I always think back to how the first three seasons of Buffy the Vampire Slayer worked so well because the characters were teens in high school, but later seasons, in which they were in college and then the real world, didn’t quite click for me. I didn’t want that for my characters or the series.

But I wasn’t quite done with the milieu, so Legacies was born. I toyed with the idea of this becoming a whole new series that followed up on what was going on in the setting, but through the eyes of new characters, but quickly realized this concept was a trilogy, not a new series. Two more books and this one is done.

After that, I have one final adventure in the AFU lined up, to tie up a lingering story element from the core series. Again, I toyed with making it the start of a new series, but this might only be two books. Even pushing it to a trilogy might be prolonging its rightful lifespan.

After that, I am likely to be done with the AFU. It’s sad to say that because I do have a lot of fun writing in this world, and it is my most popular work, but it feels right to wrap this up in a nice bow and move on to other projects.

The Adventures of Strongarm & Lightfoot: The core series has four books left, starting with A Wanton Criminal. The untitled ninth book will focus on Derek. For book ten, I have in mind a much lighter straight-up adventure romp to give readers a little emotional breathing room before the big finale in book eleven (that seems to be my magic number).

That will end my work with this particular cast, but I have a follow-up series in mind that takes place in the same world — and that’s the beauty of the fantasy world I’ve created: I can tell other stories with no connection to the original series and scratch the fantasy itch when it strikes and not have to reinvent the wheel. Anyway, the second series, I’m aiming to tell a more tightly connected story in a six-book series, then it’s a hard stop for that one.

Other projects: Simply put, if you’re waiting for sequels to Well-Behaved Women or The Great Rock & Roll Time Trip Tour, you can stop. I briefly toyed with some other story ideas in the WBW universe, but they didn’t pan out, so I stopped trying to make fetch happen, as the saying goes. And Time Trip Tour was never going to be anything but a standalone story.

If I could continue any past work, I’d resurrect Freedom Winds, the one-shot webcomic I wrote for Underdog Comics, but the company’s owner (and the comic’s artist) moved on to other things, and they own the rights to the characters. If they came to me and said they wanted to fire it up again, I’d be happy to, because I had a LOT of story ideas in the pipeline, but that’s unlikely to happen.

So, what will I be focusing on?

BIG SHRUGGING GESTURE.

The big benefit of breaking away from series runs is, I have more time and energy to write whatever comes to mind, as it comes to me. Time Trip Tour was one of those out-of-nowhere ideas that had such a powerful pull for me, I had to drop everything else I was working on to focus on that. Same thing happened with Ashcroft High — which, ironically, pulled me away from a different horror project that pulled me away from my series work.

By focusing less on series, I can go where my mood takes me. I’m excited to see where that is.

But I do firmly believe I made a promise to readers to finish what I started, and I will finish my series commitments. You want to know how those stories end, and I owe it to you to give you those endings.

WRITING PROJECTS

Action Figures – Legacies: Finished, waiting on cover art. Tentative release date: 2026.

The Adventures of Strongarm & LightfootA Wanton Criminal: Edited, awaiting cover art. Tentatively set for early 2026 release.

The Adventures of Strongarm & Lightfoot – untitled book nine: First draft underway.

Mystery Project #1: All I’ll say is, this is attached to the Action Figures universe, but no more. This probably won’t drop for quite a while, so don’t expect a lot of updates here.

Untitled horror novel: First draft underway.

YA horror novel, tentatively titled The Ashcroft High Monster Hunters Club: First draft completed, second draft underway.

APPEARANCES & EVENTS

Nothing currently scheduled.

If you’d like to keep on top of my projects and whatever nonsense I post here, you can follow the blog and receive notification emails whenever something goes up.

The Adventures of Strongarm & Lightfoot – A Series Overview

What’s it About?

Derek Strongarm and Felix Lightfoot are a pair of hard-luck adventurers for hire with an unfortunate knack for landing jobs that pay too little and threaten their lives too much. Erika Racewind is a hardened elven warrior who doesn’t like people, except maybe when she’s killing them. Winifred Graceword is a kindhearted elven priestess skilled in the healing arts. David is a young sorcerer on a path to discover who he really is — and whether that person has a last name, because going by just “David” is getting old fast.

Together these companions travel across the land of Asaches looking for adventure and the glory and riches that come with it. Mostly the riches, though, because you can’t buy food and beer with glory.

Who is this Series For?

Sword-and-sorcery fantasy fans looking for something a little lighter than most of the fare currently on the shelves. If you want heavy, dark, serious stories with lots of death, destruction, torture, rape, and political intrigue, go read something else because you won’t find it here.

What you will find is a fast-paced adventure filled with colorful characters, rip-roaring action, humor, and gentle jabs at the classic elements of fantasy fiction.

Which is not to say this series is a comedy or parody. There is still drama aplenty, but as a rule I don’t take things too seriously. You can read these books and not feel like you need a hug and a room full of puppies afterward.

Basically, if you like fare like The Legend of Vox Machina and Dungeons and Dragons – Honor Among Thieves, this is the series for you.

Is it Suitable for Young Readers?

Not really. The series is a hard PG-13/light R for violence, language, and sexual content. It is suitable for older teens, but not for the YA crowd.

What are the Books in the Series?

Scratching a Lich: Derek and Felix find themselves entangled in an urgent quest to slay a legendary lich before he can trigger a world-ending apocalypse – as insane undead sorcerers are wont to do. Together with Erika Racewind, bodyguard for a mysterious young wizard named David, and Winifred Graceword, they head out to discover lost cities, recover long lost magical artifacts, and slay great evils in order to fulfill curiously specific prophecies – as mismatched, ragtag groups of adventurers are wont to do.

Assassins Brawl: The companions are hired to safeguard a spoiled brat of a princess targeted for death by the assassin Ruined Isys, but as is often the case, there’s more going on here than meets the eye. Now all they have to do is determine who is behind the plot before they get caught in the crossfire.

Blades of Glory: Derek, Felix, and company are up for a job that seems a little too simple for a payday that seems a little too generous – but unfortunately, so are the famed adventurers of fortune known as the Noble Blades. Which of them will be the first to find a stolen ceremonial mask that is absolutely positively completely normal and not at all some lost artifact possessed of dark power?

Sworded Affairs: The company takes a job to dispose of a potentially dangerous magical artifact only to become snowbound in an isolated city besieged by flesh-hungry beasts — and under assault from within by a dark conspiracy.

Elfish Motives: Winifred Graceword is called home under mysterious circumstances, which lead to the company revisiting the lost even city of Wihend. But what do the four clans want with their long-abandoned ancestral home?

Twins and Losses: The company finally returns home to Ambride, only to become immediately embroiled in a scandal threatening to consume the Ambride Academy of Magic.

Draconian Measures: David is charged with a diplomatic mission that could unite Asaches’s fractured magical academies, but first he has to contend with a maniacal warden, political upheaval, and an enormous dragon terrorizing the coastal city of Atebo.

A Wanton Criminal: The companions find themselves in the middle of a power struggle that threatens to tear apart their adopted home of Ambride. Tentatively set for a 2026 release.

The Final Summons – An Anthology of the New England Speculative Writers: Featuring The Going Rate For Penance, a short story set in the Strongarm & Lightfoot world. Mercenaries Jessica and Samantha Summerland receive an assignment from their least favorite client, and one way or another, this will be their last job.

