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Institutional Collaborative

by Jane Dowe & Terre Thaemlitz
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    IF YOU LIKED THIS: A few original CD copies of "Institutional Collaborative" are still in stock at comatonse.com/shop
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about

From the original introduction by Molly Taylor of Escape Tank (included as PDF):

Over several years of correspondence, the members of the Institutional Collaborative, Jane Dowe and Terre Thaemlitz, have only communicated via digital means - e-mail, DAT and CD. As a music journalist, Dowe had initially engaged Thaemlitz in discussion about some of his audio projects. Dowe's participation in major U.S. university Computer Music programs, as well as her various private and commercial audio endeavors, quickly led to a series of tape exchanges with Thaemlitz. As their dialogue grew, it became increasingly apparent that both Dowe and Thaemlitz share some peculiar similarities in their productive processes - both sonically and in terms of cultural relations. Aside from the obvious similarity of their avid use of direct digital synthesis techniques, both Dowe and Thaemlitz find themselves situated as both subjects and objects within the often contradictory economies of an Ambient marketplace, popular music media, and academia. As the moniker Institutional Collaborative suggests, it is through a recognition of such cultural associations that Dowe's and Thaemlitz' collaboration takes shape.

credits

released September 14, 1998

Originally released under license from Comatonse Recordings in 1998 as a CD (Germany: Mille Plateaux, 1998) MPCD53. Contracts have since expired and all rights reverted. Produced, mixed and arranged by J. Dowe, T. Thaemlitz (BMI). Photo by Terre from documentation of unauthorized installation of beeping devices with John Consigli at Museum of Modern Art (MOMA), New York City, 1989. Design by Terre.

IF YOU LIKED THIS: A few original CD copies of "Institutional Collaborative" are still in stock at comatonse.com/shop

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Comatonse Recordings by Terre Thaemlitz Chiba Prefecture, Japan

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