「詩記」に関連した英語例文の一覧と使い方(4ページ目) - Weblio英語例文検索

女流漢詩人として著名な初代有智子内親王に始まり、『枕草子』『紫式部日記』にもその名が登場する大斎院選子内親王、数多い歌合を主催した六条斎院ばい子内親王、新古今和歌集を代表する歌人式子内親王など、歴代の斎院は文雅で名を馳せた人物が多い。例文帳に追加

Many successive Saiin Priestesses were well known for literary works: the first Saio Priestess, Imperial Princess Uchiko, who was a distinguished composer of Chinese style poetry; the Great Saiin Priestess, Imperial Princess Senshi, whose name appeared in "The Pillow Book" and "The Murasaki Shikibu Diary"; the Rokujo Saiin, Imperial Princess Baishi, who held many tanka poetry contests; and Imperial Princess Shikishi, who became an accomplished poet of the Shin Kokinwakashu (the New Collection of Ancient and Modern Japanese Poetry).  - Wikipedia日英京都関連文書対訳コーパス

また『詩経』『書経』『儀礼』『楽経』『易経』『春秋』といった周の書物を六経として儒家の経典とし、その儒家的な解釈学の立場から『礼記』や『易伝』『春秋左氏伝』『春秋公羊伝』『春秋穀梁伝』といった注釈書や論文集である伝が整理された（完成は漢代）。例文帳に追加

Additionally, the Rikkei (six documents) books from Zhou, "Shikyo" (Chinese Poetry book), "Shujing" (Book of History), "Girai" (Yili), "Gakkei," "I Ching" (The Book of Changes), and "Shunju" (Spring and Autumn Annals) were specified as Ju-kyo scriptures, and from their Ju-ka-style interpretation learning perspective, "Classic of Rites" and den, or commentaries and collected papers, such as "Ekiden," "Chunqiu Zuoshi Zhuan" (Master Zuo's Commentary to the Spring and Autumns), "Shunju Kuyo-den" (Annotation of Gongyang on Spring and Autumn Annals), and "Shunju Kokuryo-den" (Annotation of Guliang on Spring and Autumn Annals) were organized.  - Wikipedia日英京都関連文書対訳コーパス

これにより、例えば贈り物を収容箱本体部２に入れた上で、蓋部３にその贈り物に添えた言葉（詩）を記載すれば、この収容箱を受け取った人は、蓋部３を自立させることにより、贈り物に添えて送られてきた言葉と写真とをいつでも見ることができるので、贈り物を受けた人に対して強い感動を与えることができる。例文帳に追加

Thus, when a present is put in a housing box body part 2 and then words (poetry) attached to the present are described on the lid part 3 for instance, since a person who receives the housing box can look at the words and a photo attached to the present and sent by making the lid part 3 stand by itself, a strong impression can be given to the person who receives the present. - 特許庁

戦争中，中支の戦場にいた，のちの戦記作家の伊藤桂一(当時・陸軍上等兵)は，戦陣訓と軍人勅諭を比較して「「戦陣訓」にくらべると，明治十五年発布の「軍人勅諭」は荘重なリズムをもつ文体で，内部に純粋な国家意識が流れているし，軍隊を離れて，一種の叙事詩的な文学性をさえ感じるのである。例文帳に追加

Keiichi ITO was in the central China during the war (as a lance corporal of the Army) and when he became a novelist of military history later, he compared Senjinkun military code with the Imperial Rescript to Soldiers and Sailors and said, '"the Imperial Rescript to Soldiers and Sailors," that was issued in 1882, has a literary style with more solemn rhythm than "Senjinkun military code," pure national consciousness is seen through it, and it gives impression of a kind of epic literature instead of the military.  - Wikipedia日英京都関連文書対訳コーパス

この頃までに『大日本野史』の編纂を終え、嘉永4年に全291巻の清書が完成、同年5月29日(旧暦)（1851年6月28日）、豊島茂文とともに親交のあった人々を招待して「野史竟宴」と題した宴の席、今日で言うところの出版記念パーティーのようなものを催し、出席者はおのおの『大日本野史』の登場人物を選び、その人物を題材にした和歌や漢詩を詠んだ。例文帳に追加

By this time he had finished compiling "Dai Nihon Yashi," and a fair copy of all 291 volumes had been complete; on June 28, 1851 he organized a banquet titled 'Yashi Kyoen' (Banquet on Completion of Yashi), which would today be something like a publication party, and to which he and Shigefumi TOYOSHIMA invited their friends; everyone who attended the party selected a character from "Dai Nihon Yashi" and read waka (modern Japanese poetry) and kanshi (Chinese-style poem) about the characters.  - Wikipedia日英京都関連文書対訳コーパス

当時の日本人には朝鮮人の肉食文化が野蛮なものに見えたことが原因であるとし、その根拠として『画図入（えずいり）朝鮮来聘記全』内の狂詩における「通信使が寺の中に魚や肉を持ち込んで食い散らかしている」という表現、及び淀藩の資料『朝鮮人来聘記』内の朝鮮聘礼使淀城着来図の絵に描かれたうちの一部（右図）を「通信使一行が町人の飼っている鶏を盗んで逃げようとし、日本人と喧嘩になっている」様子だとしたうえで挙げている。例文帳に追加