How Long Will the Series Run?

Unknown, but tentatively ten books.

Are They Available As Audiobooks?

The first five books, narrated by Heather S. Auden, are currently available on Audible.

Where Can I Learn More?

Read can read sample chapters from Scratching a Lich, buy signed copies, connect with me through social media, and get regular updates at my website: innsmouthlook.com

Anatomy Of A Draft

Some time back, I posted the first chapter of The Ashcroft High Monsters Hunters Club, my YA horror project, to show folks what was going on in my head with some of my choices. Today, I’m following it up with a side-by-side comparison of what I wrote back in the first draft and how that chapter changed with the current draft so folks can see how much (or how little) a manuscript can evolve through the revision process. I’m not going to notate every change, only key elements, because a lot of the revision process for me is tightening up the text by deleting unnecessary verbiage. So, here we go.

ONE

Aside from the monsters, the murderous cult, and the looming threat of an ancient, unspeakable evil rising up to destroy all that was good in the world, and then the world itself, Ashcroft High School was a perfectly normal American high school.

The original building was built sometime in the early 20th Century to serve the small but growing population of Ashcroft, Massachusetts. Children entered the Ashcroft Public School as kindergarteners and left as high school graduates, migrating to different classrooms as they aged but always attending classes in the same building. As the village grew into a proper town, the school was expanded in haphazard fashion to accommodate the rapidly exploding student body. Eventually, Ashcroft opened separate elementary and middle schools for the younger students and let the teenagers take over the original facility, redubbed Ashcroft High School.

As a result of generations of under-planned, somewhat slapdash expansion, Ashcroft High ended up with a somewhat labyrinthine layout that regularly confounded new teachers and students alike, but they eventually got used to it. In the approximate center of this awkward piece of architecture was a lovely enclosed courtyard where students congregated and socialized in-between and after classes, and in the approximate center of that sat a monument the students referred to as the Tomb of the Unknown Teacher — a simple granite block the size and shape of a large dining room table, engraved with decorative edging that time and the elements have worn down to a blur. Its original purpose remained a mystery to this day, but students regularly used it for a picnic table or as a backdrop for their senior photos.

Many students, past and present, also claimed to have sacrificed their innocence atop the monument, but that was always a lie.

In addition to the usual academics, the school offered a varied and robust selection of extracurricular activities: twenty-one different athletic teams, none of them exceptional; a cheerleading squad and color guard, which were exceptional and had the trophies to prove it; a school band that performed three times a year on stage and marched in the town’s annual holiday parade (against their will; it was always freezing and the uniforms were butt-ugly); a glee club; a choral ensemble, which was basically a pretentious glee club; a drama club that produced a fall drama and a spring musical; a number of small clubs for the artistically inclined (drawing and painting, photography, sculpture, etc.); an LGBTQ Alliance; a debate club; a chess club; a school newspaper; and a student council that was never able to affect any major programmatic or policy changes in the school, but they did organize several well-attended school dances each year, so it wasn’t completely useless.

Incoming seniors spent their first day of the new school year in a morning-long orientation session, at which they received their homeroom assignments, locker assignments, class schedules, information about afterschool extracurriculars, and whatever else they needed to hit the ground running the following day, the first full day of school for all grades.

Among the student body as a whole, attitudes and emotions ran the gamut from excited to resigned to despondent. Among the seniors, however, spirits tended to run high because this was the first day of their last year as captives of the public school system. The light at the end of that tunnel was their whole lives lying ahead of them.

Of course, in order to reach that light, they first had to survive the darkness.

***

Vanna Helmond was what one might call an All-American Girl. That is to say, she was demographically unremarkable, but she was very pretty, which drew people to her, and highly personable, which kept them around. Her attitude going into senior year was also typical; this was her last first day of high school ever, and every new day got her one step closer to graduation and freedom.

Her mother, also named Vanna, told her not to be in such a rush to leave. High school, she said, was supposed to be the best four years of her life and she should enjoy every second of it. Vanna thought if that was true, that meant it was all downhill from there, and she refused to believe she was going to peak at seventeen going on eighteen.

She wondered if her mom, a successful estate planning attorney, considered her high school career the best years of her life, but couldn’t bring herself to ask for fear the answer would depress the hell out of her.

Those were the kind of conversations they had — or, sometimes, avoided — on the ride to school. The elder Vanna was a workaholic who was reliably the first person to arrive at the office in the morning and the last to leave, and she wore this as a badge of honor (which, in the younger Vanna’s mind, lent credence to the idea her mother’s life post-high school really wasn’t all that awesome). Because her schedule coincided with the start of school, she insisted on driving her daughter there. Vanna (younger) resisted this at first on the grounds there was a perfectly good school bus available that would accomplish the same goal, and without adding to the unnecessary train of crawling traffic clogging the roads and spewing exhaust. But Vanna (elder) like they “us time” it provided, so they compromised: Vanna (elder) drove Vanna (younger) to school but dropped her off at the big intersection nearby so she could walk the rest of the way.

“Will you be coming home right after school?” Vanna the elder asked.

“No, we have a squad meeting,” Vanna the younger said. “Will you be coming home right after work?”

It was a rhetorical question, but her mother answered anyway. “We’ll see. Things have been piling up again.”

“As they are wont to do.” That was her mother’s number one excuse for working late.

“We’ve gotten a lot of new clients lately. People are very interested in planning for their future.”

“Or lack thereof,” Vanna the younger said dryly.

“What? Oh. Right. Because they’re dead. Got it. Estate planning humor.”

“I know how to play to my audience. This is my stop.”

The red light was with them, so Vanna the younger hopped out of Vanna the elder’s SUV with a hasty goodbye and took the final stretch on foot.

The sign outside Ashcroft High School was an old-fashioned wooden deal, seated in a brick planter kind of thing and illuminated at night by an overhead streetlight. Several graduating classes had attempted to make a class gift of a more modern replacement, to no avail. Last year’s class wanted to buy a digital mini-billboard loaded with bells and whistles. The class officers really pushed the energy-efficient LED screen, which could be programmed to display seasonally appropriate images and share important message via a scrolling chyron at the bottom, but the school committee unceremoniously shot it down as “not in keeping with the historic character of the building and grounds.”

Old people clinging tenaciously to old stuff out of habit. No way to run a society, Vanna thought as she passed the sign, which had received a new paint job over the summer and was bright, shiny, and colorful. The only thing that ever changed was the school mascot, the local cryptid known as the Moon-Glider, depicted on the sign as an off-brand pterodactyl with puppy-dog eyes and a big, friendly smile. Its color scheme generally stuck to the school colors, crimson and white with black accents, but the exact shades depended on whoever did the periodic touchups. This year’s iteration, Vanna would have described it as blood red. Maybe fire engine red in better light, but it was a little overcast today.

(Whether the cartoon Moon-Glider in any way resembled the actual creature was a mystery for the ages. Descriptions of the Moon-Glider varied among those who claimed to have caught a glimpse of its silhouette soaring through the night sky.)

School buses crawled down the long main driveway toward the loop in front of the school, where they’d disgorge their passengers and head back out to pick up the middle schoolers. They were another sign of the school committee’s pointless nostalgia: two years ago, a company approached the committee pitching their new propane-fueled vehicles as replacements for the current fleet of diesel-guzzling, toxic emission-spewing models, and were turned away. The committee argued that the buses they had worked just fine despite their age, creeping up on fifteen years of service, and the very notion of propane buses, they reacted to that as if they’d been told they were fueled by fairy dust and children’s laughter.

