The ideas and images that come to mind when you think of technology as an instrument are more useful than if you think of it as a tool. Instruments — I’m specifically talking about musical instruments — are a way to create culture.
You approach instruments with a set of expectations and associations that are more humane. It’s built into their very purpose. Instruments are meant to make something for other people, not making things. When you use an instrument, you have an expectation that it is going to take effort to use it well. Using an instrument takes practice. You form a relationship with that object. It becomes part of your identity that you make something with it. You tune it. You understand that there’s no such thing as a “best” guitar in the same way that there’s not necessarily a “best” phone.
I love the small web, the clean web. I hate tech bloat.
And LLMs are the ultimate bloat.
So much truth in one story:
They built a machine to gentrify the English language.
They have built a machine that weaponizes mediocrity and sells it as perfection.
They are strip-mining your confidence to sell you back a synthetic version of it.
I am interested in art—we are interested in art, in any and all of its forms—because humans made it. That’s the very thing that makes it interesting; the who, the how, and especially the why.
The existence of the work itself is only part of the point, and materializing an image out of thin air misses the point of art, in very much the same way that putting a football into a Waymo to drive it up and down the street for a few hours would be entirely missing the point of sports.
Stick with this. It’s worth it.
It feels like someone just harvested lumber from a forest I helped grow, and now wants to sell me the furniture they made with it.
Brian Eno on prototyping and fidelity.
A large language model is as neutral as an AK-47.
Naming things is hard, and sometimes harmful.