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The Creatures

by Halls Of Mandos
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1.
A fire lit upon an altar Of hopes and pleading. Get me gone from here; A prison entombs me. Voiceless, I rot. The fire is sacred. An obligation To keep alight, But he sends wind To snuff it And flood to quench The life out. Dare not to feed the fire. The altar is its end. No need to seek its safety. The creatures are Already here. The hopes that You have offered Have been consumed And burnt. The dreams that may Remain will be Beaten out in time.
2.
White Chalk 04:18
White chalk hills are all I’ve known White chalk hills will rot my bones White chalk sticking to my shoes White chalk playing as a child with you White chalk south against time White chalk cutting down the sea at Lyme I walk the valleys by the Cerne on a path cut fifteen hundred years ago and I know these chalk hills will rot my bones Dorset’s cliffs meet at the sea where I walked, our unborn child in me White chalk, gorse-scattered land scratch my palms – there’s blood on my hands
3.
Mother! Mother! Tell me again Of the grand things destined. Shall I be the greatest in the land? Valar! Valar! I will go east To slay our dark foe without you, No need. I will succeed. Tears unnumbered ye shall shed, And we will shut you out, And not even the echo, Not even the echo Of your cry we shall hear. And through the scrapes And the folly, here I let myself be praised. And where but to Hell's Gates has led me Ahead of my host. I'll do it myself. Here at your doors I call! I'll fight you alone here. Here I stand! No friends, No help at all. At the end At least I tried. Tears unnumbered ye shall shed, And we will shut you out, And not even the echo, Not even the echo Of your cry we shall hear.

about

The Creatures EP is my second EP from Halls Of Mandos. It is not a singular message, and I don't think a collection of my works will ever really be that. I wrote and recorded music as I felt I needed to. The first track, 'Perish The Flame' appears on the 'Dwelling Within The Halls Of The Dead' split with Pale Fallen Dead and was released as a single, but it is very much the beginning of this epoch of my music production. From this point forward, I was working with guitars more, screaming and shrieking with more abandon, and I was willing to visit fantastic lands in an ancient world which we find sublimated today into a post-industrial nightmare. 'White Chalk', a cover of PJ Harvey's song, speaks of ancient landmarks and feelings of belonging, but alongside tragedy. Finally, 'Tears Unnumbered', my favorite of the three, dives right into heroic fantasy by telling the story of a king who was cursed to experience only suffering along with his offspring due to his arrogance and hubris (it is also a direct reference to J.R.R. Tolkien's The Silmarillion). These songs, I suppose, are affecting the past; they intrude on the idyllic vision of a better yesterday. We are bound to our fate here and now, and that is the fault of the past. Only in retrospect do I believe each song has this notion in common. In fact the title now seems perfect. Perhaps we should blame the creatures who first emerged from the sea to walk on land! Here we are, their progeny!

credits

released April 4, 2025

All music performed, recorded, produced, mixed, and mastered by Sean Wells-Rutherford

'Perish The Flame' and 'Tears Unnumbered' written by Sean Wells-Rutherford

'White Chalk' written by Polly Jean Harvey

Cover art by Kevin Hoertig

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Halls Of Mandos Phoenix, Arizona

Industrial doom and adjacent music played by an idiot, signifying nothing.

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