(Vanna knew all this through her friend Kim, whose mother sat on the school committee at the time and was the proposal’s sole supporter. She was ousted last year by a newcomer who, ironically, promised to bring fresh new ideas to the group.)

A thin stream of students flowed in from the main parking lot — seniors who, by dint of their senior status, earned the right to drive themselves to school. They merged with the heavier current of students getting off the buses, then moved as a cluster toward the open main entrances. Vanna joined the parade, trading hellos with other students, and made her way inside.

Almost. She was stopped just outside the front doors by Principal Blandell and the new assistant principal, introduced to the seniors yesterday simply as Ms. Levy. If one were to ask Vanna to describe a typical high school principal, she’d describe Mr. Blandell, at least in the broad strokes: white, male, middle-aged, slightly paunchy, more than slightly balding. If one were to ask her to describe an assistant principal, she wouldn’t describe Ms. Levy, who, in her lavender blazer, looked like she should be selling perfume in an upscale department store.

“Good morning, Vanna,” Blandell said warmly.

“Mr. Blandell, good morning,” Vanna said.

“Hold up a minute, would you? I’d like to formally introduce you to my new right-hand man — er, woman, excuse me — Tonya Levy. Tonya, this is one of Ashcroft’s star students, Vanna Helmond.”

“Vanna?” Levy said. Vanna braced for The Question. “As in Vanna White?”

“As in,” Vanna confirmed. Thankfully, Levy didn’t press for details, which Vanna would have preferred not to provide.

(The details are this: Molly Harkness was a rabid Wheel of Fortune fan who named her first child Vanna Patricia, after Vanna White and Pat Sajak; and she in turn passed her inherited love for the game show and its hosts onto her own daughter, whose full legal name was Vanna Patricia Helmond Jr. Vanna Jr. vowed that sad legacy would end with her and there would be no Vanna Patricia III. She hated Wheel of Fortune.)

“And what makes you a star student?” Levy asked as if addressing a child half Vanna’s age. Vanna reeled in an flash of disdain; for all she knew, Levy previously worked with grade-schoolers and had yet to adjust to working with near adults.

“That is a question you’d have to ask Mr. Blandell,” Vanna said. “I’d never be so presumptuous as to bequeath myself with such an honorific.”

Blandell, chuckling, said to Levy, “Well, as you can see, she’s both modest and well-spoken, but she’s also a star student, on her way to class salutatorian at the very least, and she’s co-captain of our award-winning cheerleading squad.”

Levy’s eyebrows leapt. “My! Quite accomplished.”

Vanna did a tiny curtsey. “And those accomplishments won’t accomplish themselves, so if you’ll excuse me…”

“I won’t hold you up any longer. Have a good day, Vanna,” Blandell said.

“I always do.”

She rejoined the flow, which had thinned out as the clock inched closer to the next bell — yet another holdover from a bygone time. It was loud, obnoxious, and as subtle as the claxon on a World War II submarine preparing to submerge. The student council, once again stepping up as best as it could, recommended updating it with something less startling on an annual basis, but the excuse from the school committee was always, “That would cost money we don’t have to spend.”

There were, however, a few benefits to this weird, pointless resistance to progress, one of which could be found in what was known as The Block — sometimes The Main Block, sometimes The Central Block, occasionally as The Cell Block, but mostly just The Block. Once upon a time it was the entirety of the school, but now it was primarily offices for administrators and support staff. It also hosted another senior perk: the lockers here were of the classic variety, full-length and deep enough to stash a body in. Seniors got to claim those, while underclasses had to deal with the newer lockers in the newer sections. Those too were technically big enough to stash a body in, if the body in question was on the small side and you really smushed it in.

Vanna took a minute to admire her spacious new digs, then dropped her backpack inside. It looked lonely there all by itself, but that would change. Fall would come soonish, and then winter, and she’d be able to hang her favorite long coat in there without it pooling on the floor like it did in the underclass lockers. The top shelf had plenty of room for the many, many books she’d amass today, with a little room to spare for a few personal belongings. In a big city like Boston, she mused, a locker like this would be marketed as a studio apartment and go for four figures a month, utilities not included.

Her attention was drawn away by the arrival of a young man who looked like a perfect blend of comic book icons Archie Andrews and Big Moose: tall, broad, beefy, red hair that was more orange than red, a smattering of pale freckles coloring his cheeks. He consulted a piece of paper in a hand like a catcher’s mitt, his brow furrowed in concentration, then the little number plate on the locker next to Vanna’s. His eyes jumped back and forth between the note and the locker several times, more than was reasonable, then he nodded to himself.

“Oh. Hi,” he said, just now noticing Vanna. “Looks like we’re neighbors,” he observed, a distinct Southern accent flavoring his voice, strong but not overly twangy.

“Looks like,” she said, offering a hand. “I’m Vanna.”

“Like Vanna White?”

“Like.”

“I’m Mackenzie. Folks call me Mac,” he said, his hand swallowing Vanna’s. “Nice to meet you.”

“Am I wrong in assuming you’re new to Massachusetts?”

Mac’s face lit up. “I am. How’d you know?”

“The accent’s a bit of a giveaway.”

“Oh. Yeah. Duh.” He bapped his forehead with the heel of his hand. “Yeah, our folks moved us up here over the summer. Work stuff.”

“Us?”

“Me and my twin sister. She’s around here somewhere.”

Vanna tried, and mostly succeeded, to not give Mac a once-over. “I’m sure she stands out as much as you do.”

The school provided students with combination locks so administrators could access the lockers whenever they wanted to — another entry on the student council’s list of things they wanted to change, another request the school committee refused to consider. Mac’s lock looked comically tiny in his hand as he twirled the dial, checked his note, twirled, checked, twirled, checked…it took him four tries to get the lock to pop open.

“Hot dog!” He stuffed the note in his back pocket, threw his backpack into the locker, sealed it up, muttered, “Aw, dang,” opened his locker back up (after three tries with the combo lock), and retrieved from his backpack a crumpled printout with his class schedule. “Be kinda lost without this.”

“Trust me, you’ll be lost with it,” Vanna said. “The school’s rather labyrinthine.”

“And a big maze too, from what I hear.” He looked around, decided on a direction, perhaps arbitrarily, and said before heading out, “Nice to meet you.”

Vanna hated to see him leave but she loved to watch him go.

She shut her locker door and jumped at the pale, raccoon-eyed face glaring at her in disapproval. “May I help you?”

“What was that?” asked the girl, whose overall aesthetic could be best described as shaggy, from her short black hair down to her jeans with the shredded knees. Only her black biker jacket was in good shape. She took scrupulous care of that.

“That was me being friendly to a new student.”

“You were flirting with him.”

“I was not,” Vanna gently insisted. “Much. Hardly at all.”

“He sounded kinda dumb.”

“He did not come across as the sharpest knife in the drawer, no, but he seemed nice, and I’ll take dumb but nice over a smart jerk any day.”

“Fair.”

“You okay, pumpkin? You sound grumbly.”

Kim leaned against the neighboring locker. “Didn’t sleep well.”

“Don’t tell me you’re pining for Alison again.”

