27/02/2025 - The event will unfold from 5 to 9 March with screenings of films from northern Europe and industry days including a very attractive co-production workshop

Dedicated to Nordic cinema and initiated by The Five Nordics (associating the Danish Film Institute, the Finnish Film Foundation, the Icelandic Film Centre, the Norwegian Film Institute and the Swedish Film Institute), the CNC and the Swedish Institute, Visions Nordiques – French Nordic Film Days will unfold in Paris from 5 to 9 March.

Standing out in the programme is the Visions Nordiques festival, with screenings at the Grand Action cinema of a dozen films including two Icelandic features: Touch [+see also:
film review
film profile] by Baltasar Kormákur (which will open the event) and Odd Fish by Snævar Sölvi Sölvason. Also showing are three recent Norwegian features: Love [+see also:
film review
trailer
interview: Dag Johan Haugerud
film profile] by Norwegian filmmaker Dag Johan Haugerud (who will be present in Paris), Loveable [+see also:
film review
trailer
interview: Lilja Ingolfsdottir
film profile] by Lilja Ingolfsdottir and Safe House by Eirik Svensson. Sweden will also be represented by three titles: Hacking Hate [+see also:
film review
film profile] by Simon Klose, The Hypnosis [+see also:
film review
trailer
interview: Asta Kamma August
interview: Ernst De Geer
film profile] by Ernst de Geer and The Swedish Torpedo [+see also:
film review
interview: Frida Kempff
film profile] by Frida Kempff. Denmark will be represented by My Eternal Summer [+see also:
film review
trailer
interview: Sylvia Le Fanu
film profile] by Sylvia le Fanu and Finland by Orenda [+see also:
film review
trailer
interview: Pirjo Honkasalo
film profile] by Pirjo Honkasalo, but also by a short film programme presenting Silenting Trilogy by Juho Kuosmanen. Last but not least, cult films Le Havre [+see also:
film review
trailer
interview: Aki Kaurismäki
film profile] by Aki Kaurismäki and Breaking The Waves by Lars von Trier will also screen.

The industry forum will take place between 5 and 7 March. Its first goal will be to allow film institutes and French and Nordic professionals to discuss their production and distribution systems through panels and case studies. On 5 and 6 March, there will be discussions in the CNC offices about the topics of distribution in the post-health crisis period and the specificities of auteur films (with Jour2Fête, Camera Film, Condor Distribution and TriArt Film), those of international sales (with Goodfellas and Paradise City Sales and producers from Still Vivid, Komeetta and Snowglobe), the accompaniment of filmmakers, and environmental transition, as well as French and Nordic public policies.

Then, on 7 March, a co-production workshop will be held at the Swedish Institute, bringing together French and Nordic producers, sales agents and distributors. 11 companies will represent the five Nordic countries during individual meetings about projects, almost all of which are in development. Norwegian producer Ingvil Sæther Berger (Motlys) will arrive with three projects: Foot Of the Mountain by Dag Johan Haugerud (crowned in Berlin last Sunday), Almost There by Rikke Gregersen and How to Steal a Bike by Johan Fasting. Sara Nassim and Grímar Jonsson from Icelandic outfit Sarimar Films will be presenting 200 Kópavogur by Grímur Hákonarson and The Silver of Egill Skallagrímsson by Hafsteinn Gunnar Sigurðsson. O.M Araldsen from Swedish company Anagram will be betting on Sunday Road by Tomas Alfredson and Always Wonderful in Paris by Annika Appelin (which will be either a film or a series). Sara Nassim and Hrönn Kristinsdóttir from Icelandic outfit S101 will be presenting the fiction projects Paradox by Valdimar Jóhannsson and There’s Something that Illuminates and It’s Not the Sun by Sol Berruezo, and the documentary Shadowline by Gústav Geir Bollasson.

Lotte Sandbu and Synnøve Hørsdal from Maipo Film (Norway) will be present with the projects currently looking for financing Low Expectations by Eivind Landsvik and Vampyr by Arild Fröhlich. Marie Gade from Zentropa will be presenting two titles by Wayne Roberts: You Can Call Me Adolf and You’re Still Here. Finnish producer Miia Haavisto (Tekele Productions) will be taking part with Miss Pandora by Jan Forsström and Life is Short by Kirsikka Saar, and David Herdies from Swedish outfit Momento Film will present The Rabbit Yard by Jens Östberg. Also worth noting that Mia Ylönen from Helsinki-filmi will be present with, among others, the series Bloodwine by Marja Pyykkö, and Eliza Jones from Swedish company Grand Slam Film will have one project in development (My Best Friend’s Baby by Sophie Vukovic) and two titles in post-production: 7 Steps by Andreas Öhman and The Art Patron by Julia Thelin. Finally, the line-up of Danish producer Katrin Pors from Snowglobe includes upcoming films by Hlylnur Pálmason, Jeanette Nordahl, Maria Bäck, Emilie Thalund, Lucrecia Martel, Annemarie Jacir, Carlos Reygadas and Cristian Mungiu.

The full catalogue for the co-production workshop can be downloaded here.

(Translated from French)