Le 17e Festival Movies That Matter dévoile son programme
par Olivia Popp
- Le première mondiale du documentaire The Promise, de Daan Veldhuizen, marquera l'ouverture de l'événement, qui propose des fictions, des documentaires, et plusieurs compétitions thématiques
Cet article est disponible en anglais.
Unspooling from 21-29 March in The Hague, Netherlands, the 17th edition of Movies That Matter showcases 98 films with ten world premieres, encompassing fiction features, documentary features and short films eligible for awards in several competitions. The festival will open with the world premiere of Daan Veldhuizen's The Promise [+lire aussi :
critique
fiche film], vying for the top prize in the Grand Jury Documentary Competition – the winner of which will qualify for the Academy Awards. The human rights documentary, which uses archival 35 mm footage to interrogate the omnipresent impact of neocolonialism in what was then Dutch New Guinea (today’s Western New Guinea, part of Indonesia), is also jointly part of the festival’s thematic Justice Frame sidebar.
Comprising eight films, the Grand Jury Fiction Competition notably features the world premiere of Morgan Knibbe’s The Garden of Earthly Delights [+lire aussi :
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fiche film], a postcolonial exploration set around different individuals who cross paths in Manila. The rest of the competition is completed by critical and audience favourites from the festival circuit: Scandar Copti’s Happy Holidays [+lire aussi :
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interview : Scandar Copti
fiche film], Neo Sora's Happyend, Lotfi Achour's Red Path [+lire aussi :
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fiche film], Mohammad Rasoulof’s The Seed of the Sacred Fig [+lire aussi :
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bande-annonce
interview : Directors Talks @ European…
interview : Mohammad Rasoulof
fiche film], Emanuel Pârvu's Three Kilometres to the End of the World [+lire aussi :
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bande-annonce
interview : Emanuel Pârvu
fiche film], Milad Tangshir's Anywhere Anytime [+lire aussi :
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bande-annonce
interview : Milad Tangshir
fiche film] and Marianna Brennand's Manas [+lire aussi :
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bande-annonce
interview : Marianna Brennand
fiche film].
Outside of the festival’s opening film and one other work, all of the documentaries in the Grand Jury Documentary Competition, which consists of nine films, will be celebrating their Dutch premiere at the festival. Spanning a diverse range of topics, the selection includes Tommy Guliksen's Facing War [+lire aussi :
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fiche film], focused on Jens Stoltenberg’s leadership of NATO during the ongoing invasion of Ukraine; Léonard Cohen’s colourful animation Flavours of Iraq; David Borenstein and Pasha Talankin’s quietly resistant whistleblower documentary Mr. Nobody Against Putin [+lire aussi :
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fiche film]; and Alisa Kovalenko’s Ukrainian frontlines diary My Dear Theo [+lire aussi :
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fiche film].
The thematic competitions include the aforementioned Justice Frame sidebar, focused on “the importance of the rule of law and the fight against impunity”; the Activist Lens, featuring documentaries centred on human rights champions; and the Dutch Focus competition. World premieres in the latter strand include Petr Lom’s The Coriolis Effect, Geertjan Lassche’s Ik was een kind and Thomas Stokmans’ Meneer L. Films in these thematic sections are also eligible for prizes within their respective categories, no matter if they overlap with the Grand Jury competitions, meaning that several works have been nominated for and will be considered for more than one prize.
The festival will close with the Dutch premiere of Sissel Morell Dargis’s Danish documentary Balomania [+lire aussi :
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fiche film], which examines the eponymous phenomenon in Brazil’s favelas, where the construction and competition of (now illegal) hot-air balloons offers a new and unexpected take on the power of art.
(Traduit de l'anglais)
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