“I am not pining for Alison again. I broke up with her two months ago. She’s old news. Out of sight, out of mind,” Kim said, passing a hand through the air as if erasing the name Alison Ayer from the whiteboard of the universe. “No, some cat was hanging out in our back yard. I don’t know if was a stray or a neighbor cat or what, but Springfoot did not like it. All he did was growl and hiss all night.”

“And you’d never be so cruel as to expel your beloved Springfoot from your room.”

“I’m not a monster. I got up around two to try to catch it, but it took off. I was too awake at that point so I just sat up reading.”

“My poor sleepy Kimmy,” Vanna said with a sympathetic pout, “but be of good cheer, sweetpea, we only have to get through today and tomorrow, then we have the long Labor Day weekend.”

“Whoever thought starting school at the end of August was a terrible person and I hope he burns in Hell.”

“One hundred percent.” The girls flinched as the final warning bell sounded in all its rude glory. “There are many things about high school I won’t miss, and that bell is at the top of the list.”

“Seconded.” Kim took a deep breath. “I can do this.”

“You can do this.” Vanna raised a defiant fist. “Fortify.”

Kim returned the gesture. “Fortified.”

ONE

Aside from the monsters, the murderous cult, and the looming threat of an ancient, unspeakable evil rising up to destroy all that was good in the world, Ashcroft High School was a perfectly normal American high school.

The original building was built sometime in the early 20th Century to serve the small but growing population of Ashcroft, Massachusetts. Children entered the Ashcroft Public School as kindergarteners and left as high school graduates, migrating to different classrooms as they aged but always attending classes in the same building. As the village grew into a proper town, the school expanded in haphazard fashion to accommodate the exploding student body.1 Eventually, Ashcroft opened separate elementary and middle schools for the younger students and let the teenagers take over the original facility, renamed Ashcroft High School.

Generations of under-planned, somewhat slapdash expansion resulted in a labyrinthine layout that regularly confounded new teachers and students alike, but they eventually got used to it. In the approximate center of this piece of awkward architecture sat a lovely enclosed courtyard where staff and students congregated and socialized, and in the approximate center of that sat a structure some unknown wit dubbed the Tomb of the Unknown Teacher: a wide, shallow fountain bowl Rodan could have bathed in, surrounding a fat granite obelisk engraved with decorative swoops and swirls that time and the elements had worn down to a blur. Students speculated it was intended as the base of a fountain that was never finished for cost reasons, which is also why it was never removed. It was a popular backdrop for senior photos, and many students, past and present, claimed to have sacrificed their innocence in the shadow of the Tomb.2

That was always a lie.

In addition to the usual academics, the school offered a varied and robust selection of extracurricular activities: twenty-one different athletic teams, few of them exceptional; a cheerleading squad and color guard, which were both exceptional and had the trophies to prove it; a school band that performed three times a year on stage and marched in the town’s annual holiday parade (against their will; it was always freezing and the uniforms were butt-ugly); a glee club; a choral ensemble, which was basically a pretentious glee club; a theater club that produced a fall drama and a spring musical; a number of small clubs for the artistically inclined (drawing and painting, photography, sculpture, etc.); an LGBTQ Alliance; a debate club; a chess club; a school newspaper; and a student council that was never able to affect any major programmatic or policy changes in the school, but they did organize several well-attended school dances each year, so it wasn’t completely useless.

Incoming seniors spent their first day of the new school year in a morning-long orientation session, at which they received their homeroom assignments, locker assignments, class schedules, information about afterschool extracurriculars, and whatever else they needed to hit the ground running the following day, the first full day of school for all grades.

Among the student body as a whole, attitudes and emotions ran the gamut from excited to resigned to despondent. Among the seniors, however, spirits tended to run high because this was the first day of their last year as captives of the public school system. The light at the end of that tunnel was their whole lives lying ahead of them.

Of course, in order to reach that light, they first had to make it through the long, dark tunnel that was senior year.3

***

Vanna Helmond was what one might call an All-American Girl. That is to say, she was demographically unremarkable, but she was very pretty, which drew people to her, and highly personable, which kept them around. Her attitude going into senior year was also typical; this was her last first day of high school ever, and every new day got her one step closer to graduation and freedom.

Her mother, also named Vanna, told her not to be in such a rush to leave. High school, she said, was supposed to be the best four years of her life and she should savor every second of it. Vanna the younger4 thought if that was true, that meant it was all downhill from here, and she refused to believe she was going to peak at seventeen going on eighteen.

She wondered if her mom, a highly successful estate planning attorney, considered her high school career the best years of her life, but couldn’t bring herself to ask for fear the answer would depress the hell out of her.

Those were the kind of conversations they had — or, as often, avoided — on the ride to school. Vanna the elder was a workaholic who was reliably the first person to arrive at the office and the last to leave, and she wore this as a badge of honor (which, in Vanna the younger’s mind, lent credence to the idea her mother’s life post-high school really wasn’t all that awesome). Because her schedule coincided with the start of the school day, she insisted on driving her daughter there. Vanna the younger resisted this at first on the grounds there was a perfectly good school bus available, and many friends with whom she could catch a ride, but Vanna the elder like the “us time” it provided, so they compromised: they drove together most of the way, then Vanna the elder dropped Vanna the younger off at the big intersection nearby so she could walk the rest of the way.

“Will you be coming home right after school?” Vanna the elder asked.

“No, we have a squad meeting. I told you yesterday,”5 Vanna the younger said.

“Oh, right.”

“Will you be coming home right after work?”

It was a rhetorical question, but her mother answered anyway. “We’ll see. Things have been piling up again.”

“As they are wont to do.” That was her mother’s number one excuse for working late, even though it was her firm and she had plenty of underlings who could have taken on some of her workload.

“We’ve gotten a lot of new clients lately. People are very interested in planning for their future.”

“Or lack thereof,” Vanna the younger said dryly.

“What? Oh. Right. Because they’re dead. Got it. Estate planning humor.”

“I know how to play to my audience. This is my stop.”

The red light was with them, so Vanna the younger hopped out the SUV with a hasty goodbye and took the final stretch on foot.

The sign outside Ashcroft High School was an old-fashioned wooden deal, seated in a brick planter kind of thing and illuminated at night by an overhead streetlight. Several graduating classes had attempted to make a class gift of a more modern replacement, to no avail. Last year’s class wanted to buy a miniature digital billboard loaded with bells and whistles. The class officers really pushed the energy-efficient LED screen, which could be programmed to display seasonally appropriate images and share important message via a scrolling chyron at the bottom, but the school committee unceremoniously shot it down as “not in keeping with the historic character of the building and grounds.”

Old people clinging tenaciously to old stuff out of habit. No way to run a society, Vanna thought as she passed the sign, which had received a new paint job over the summer. The text was always rendered in Ashcroft High’s official crimson with white and black accents, but whoever handled the annual touchups liked to change the color scheme on the mascot in the corner, the local cryptid known as the Moon-Glider, depicted on the sign as an off-brand pterodactyl with puppy-dog eyes and a big, friendly smile. This year’s iteration, Vanna would have described it as blood red, maybe fire engine red in better light, but it was a little overcast today.6

(Whether the cartoon Moon-Glider in any way resembled the actual creature was a mystery for the ages. Descriptions of the Moon-Glider varied among those who claimed to have caught a glimpse of its silhouette soaring through the night sky.)