It is said that the meat-eating culture of the Koreans looked barbaric to the Japanese at that time and this was one cause of the conflicts, and as grounds for this, the following are listed: There is the expression of 'Tsushinshi brought fish and meat into a temple and ate them littering the place' in a comical poem in "Ezuiri Chosenraiheikizen" (Descriptions of Korean visits, with pictures), and part of the picture depicting the arrival of Chosen envoy at Yodo Castle in "Chosenjin Raiheiki" (see the picture on the right), a document in the Yodo province: It is said that this picture depicted the scene where an officer of Tsushinshi who stole a chicken kept by a townspeople was fighting with Japanese while escaping with the chicken.  - Wikipedia日英京都関連文書対訳コーパス

1870年、広瀬青邨が西園寺の詩文会に招かれたとき同席していた者には、尊攘運動に加わって岩倉具視の知遇をえていた山中静逸、江馬天功の実兄で、池田屋事件で投獄される板倉槐堂（淡海竹洲）、本草学者山本亡羊の子で漢方医だった山本秀五郎（秀夫）や浜崎廉太郎（直全）らがあったほか谷口靄山らも参加していたとされるから、この中にも賓師として迎えられたものがあったと思われる（「青邨公手沢日記」）。例文帳に追加

In 1870, when Seison HIROSE was invited to a poem meeting by Saionji, Aizan TANIGUCHI was also present as well as Seiitsu YAMANAKA who joined movement of Sonno Joi (slogan advocating reverence for the Emperor and the expulsion of foreigners) and enjoyed Tomomi IWAKURA's favor, Kaido ITAKURA (Chikushu OMI) who was a real brother of Tenko EMA and would be put in prison for the Ikedaya Incident, Hidegoro (Hideo) YAMAMOTO who was a son of a scholar of herbalism Boyo YAMAMOTO and a Chinese medicine doctor, and Rentaro (Chokuzen) HAMASAKI, so it is considered that some of these were also invited as guest teachers ("Seison-ko Shutaku Nikki" (Cherised Diary of Prince Seison)).  - Wikipedia日英京都関連文書対訳コーパス

パーネルは死んだ残忍な偽善者どもの手にかかり僕らの無冠の王は死んだ嘆く、嘆く、悲しみのエリン泥沼から引き上げてやった臆病な犬どもに彼は殺されたエリンの希望もエリンの夢もその君主の積みまきの上に滅びた御殿にあろうとも、小屋にあろうとも悲しみにひしがれるアイルランドの心その運命をもたらすはずの彼が逝ってしまったから彼あらば世界にエリンの名を知らしめ栄光の緑の旗をはためかせ政治家たち、詩人たち、戦士たちの立ち上がったものを彼は自由を夢見た悲しいかな、夢にすぎなかった偶像をつかもうとしたその時裏切りが彼と愛するものを引き離した恥を知れ、臆病者彼らの君主を襲い媚を売る聖職者衆に売り渡した卑劣漢ども永遠の恥辱よ、焼き尽くせ誇りをもって彼らをはねつけた人の高貴の名を汚し傷つけた者どもの記憶を最後まで気高く屈せずに倒れた強き人死が彼を今は亡きエリンの英雄たちと一つにした彼の眠りを乱す争いはなし！静かに彼は休む彼を栄光へと駆り立てる人としての苦悩も大望も今はない彼らは思い通り彼を殺したしかしエリンは望む、彼の魂よ炎から不死鳥のように舞い上がれとその日の夜の明ける時自由の御代が僕らにもたらされるその日、エリンよ、挙げよ喜びの杯を悲しみのためにパーネルの思い出のために例文帳に追加

O, Erin, mourn with grief and woeFor he lies dead whom the fell gangOf modern hypocrites laid low.He lies slain by the coward houndsHe raised to glory from the mire;And Erin's hopes and Erin's dreamsPerish upon her monarch's pyre.In palace, cabin or in cotThe Irish heart where'er it beIs bowed with woe--for he is goneWho would have wrought her destiny.He would have had his Erin famed,The green flag gloriously unfurled,Her statesmen, bards and warriors raisedBefore the nations of the World.He dreamed (alas, 'twas but a dream!)Of Liberty: but as he stroveTo clutch that idol, treacherySundered him from the thing he loved.Shame on the coward, caitiff handsThat smote their Lord or with a kissBetrayed him to the rabble-routOf fawning priests--no friends of his.May everlasting shame consumeThe memory of those who triedTo befoul and smear the exalted nameOf one who spurned them in his pride.He fell as fall the mighty ones,Nobly undaunted to the last,And death has now united himWith Erin's heroes of the past.No sound of strife disturb his sleep!Calmly he rests: no human painOr high ambition spurs him nowThe peaks of glory to attain.They had their way: they laid him low.But Erin, list, his spirit mayRise, like the Phoenix from the flames,When breaks the dawning of the day,The day that brings us Freedom's reign.And on that day may Erin wellPledge in the cup she lifts to JoyOne grief--the memory of Parnell.  - James Joyce『アイビーデイの委員会室』