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supported by 76 fans who also own “Pandaemonium”
“Do you still dream in water?” she asks. He nods—“only when it rains inside.” Their words drift, slow like signal loss,, soft clicks between heartbeats. A drone hums overhead, its shadow stroking their faces. “Are we free now?” she whispers. He laughs, small, broken. “We’re just less afraid.” They share one headphone, listening to the city’s pulse— loops of breath, echoes of what could’ve been “Hold me,” she says. “I am,” he answers, “in the static.”
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Incredible sampling, a dark twist on fast tempo electro
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Everywhere at the end of time
by The Caretaker
supported by 72 fans who also own “Pandaemonium”
one of those things that made me cry after the first listen, it's really important music, especially if you're just getting into it
go to albumThe Parisian duo temper blunt post-punk rhythms with stunning, moody coldwave synths—like new wave, but more disheveled.
go to albumThe Bristol duo's debut smashes together acid beats, punishing hardcore, and harsh now into songs that are deliberately overwhelming and intense.
go to albumBeautifully doomy songs from Mogan, heavy on goth moodiness and ornamented with crackling electronics.
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One of the best noise/metal album I've ever heard. SO GOOD
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