School buses crawled down the main driveway toward the loop in front of the school, where they disgorged their passengers before heading out to pick up the middle schoolers. They were another sign of the school committee’s pointless devotion to the old ways: two years ago, a company approached the committee to pitch their new propane-fueled vehicles as replacements for the current fleet of diesel-guzzling, toxic emission-spewing models, and were turned away. The committee argued that the buses they had worked just fine despite their age, creeping up on fifteen years of service, and the very notion of propane buses, they reacted to that as if they’d been told they were fueled by fairy dust and children’s laughter.

(Vanna knew all this through her friend Kim, whose mother sat on the school committee at the time and was the proposal’s sole supporter. She was ousted last year by Gabrielle Lennox7, a newcomer who, ironically, promised to bring fresh new ideas to the group.)

A thin stream of students flowed in from the main parking lot — seniors who, by dint of their senior status, earned the right to drive themselves to school. They merged with the heavier current of students getting off the buses, then moved as a cluster toward the main entrance. Vanna joined the parade, trading hellos with other students, and made her way inside.

Almost; Principal Blandell and the new assistant principal, introduced to the seniors yesterday simply as Ms. Levy, stopped her before she reached the entrance8. If one were to ask Vanna to describe a typical high school principal, she’d describe Mr. Blandell in the broad strokes: white, male, middle-aged, not enough hair, too much tummy9. If one were to ask her to describe an assistant principal, she wouldn’t describe Ms. Levy, who, in her lavender blazer, looked like she should be selling perfume in an upscale department store.

“Good morning, Vanna,” Blandell said warmly.

“Mr. Blandell, good morning,” Vanna said.

“Hold up a minute, would you? I’d like to formally introduce you to my new right-hand man — er, woman, excuse me — Tonya Levy. Tonya, this is one of Ashcroft’s star students, Vanna Helmond.”

“Vanna?” Levy said. Vanna braced for The Question. “As in Vanna White?”

“As in,” she confirmed. Thankfully, Levy didn’t press for details, which Vanna would have preferred not to provide.

(The details are this: Molly Harkness was a rabid Wheel of Fortune fan who named her first child Vanna Patricia, after Vanna White and Pat Sajak; and she in turn passed her inherited love for the game show and its hosts onto her own daughter, whose full legal name was Vanna Patricia Helmond Jr. Vanna Jr. vowed that sad legacy would end with her and there would be no Vanna Patricia III. She hated Wheel of Fortune.)

“And what makes you a star student?” Levy asked as if addressing a child half Vanna’s age. Vanna reeled in a flash of disdain; for all she knew, Levy previously worked with grade-schoolers and had yet to adjust to working with almost-adults.

“That is a question you’d have to ask Mr. Blandell,” Vanna said. “I’d never be so presumptuous as to grace myself with such a title.”10

Blandell, chuckling, said to Levy, “Well, as you can see, she’s both modest and well-spoken, but she’s also a star student, on her way to class salutatorian at the very least, and she’s co-captain of our award-winning cheerleading squad.”

Levy’s eyebrows leapt. “My! Quite accomplished.”

Vanna did a tiny curtsey. “And those accomplishments won’t accomplish themselves, so if you’ll excuse me…”

“I won’t hold you up any longer. Have a good day, Vanna,” Blandell said.

“I always do.”

She rejoined the flow, which had thinned out as the clock inched closer to the next bell — yet another holdover from a bygone time. It was loud, obnoxious, and as subtle as the claxon on a World War II submarine preparing to submerge. The student council, once again stepping up as best as it could, recommended on an annual basis updating it with something less startling, but the excuse from the school committee was always, “That would cost money we don’t have to spend.”

There were, however, a few benefits to this weird, pointless resistance to progress, one of which could be found in what was known as The Block — sometimes The Main Block, sometimes The Central Block, occasionally as The Cell Block, but mostly just The Block. Once upon a time it was the entirety of the school, but now it was primarily offices for administrators and support staff. It also hosted another senior perk: the lockers here were of the classic variety, full-length and deep enough to stash a body in. Seniors got to claim those, while underclasses had to deal with the newer lockers in the newer sections. Those too were technically big enough to stash a body in, if the body in question was on the small side and you really smushed it in.

Vanna took a minute to admire her spacious new digs, then dropped her backpack inside. It looked lonely there all by itself, but that would change. Fall would come soonish, and then winter, and she’d be able to hang her favorite long coat in there without it pooling on the floor like it did in the underclass lockers. The top shelf had plenty of room for the books she’d receive today, with a little room to spare for a few personal belongings. In a big city like Boston, she mused, a locker like this would be marketed as a studio apartment and go for four figures a month, utilities not included.

Her attention was drawn away by the arrival of a young man who looked like a perfect blend of comic book icons Archie Andrews and Big Moose: tall, broad, beefy, red hair that was more orange than red, a smattering of pale freckles coloring his cheeks. He consulted a piece of paper in a hand like a catcher’s mitt, his brow furrowed in concentration, then the little number plate on the locker next to Vanna’s. His eyes jumped back and forth between the note and the locker several times, more than was reasonable, then he nodded to himself.

“Oh. Hi,” he said, just now noticing Vanna. “Looks like we’re neighbors,” he observed, a distinct Southern accent flavoring his voice, strong but not overly twangy.

“Looks like,” she said, offering a hand. “I’m Vanna.”

“Like Vanna White?”

“Like.”

“I’m Mackenzie. People call me Mac,” he said, his hand swallowing Vanna’s. “Nice to meet you.”

“Am I wrong in assuming you’re new to Massachusetts?”

His face lit up. “How’d you know?”

“The accent’s a bit of a giveaway.”

“Oh. Yeah. Duh.” He bapped his forehead with the heel of his hand. “Yeah, our folks moved us up here over the summer. Work stuff.”

“Us?”

“Me and my twin sister. She’s around here somewhere.”

Vanna tried, and mostly succeeded, to not give Mac a once-over. “I’m sure she stands out as much as you do.”

The school provided students with combination locks so administrators could access the lockers whenever they wanted to — another entry on the student council’s list of things they wanted to change, another request the school committee refused to consider. Mac’s lock looked comically tiny in his hand as he twirled the dial, checked his note, twirled, checked, twirled, checked…it took him four tries to get the lock to pop open.

“Hot dog!” He stuffed the note in his back pocket, threw his backpack into the locker, sealed it up, muttered, “Aw, dang,” opened his locker back up (after three tries with the combo lock), and retrieved from his backpack a crumpled printout with his class schedule. “Be kinda lost without this.”

“Trust me, you’ll be lost with it,” Vanna said. “The school’s rather labyrinthine.”

“And a big maze too, from what I hear.” He looked around, decided on a direction, perhaps arbitrarily, and said before heading out, “Nice to meet you.”

Vanna hated to see him leave but she loved to watch him go.

She shut her locker door and jumped at the pale, raccoon-eyed face glaring at her in disapproval. “May I help you?”

“What was that?” asked the girl, whose overall aesthetic could be best described as shaggy, from her short black hair down to her jeans with the shredded knees. Only her leather biker jacket was in good shape. She took scrupulous care of that.

“That was me being friendly to a new student.”

“You were flirting with him.”

“I was not,” Vanna gently insisted. “Much. Hardly at all.”

“He sounded kind of dumb.”

“He did not come across as the sharpest knife in the drawer, no, but he seemed nice, and I’ll take dumb but nice over a smart jerk any day.”

