Listening is how we eat music. Hearing is how we digest it.

Robert Fripp cf. “Use familiar knowledge unconsciously. Sight-read. Make your own pieces with the notes you know well and the rest of the piece, the story, the language, will fall into place.”

This is New York

This is New York. A city that can be at once deeply familiar but also newly restless on the same block. A city whose very material for being is serendipity. A giver of anonymity and a giver of the densest participation in humanity. And still, with all its gifts, it requires only one thing of us: utility. The only thing New York requires of its citizens, its tourists, its commuters, its passerbys, its participants, is to use the city. The only thing one cannot do in New York City is embrace it with apathy.

This is New York. We come here unfinished, looking to the city for answers, for solitude, assignment, and for reward — looking for someplace to finish our sentences. And the city, in turn, presents endless possibilities. No matter if one lives here a year or a life, if utility is the city’s aspiration, then its reward is its neighborhoods.

Recently, I moved — all of 1.8 miles. After 11 years in one Brooklyn neighborhood, I moved just over 9,500 feet to the east. New Yorkers live and breathe by the people and services on a single city block, so moving this far is just as well moving countries. Changing currencies. Allegiances. Time zones. But without sympathy. Because it is, after all, still one city.

When I moved from the East Village of Manhattan to Brooklyn, I saw neighborhoods unlike I’d seen before. “The city,” as Manhattan is called if one is a Brooklynite, has neighborhoods of course. Yet Brooklyn has them at a different scale and speed. Within a month of moving to Carroll Gardens, I’d been offered protection, welcome-baked-goods, and was head of some sort of block-party planning committee. In more than a decade there, I’d been locked out, delighted, broken into, loved, infuriated, and everything in between. And I relied on the people on my block to be there for me through it all.

I now live on Flatbush Avenue in Brooklyn — the kind of Grand Central of our borough — where the steady traffic and sirens are a nightly lullaby. It’s no pastoral neighborhood, but the frenetic diversity of pace, scale, sounds, lights, and people to befriend envelops one in possibility. It’s less bake sale more survivalism, less Hopper more Pollack. Invitations to help and dine together are frequent, and neighbors hang even closer together. Islands of neighbordom against the fray. With neighbors, anything is possible.

This is a city I came to with aspiration, and a city I return to aspiring to be inspired again. Of all the cities, it may be New York who is the most unflappable, the most infallible, the most impenetrable, but the most loyal and the most forgiving. As such, it is New York City itself who is unfinished, its unkempt seams and its unsmooth asphalt, its uptown arts and its devoted downtown, living undone, side by side.

This is New York. A city of neighbors making the unfinished finished.
It’s been spat on and praised, paved over and cheered on. It needs us to finish its sentences. For despite all of the promised anonymity of this singular city, “New York City” is plural.

If you spend too much time doing ‘Ready aim, aim, aim, aim’ you’re never going to see all the good things that would happen if you actually started doing it. Business plans are interesting, but they have no real meaning, because you can’t put in all the positive things that will occur. I always live by the motto of ‘ready, fire, aim.’

Oliver Burkeman. In his book, he reviews the work of psychologist Saras Sarasvathy, who had studied qualities successful entrepreneurs share. I found this not too dissimilar from one of my favorite quotations on his writing process from E.L. Doctorow. “Writing is like driving at night in the fog. You can only see as far as your headlights, but you can make the whole trip that way.” When I write, I’ve never been able to have a plan, so knowing authors I admire similarly drive into the fog has been encouraging. Less aim, more fire.

The unready

In his unending wisdom, author Umberto Eco reminds us that there is wisdom in what is not done, wisdom in what is not finished.

Eco is allegedly the owner of a large personal library of 30,000 books, and separates visitors to his library into two categories: 1) the large majority who visit asking “how many of these have you read!?” — the impressed — and 2) those — a very small minority — who get that books are not for show, but for research. And that unread books are far more valuable to us than read ones.

