Fennesz Vienna, Austria
Fennesz uses guitar and computer to create shimmering, swirling electronic sound of enormous range and complex musicality. His lush and luminant compositions are anything but sterile computer experiments. They resemble sensitive, telescopic recordings of rainforest insect life or natural atmospheric occurrences, an inherent naturalism permeating each piece. ... more
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Everywhere at the end of time
by The Caretaker
supported by 41 fans who also own “Reshift (bonus track)”
one of those things that made me cry after the first listen, it's really important music, especially if you're just getting into it
go to albumsupported by 31 fans who also own “Reshift (bonus track)”
It's hard to describe some ambient albums, or ambient albums in general without using some of the same words over and over. Tim just has a certain vibe and you're either with it or you're not. I find this album relaxing but never boring.
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Everywhere, an empty bliss
by The Caretaker
supported by 30 fans who also own “Reshift (bonus track)”
As I listen to this album, I realize that my favortie part about it is that so many songs sound like they are so desperately trying to be happy, but they end up sounding more depressing than just a regular sad song.
go to albumIn an homage to early clicks 'n' cuts, Harz employs the art of microsampling to create these nine hypnotic numbers.
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Prismatic / Loomstate
by Curved Light
Opalescent synth waves crash gracefully on top of each other on this enlightened electronic album.
go to albumExperimental wizard Harz uses microsampling to create seven haunting, drone-y compositions that wrap themselves around you.
go to albumsupported by 29 fans who also own “Reshift (bonus track)”
Diversité des climats ambiant autant que celle des invités.
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