“Fair.”

“You okay, pumpkin? You sound grumbly.”

Kim slumped against the neighboring locker. “Didn’t sleep well.”

“Don’t tell me you were lying awake pining for Alison again.”

“I am not pining for Alison again. I broke up with her two months ago. She’s old news. Out of sight, out of mind,” Kim said, passing a hand through the air as if erasing the name Alison Ayer from the whiteboard of the universe. “No, some cat was hanging out in our back yard. I don’t know if was a stray or a neighbor cat or what, but Springfoot did not like it. All he did was growl and hiss all night.”

“And you’d never be so cruel as to expel your beloved Springfoot from your room.”

“I’m not a monster. I got up around two to try to catch it, but it took off. I was too awake at that point so I sat up reading.”

“My poor sleepy Kimmy,” Vanna said with a sympathetic pout, “but be of good cheer, sweetpea, we only have to get through today and tomorrow, then we have the long Labor Day weekend.”

“Whoever thought starting school at the end of August was a terrible person and I hope he burns in Hell.”

“One hundred percent.” The girls flinched as the final warning bell sounded in all its rude glory. “There are many things about high school I won’t miss, and that bell is at the top of the list.”

“Seconded.” Kim took a deep breath. “I can do this.”

“You can do this.” Vanna raised a defiant fist. “Fortify.”

Kim returned the gesture. “Fortified.”11

  1. Pointing out one of the times I adjusted the language. Saying the school population “rapidly exploded” felt redundant; “exploded” suggests a dynamic action by itself. ↩︎
  2. For context, I’m what’s called a “pantser,” meaning I tend to write very little pre-planning. I don’t do outlines or even have a full, detailed plot in mind when I start a story; I usually have a collection of loose ideas and start writing to see where it takes me. So, the exact description of the Tomb of the Unknown Teacher changed several times as I figured out where the story was going. I might yet amend the “Tomb of the Unknown Teacher” joke to better reflect the changes to the monument, but for now, I still like the joke, so it stays. ↩︎
  3. The original button sentence on this section felt too heavy-handed. ↩︎
  4. Throughout the story, I always use the qualifiers “the elder” and “the younger” when the two Vannas, mom and daughter, are in the same scene. I failed to do so here, so I fixed it to ensure consistency throughout. The following paragraph was also amended to keep thing consistent. ↩︎
  5. This change was to establish early that Vanna the elder is something of an absentee parent who doesn’t pay as much attention to her daughter as she should, which is a key element of the Vannas’ relationship. ↩︎
  6. An example of tightening and smoothing the language. When I write first drafts, the real goal is to get the ideas out of my head and onto the screen, and worry about making it pretty later, so sometimes the text is clunky as hell at the start. ↩︎
  7. Added this detail to line up with something that happens later on. ↩︎
  8. Traded passive language for active. Sometimes the passive voice is the right choice, but the active voice usually works better. ↩︎
  9. The first run on Blandell’s description was too clinical for its own good. Changing a practical description out for something with a little more personality livens up the text. ↩︎
  10. I toned down Vanna’s generally loquacious manner of speaking just a titch to make her a little less pretentious from the jump. ↩︎
  11. As you can see, very little changed in the last chunk of the chapter. Years of writing experience, which includes 15 years as a reporter, led me to write pretty tight first drafts because I regularly edit and revise on the fly. I’ve been known to sit staring at my laptop for several minutes because I know from the get-go a particular passage just isn’t right, and I want to fix it right there and then, soI have a hard time leaving it alone and moving on for the sake of keeping my momentum going. But, on the upside, it means my revision process is often quicker than it might otherwise be. ↩︎

Weekly Update – June 16, 2026

Draft two of The Ashcroft High Monster Hunters Club is THIS CLOSE to being finished, but I’m not here to talk about that this week.

Instead, I’m going to remind folks that outside of writing, I’m involved in local theater as a stage combat instructor and director, and this weekend the latest show I’ve been working on with Studio Theatre Worcester, Superhero – A Musical, goes up this weekend. If you’re in the central MA area, I’d love it if you could go and support live theater, as well as those who help create it like me and my cover artist Tricia, who provided artwork for the show. Follow the link to buy tickets.

WRITING PROJECTS

Action Figures – Legacies: Finished, waiting on cover art. Tentative release date: 2026.

The Adventures of Strongarm & LightfootA Wanton Criminal: Edited, awaiting cover art. Tentatively set for early 2026 release.

The Adventures of Strongarm & Lightfoot – untitled book nine: First draft underway.

Mystery Project #1: All I’ll say is, this is attached to the Action Figures universe, but no more. This probably won’t drop for quite a while, so don’t expect a lot of updates here.

Untitled horror novel: First draft underway.

YA horror novel, tentatively titled The Ashcroft High Monster Hunters Club: First draft completed, second draft underway.

APPEARANCES & EVENTS

Nothing currently scheduled.

If you’d like to keep on top of my projects and whatever nonsense I post here, you can follow the blog and receive notification emails whenever something goes up.

Action Figures – A Series Overview

What’s it About?

The series focuses on Carrie Hauser, a 15-year-old girl who one summer experiences two life-changing events: her parents announce they’re getting divorced, and she gains superhuman abilities after encountering a dying extraterrestrial after he falls to Earth.

Her adventure begins after Carrie and her mother Christina move back to Christina’s childhood home town of Kingsport, Massachusetts, and Carrie meets four teens with powers of their own: superhero fanboy Matt Steiger, who owns a pair of magic gloves that can produce any object he can envision out of thin air, like a living cartoon character; Sara Danvers, a telepath and telekinetic who is afraid of her own abilities; the easygoing Stuart Lumley, who possesses superhuman strength; and Missy Hamill, an adorable motormouth with enhanced strength and reflexes.

The teens form a superhero team almost on a whim, but soon find themselves fighting for their lives against very real super-villains – much to the dismay of Kingsport’s hometown hero Concorde, leader of the super-team The Protectorate.

Who is this Series For?

Fans of superhero comics, TV shows, and movies in general, but particularly of titles featuring teen heroes such as Young Justice, Teen Titans, Young Avengers, and Champions.

The tone is generally lighter than a lot of YA books out there now. While there is drama and conflict, and some later stories deal with darker issues, I try to keep the series fun, upbeat, and optimistic.

Is it Suitable for Young Readers?

Action Figures is a PG-13 series that contains mild to moderate profanity, non-graphic violence, some mature themes, and later on in the series mild sexual content.

An added word about the violent content: while the violence is not graphic, the consequences are not downplayed. This isn’t sanitized Hollywood violence. People get hurt just as they would in real life and do not easily shrug off injuries, and in some cases the characters have to deal with the emotional trauma of their experiences.

What are the Books in the Series?

Action Figures – Issue One: Secret OriginsCarrie and her new friends in the Hero Squad (yes, they know their team name is awful) find themselves caught in the crossfire as the deadly mercenary Manticore comes to Kingsport, on the hunt for the rogue artificial intelligence known as Archimedes. Soon to be available through Audible!

Action Figures – Issue Two: Black Magic Women – The sorceress Black Betty threatens to raise hell – maybe literally – as she pursues her vendetta against the Protectorate’s resident paranormal expert Dr. Enigma.