As such, our personal libraries should contain as much of what we don’t know as what we do. They should contain the possible. The aspirational. They should contain the future.

In other words, the unfinished is far more valuable than the finished. The un-figured out far more valuable than the figured out.

Eco called this concept the anti-library.

People don’t walk around calling themselves anti-entrepreneurs or promoting their anti-CVs. We don’t promote our anti-knowledge and our anti-degrees. But maybe we should.

The love of books is much celebrated; the love of reading too. Yet the love of not reading — the letting of books pile up around us — is a quiet pursuit.

This post was the introduction to a Facebook panel, “99% Unfinished,” at Brooklyn Beta. Thanks Russ for inviting me. Thanks Maria for the title.

Let’s celebrate the stories of people we thought we’d once be; stories of languages we thought we’d once learn; places we thought we’d once visit; hobbies never learned; pursuits never pursued. These need not be stories of what wasn’t, but stories of what was instead.

Let’s celebrate books owned, but never read. Pages unfolded. Chapters unfinished. Marginalia unwritten.

And celebrate lives lived.

Truth over grammar equals thing

Truth over grammar equals thing

The Atlantic’s Jessica Lahey interviews Stephen King on grammar, teaching writing to kids, and the seminal On Writing. She asks how teachers can encourage kids to close the door and write without fear. King:

In a class situation, this is very, very hard. That fearlessness always comes when a kid is writing for himself, and almost never when doing directed writing for the grade (unless you get one of those rare fearless kids who’s totally confident). The best thing — maybe the only thing — is to tell the student that telling the truth is the most important thing, much more important than the grammar.

Likewise, Vonnegut said, “write to please just one person.” Knowing this, and staunchly following his advice, I used to have a person in mind, unwaveringly, when I wrote. Only much later did I find out that person was supposed to be me.

[via Patrick Cooper]

On starting

If there is one thing I’m absolutely expert at, it’s not finishing projects. I am a serial starter, an absolutely fantastic middle-of-the-project doer, and an expert project quitter. I know when to quit. And I do.

I’ve quit gardening. I’ve quit German, the language, entirely. I’ve quit living in Japan. I’ve quit knitting and French Horn lessons. 

In fact, if there is anything that has been successful in my life, it’s been the ability to recognize the need to quickly jettison a project, an idea, a thing, and move on.

But until recently, I kept this a secret. Somehow, while our design processes celebrate iteration and throwing things away, our culture scorns switching and quitting. We don’t celebrate stopping things, changing our paths, or our minds. Just the opposite. We celebrate finishing things.

Human beings have an “inherent tendency to seek out novelty and challenges, to extend and exercise their capacities, to explore and to learn.“ —as told by Dan Pink

We’re so busy tracking completion — how many miles run, books read, calories burned, cities visited — that we forget to remember a project’s value in the first place. In our race just to finish, we underestimate the benefits of quitting. I want to come out of the unfinished project closet. I want to consider the benefits of starting.

Despite my dozens of inactive blogs, unrealized side projects, and fallow domain names, next week, I start (another) new side project. And thus begins another new possibility for uncertainty, for quitting, and for happiness.

I’m ready.

Image of the future

Image of the future

Raul Gutierrez on the future:

The future is close.

The future is when you finish these words.

The future is far.

The future is when the stars die a million million years from now and everything is so cold.

Sometimes when you’re waiting for your birthday or Christmas or some special secret thing, the future seems like forever.

A long time ago, today was the future.

A long time ago they thought we would have floating sidewalks and flying cars and everything would be automatic.

(Automatic was a big part of the future for those guys.)

They thought the future would always be beatiful.

They wrote “We want no part in the past.”

Funny it was so very long ago.

Some day, a long time from today, we’ll all be old and we’ll remember lying here talking about the future and we’ll laugh about everything we did not know.

See also:
Fred Polak’s The Image of the Future (PDF)

In between speeding through to-do lists, checking things off, counting hours until we go home, spending days rather than living them, we can swerve to note: a long time ago — even just yesterday — today was the future.