Action Figures – Issue Three: Pasts Imperfect – Missy’s life is turned upside-down when she learns the truth about the source of her powers, and her connection to the bloodthirsty killer Buzzkill Joy.

Action Figures – Issue Four: Cruel SummerSara finds herself in the crosshairs of the mysterious hero killer the King of Pain, but to save herself, she might have to sacrifice everything she holds dear.

Action Figures – Issue Five: Team-UpsThe Hero Squad, still reeling from their devastating encounter with the King of Pain, get a little help picking up the pieces from their friends in the Protectorate and the Quantum Quintet.

Action Figures – Issue Six: Power Play – The Squad finds itself outnumbered and under-powered after one of their members goes missing – and at the worst possible time as foes from their past reappear, more dangerous than ever and ready to exact revenge.

Action Figures – Issue Seven: The Black End War – On Earth, Carrie Hauser is a hero, but on the far side of the galaxy, she’s just another soldier on the front lines of an interplanetary war against the terrorists in the Black End.

Action Figures – Issue Eight: Crawling from the Wreckage – Carrie returns to Earth to reclaim her life, but life has moved on without her. Does she have a place with her team, her friends, or her family anymore?

Action Figures – Issue Nine: Hell Hath No Fury – Black Betty is back, and ready to unleash Hell — literally, but can the Hero Squad trust Dr. Enigma to have their backs? Or does she have her own dark agenda?

Action Figures – Issue Ten: Unintended Consequences – The Hero Squad learns that hard way that no good deed goes unpunished and the sins of their past have not been forgotten.

Action Figures – Issue Eleven: Zero Day – It’s the final showdown between the Hero Squad and ShadoWorks, in this, the epic conclusion to the Action Figures core series.

Action Figures: Legacies – In the wake of Zero Day, Aja Pershing, daughter of the murderous Manticore, finds herself on a collision course with the latest young woman to adopt the mantle of the vigilante known as the Silhouette. The first sequel to the core Action Figures series.

Art by Patricia Lupien

Action Figures: Legacies II – The second book in the Legacies Trilogy, tentatively set for a late 2026 release. Manticore hits the road to erase any trace of her supervillain mother’s existence, while Silhouette fights to survive after the police set their sights on her.

The Action Figures Omnibus – Volume One: Stepping Up – Collects the first three books in the series (Secret Origins, Black Magic Women, Pasts Imperfect) and features a new foreward by Patrick Hodges and a new introduction by the author.

Beneath the Mask: A Superhero Romance Anthology – Features the superhero noir tale Like a Knife in the Heart featuring the Sapphire Silhouette. Set in the Action Figures universe. Currently out of print.

How Long Will the Series Run?

The core series has finished its run, ending with issue eleven. The first spinoff/sequel book, Legacies, was released in 2025.

Where Can I Learn More?

Read can read sample chapters from Secret Origins, short stories set in the Action Figures world, buy signed copies, connect with me through social media, and get regular updates at my website: innsmouthlook.com

Weekly Update – June 9, 2026

Work continues on draft two of The Ashcroft High Monster Hunters Club, and as you might recall from last week, I mentioned I was contemplating whether to self-publish the book, my normal approach, or see if I could get an agent or publisher interested in it.

Well, I’ve decided to go my usual route and self-publish, which is probably how it was going to go anyway, but several authors I follow on Bluesky were chatting last week about issues in the publishing industry, namely how there’s little support for new and midlist authors, which is making it harder for folks who are not blessed with a smash bestseller right out of the gate to sustain a career. That gave me a final push to stick with what I know, and what works for me.

You can read about my decision more here, if you’re so inclined.

WRITING PROJECTS

Action Figures – Legacies: Finished, waiting on cover art. Tentative release date: 2026.

The Adventures of Strongarm & LightfootA Wanton Criminal: Edited, awaiting cover art. Tentatively set for early 2026 release.

The Adventures of Strongarm & Lightfoot – untitled book nine: First draft underway.

Mystery Project #1: All I’ll say is, this is attached to the Action Figures universe, but no more. This probably won’t drop for quite a while, so don’t expect a lot of updates here.

Untitled horror novel: First draft underway.

YA horror novel, tentatively titled The Ashcroft High Monster Hunters Club: First draft completed, second draft underway.

APPEARANCES & EVENTS

Nothing currently scheduled.

If you’d like to keep on top of my projects and whatever nonsense I post here, you can follow the blog and receive notification emails whenever something goes up.

The Problem With Publishing

As followers of this blog might well know, I’m working on a new book, a YA horror novel tentatively (but at this point almost certainly) titled The Ashcroft High Monster Hunters Club. It’s in the second draft as I write this, and I’ve been debating trying to query the finished novel to agents and publishers instead of going the independent author route, which is how I’ve been releasing books since I released my first novel (Action Figures – Issue One: Secret Origins) in 2013.

At the time, independent/self-publishing still had a bit of a bad rap as it was considered the fallback option for those who couldn’t break in via traditional publishing, be it one of the Big Five publishers or a small press. Critics of self-publishing dumped on indie authors as unable to cut it as a “real author,” and I won’t deny that there was a lot of sub-par dreck out there.

(And still is, but you know what? There are a lot of books out there published by the big dogs that also suck. It’s not the means of producing a book that’s the problem.)

But there’s also a lot of great stuff out there, most notably from marginalized authors who’d long been ignored by big publishers because their stuff wasn’t “mainstream” enough — meaning, it didn’t hold mass appeal to straight white cis readers. Yes, that is still a problem, one of many that undermines the value — real, potential, or imagined — of mainstream traditional publishing.

Interestingly, independent authorship is now being viewed, at least by those of us in the industry, as a very viable alternative to traditional publishing, including on a financial level — and that’s in large part the fault of said publishers.

There is a significant and active author presence over on Bluesky, where I am most active in terms of social media. You’ll find folks like John Scalzi, Chuck Wendig, the esteemed Dr. Chuck Tingle, Cherie Priest, Seanan McGuire, Christophers Golden and Moore, many others, and many of them have recently made the same sad observation: traditional publishing ain’t what it used to be.

The common lament lately has been that the trad-pub outfits aren’t supporting authors like they used to. The industry is regularly foisting the bulk of the responsibility for promoting a book onto the authors, which isn’t a winning approach because A: we can’t afford paid advertising, and B: social media isn’t the promotional powerhouse it used to be, thanks to platforms dumping organic reach in favor of paid advertising/post boosting and general enshittification. In fact, publishers often look at new authors’ existing social media followings as a metric for determining whether they’ll pick up that author’s book.

In other words, publishing wants authors to have a preexisting fan base before they become published authors. Your potential to land a big publishing deal is greater if you are big on TikTok but have never written a novel in your life than if you’re someone who’s been working on their craft for years but is an online nobody, which is lunacy.

There’s also a lack of support for what’s referred to as “the midlist,” which is where you find most books. They’re defined as books that aren’t raking in massive sales, but continually perform well enough to justify producing them. These could be authors who aren’t Stephen King-level popular but have a strong following in their genre, or a big name author (again, King) who continues to release new work, which drives interest in their older stuff.

It also includes new releases that could blow up if only the publisher gave them more of a promotional push. Without that, a lot of new authors lose their publisher’s attention quickly because they’re not burning up the bestseller lists and generating big sales. The industry isn’t cultivating new talent and doesn’t seem interested in doing so, unless they happen to produce a chartbuster right out of the gate.

And that brings us to the money…

I’ve written about this in depth before, but the long and short of it is, the typical author, including those published by the Big Five, doesn’t make a lot of money, because they don’t sell a lot of books, which, again, is partially the fault of the publisher for not doing anything to drive sales. From a financial standpoint, a solid indie author can do much better than a trad-pub author.

To use myself as an example for comparison — and these stats come from various sources — the majority of authors sell fewer than 1,000 copies of a given book, and that’s lifetime sales, and a commonly cited figure claims the average trad-pubbed book sells 3,000 copies in its lifetime. Of the 22 full-length novels I’ve written, six have surpassed the 1,000 copy benchmark, one has passed the 3,000 copy benchmark.

Most authors earn less than $100 a year in book sales, as per the 2024 Indie Author Survey by Written Word Media. I’ve been in the higher brackets every year I’ve been doing this except for year one, which was all loss, no profit.

In terms of raw profitability, I’ve made more money than I’ve spent on producing my books, which is an important detail for indie authors because we have to cover all our own expenses — expenses like editing, cover art, advertising, etc., things a publisher would normally cover, and that to me is the big downside to going indie. I have to make a cash investment in every book and hope I recoup that investment.

So far I have, but I’ll put this out there: this is in the aggregate. Look at all combined sales versus all combined expenses and I’m in the black, but individual books have yet to make back what I paid to put them together. Nevertheless, I’ve made more than I spent, which I’m calling a big win.

(Naturally, I could increase my profit margin by taking shortcuts like using AI to generate cover art, but I will never ever do that because that’s a path for losers, hacks, and people who don’t deserve to sell a single book ever. End side-rant.)

In summary, the indie author route has worked out pretty damn well for me. Am I rolling in money? Hell, no, but neither are the vast majority of authors — and I mean ALL authors.

Could I do better if I went the trad-pubbed route? Maybe. I might be that one-in-a-million author who strikes gold with a smash hit novel, followed by options, adaptations, all the real moneymakers, but statistically, I’m far more likely to be the latest in the endless parade of literary hopefuls who simply do meh to okay.

I can do that on my own, thanks, and on my own terms. I’ll stay right where I am.

Station Identification Time

Who Am I?

I’m a writer originally from Falmouth, MA who now lives in Oxford, MA with my awesome wife Veronica, and our two dogs and three cats who don’t like to let us sleep in.

After 15 years with the Falmouth Enterprise, where I worked as a general and political reporter, blogger, and editor, I left the news industry to focus on my creative writing.

In addition to my novels (more on that in a minute) I’m a freelance writer, and I’ve produced scripts for Pastimes Entertainment of Revere, MA and the Connecticut Renaissance Faire.

When I’m not writing, I’m busy as a stage combat director and choreographer in the central Massachusetts area, and I teach stage combat at the Hanover Theatre & Conservatory for the Performing Arts.

What Do I Write?

Action Figures is a YA superhero adventure series featuring a team of young superhumans who set out to make a name for themselves in the superhero world and quickly find themselves in over their heads. Fun, full of humor and action, populated with likable characters (including some of the villains), and suitable for teen readers and adults who still love superheroes. Oh, and no love triangles. Ever. The first book, Secret Origins, and the last book in the core series, Zero Day, both reached the #1 spot on two Amazon best-seller lists, Hell Hath No Fury, reached #1 on one Amazon best-seller list.

The sequel series, Legacies, began in August 2025 and is expected to run for three books.

The Adventures of Strongarm & Lightfoot is my response to all the overly serious fantasy novels out there that have forgotten how to have fun. The series follows two hard-luck adventurers for hire with a knack for biting off more than they can chew and their friends as they explore ancient ruins, fight deadly monsters, go on epic prophecy-driven quests for artifacts of great power hidden in highly inconvenient locations, and cross a lot of rickety rope bridges along the way. The first book, Scratching a Lich, received a gold medal for fantasy fiction from BellaOnline, a resource for women in writing, which also recognizes feminist writers and their work. The first five books are available in audiobook format.

The Ashcroft High Monster Hunters Club is a standalone YA horror novel coming in 2026. Five friends discover that a local cryptid is very real and very dangerous — and worse, it’s a prophesized harbinger for a long-dormant ancient evil waiting to rise again.

Beneath the Mask is an anthology of superhero romance stories. The collection, scheduled for a February 14, 2021 release, features ten stories, including my story Like a Knife in the Heart, starring a new character, the Sapphire Silhouette. Currently out of print.

Cheap Thrills Digest is a short story collection featuring introductions to my two series, plus an original novelette-length horror story, Lost Souls, which is exclusive to CTD. If you’re curious about my writing, you can grab this for just $7 in print or 99 cents in e-book format.

The Final Summons is the first anthology from the New England Speculative Writers. The collection features 14 fantasy, horror, and science fiction stories by NESW members, including my story The Going Rate for Penance, which is set in the world of Strongarm & Lightfoot.

Freedom Winds is a mini-comic I wrote for Underdog Comics, and you can read it for free at any time here, here, or here.

Copyright 2018 Tessa Beatrice/Underdog Comics

The Great Rock & Roll Time Trip Tour is a modern fantasy novella that explores one woman’s post-pandemic life — or lack thereof. Tina Tharpe, a classic rock radio DJ, discovers she can travel through time to witness the great rock concerts of the 20th Century. Getting to relive rock history is great — until her present begins to change in unexpected ways.

Art by Patricia Lupien.

Well-Behaved Women is an urban fantasy trilogy for feminist audiences. After returning to work following a near-fatal shooting, Sergeant Rose Booker encounters a woman claiming to be the reincarnation of Julie d’Aubigny, the infamous 17th Century French swordswoman. Things only get stranger from there as Rose and Julie cross paths with a crime boss with a knack for exacting bloody revenge on his enemies. This is more serious and mature than my other projects — not recommended for young readers. Book one, Awakening, is now available. Book two, Transition, was released in April 2019, and book three, Endtimes, was released August 2019. The entire trilogy is available in audiobook format.

Meet the Innsmouth Look Publishing Team

Heather Auden is a professional actor and audiobook narrator. She narrates The Adventures of Strongarm & Lightfoot series and did the second and third books of the Well-Behaved Women trilogy. You can find her other audiobook work on Audible.

Bethany Boles is a professional actor, a former PA for the Jim Henson Company, and is active in the children’s television production industry in California. She narrates the Action Figures series.

Kim Budnick joined the team in 2024 to edit The Great Rock & Roll Time Trip Tour.

Darci Cole is an author and narrator, who narrated the first book in the Well-Behaved Women trilogy. You can find her other audiobook work on Audible, and buy her debut novel, Target, on Amazon.

Patricia Lupien is a graphic artists and designer who is responsible for the covers that grace all books produced by Innsmouth Look Publishing. Visit the Art Store page to buy her art on a variety of products.

Julie Tremblay began as a beta reader for Innsmouth Look Publishing before taking over as regular editor on all the company’s novels.

What Will I See Here?

I post weekly updates that include progress reports on various projects, cover art reveals, new release announcements, a schedule of appearances and book-signings, the occasion essay on writing, and whatever random bits and pieces capture my attention.

Where Can You Find Me Online?

Official website

Amazon author page

Bluesky

Bookshop.org

BookBub

Instagram

Goodreads

Tumblr

LinkedIn

The Story Graph